See also:

• DOUGLAS
• DOUGLAS, GAVIN (1474?-1522)
• DOUGLAS, JOHN (1721—1807.)
• DOUGLAS, SIR CHARLES
• DOUGLAS, SIR HOWARD
• DOUGLAS, STEPHEN ARNOLD (18,3–1861)

DOUGLAS See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

WILLIAM See also:

• DOUGLAS WILLIAM JERROLD (1803-1857)

JERROLD (1803-1857)  , See also:

• ENGLISH

English dramatist and See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man of letters, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London on the 3rd of See also:

• JANUARY

January 1803 . His See also:

• FATHER

father, See also:

• SAMUEL

Samuel See also:

• JERROLD, DOUGLAS WILLIAM (1803-1857)

Jerrold, actor, was at that See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time lessee of the little See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre of Wilsby near See also:

• CRANBROOK
• CRANBROOK, GATHORNE

Cranbrook in See also:

• KENT
• KENT, EARLS AND DUKES OF
• KENT, JAMES (1763-1847)
• KENT, WILLIAM (1685-1748)

Kent, but in 1807 he removed to See also:

• SHEERNESS

Sheerness . There, among the See also:

• BLUE (common in different forms to most European languages)

blue-jackets who swarmed in the See also:

• PORT

port during the See also:

• WAR
• WAR (O. Eng. werre, Fr. guerre, of Teutonic origin; cf. O.H.G. werran, to confound)

war with See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France, See also:

• DOUGLAS
• DOUGLAS, GAVIN (1474?-1522)
• DOUGLAS, JOHN (1721—1807.)
• DOUGLAS, SIR CHARLES
• DOUGLAS, SIR HOWARD
• DOUGLAS, STEPHEN ARNOLD (18,3–1861)

Douglas See also:

• GREW, NEHEMIAH (1641-1712)

grew into boyhood . He occasionally took a See also:

• CHILD
• CHILD, FRANCIS JAMES (1825-1896)
• CHILD, L
• CHILD, LYDIA MARIA (1802-1880)
• CHILD, SIR FRANCIS (1642-1713)
• CHILD, SIR JOHN (d. 1690)
• CHILD, SIR JOSIAH (163o - 1699)

child's See also:

• PART

part on the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage, but his father's profession had little attraction for the boy . In See also:

• DECEMBER (Lat. decent, ten)

December 1813 he joined the guardship " See also:

• NAMUR
• NAMUR (Flemish, Namen)

Namur," where he had Jane See also:

• AUSTEN, JANE (1775-1817)

Austen's See also:

• BROTHER

brother as See also:

• CAPTAIN (derived from Lat. ca put, head, through the Low Lat. capitanus)

captain,and he served as a See also:

• MIDSHIPMAN

midshipman until the See also:

• PEACE
• PEACE, BREACH OF THE

peace of 1815 . He saw nothing' of the war See also:

• SAVE, or SAVA (Ger. Sau; Hungarian Szdva; Lat. Savus)

save a number of wounded soldiers from See also:

• WATERLOO

Waterloo; but till his dying See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day there lingered traces of his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• PASSION (post-classical Lat. passio, formed from pati, passus, to suffer, endure)

passion for the See also:

• SEA (in O. Eng. sae, a common Teutonic word; cf. Ger. See, Dutch Zee, &c.; the ultimate source is uncertain)
• SEA, COMMAND OF THE

sea . The peace of 1815 ruined Samuel Jerrold; there was no more See also:

• PRIZE, or PRIZE OF WAR (Fr. prise, from prendre, to take)

prize See also:

• MONEY

money . On the 1st of January 1816 he removed with his See also:

• FAMILY

family to London, where the ex-midshipman began the See also:

• WORLD

world again as a printer's apprentice, and in 1819 became a compositor in the See also:

• PRINTING (from Lat. imprimere, O. Fr. empreindre)

printing-See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

office of the See also:

• SUNDAY

Sunday See also:

• MONITOR (from Lat. monere, to warn, advise)

Monitor . Several See also:

• SHORT, FRANCIS JOB (1857– )

short papers and copies of verses by him had already appearedin the sixpenny magazines, and one evening he dropped into the editor's See also:

• BOX
• BOX (Gr. irl or, Lat. buxus, box-wood; cf. 2r6Eir, a pyx)

box a See also:

• CRITICISM
• CRITICISM (from the Gr. KpiTrlS, a judge, Kpivew, to decide, to give an authoritative opinion)

criticism of the See also:

• OPERA (Italian for " work ")

opera Der Freischiitz . Next See also:

• MORNING

morning he received his own copy to set up, together with a flattering See also:

• NOTE
• NOTE (Lat. nota, mark, sign, from noscere, to know)

note from the editor, requesting further contributions from the See also:

• ANONYMOUS

anonymous author . Thenceforward Jerrold was en-gaged in journalism . In 1821 a See also:

• COMEDY

comedy that he had composed in his fifteenth See also:

• YEAR

year was brought out at See also:

• SADLER (or SADLEIR), SIR RALPH (1507-1587)
• SADLER, MICHAEL THOMAS (1780-1835)

Sadler's See also:

• WELLS
• WELLS, CHARLES JEREMIAH (1798?–1879)
• WELLS, DAVID AMES (1828—1898)
• WELLS, HERBERT GEORGE (1866— )
• WELLS, SIR THOMAS SPENCER, 1ST BART

Wells theatre, under the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title More Frightened than Hurt .

Other pieces followed, and in 1825 he was engaged for a few pounds weekly to produce dramas and farces to the See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order of Davidge of the See also:

• COBURG

Coburg theatre . In the autumn of 1824 the " little See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare in a camlet cloak," as he was called,married See also:

• MARY
• MARY (1457-1482)
• MARY (1496-1533)
• MARY, QUEEN OF SCOTS

Mary Swann; and, while he was engaged with the See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama at See also:

• NIGHT

night, he was steadily pushing his way as a journalist . For a short while he was part proprietor of a small Sunday newspaper . In 1829, through a See also:

• QUARREL

quarrel with the exacting Davidge, Jerrold See also:

• LEFT

left the Coburg; and his three-See also:

• ACT (Lat. actus, actum)

act See also:

• MELODRAMA (a coined word from Gr. µEXos, music, and Spaµa, action)

melodrama,See also:

• BLACK
• BLACK, ADAM (1784-1874)
• BLACK, JEREMIAH SULLIVAN (1810–1883)
• BLACK, WILLIAM (1841-1898)

Black-eyed Susan; or, All in the See also:

• DOWNS

Downs, was brought out by R . W . See also:

• ELLISTON, ROBERT WILLIAM (1774--1831)

Elliston at the See also:

• SURREY
• SURREY, EARLDOM OF
• SURREY, HENRY HOWARD, EARL OF (1518?-1547)

Surrey theatre . The success of the piece was enormous . With its See also:

• FREE

free gallant sea-flavour, it took the See also:

• TOWN

town by See also:

• STORM (in O. Eng..storm, and so in Du. and Low Ger.; in O. H. Ger. and mod. Ger. Sturm; the root is probably that seen in " stir," to rouse, move, disturb, cf. Ger. storen)
• STORM, THEODOR WOLDSEN (1817-1888)

storm, and " all London went over the See also:

• WATER

water to see it." Elliston made a See also:

• FORTUNE, ROBERT (1813-188o)

fortune by the piece; T . P . See also:

• COOKE, GEORGE FREDERICK (1756–1811)
• COOKE, JAY (1821–1905)
• COOKE, ROSE TERRY (1827-1892)

Cooke, who played See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William, made his reputation; Jerrold received about £6o and was engaged as dramatic author at five pounds a See also:

• WEEK (from A.S. wicu, Germanic *wikon, probably=change, turn)

week . But his fame as a dramatist was achieved . In 183o it was proposed that he should adapt something from the See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French for See also:

• DRURY, SIR WILLIAM (1527-1579)

Drury See also:

• LANE, EDWARD WILLIAM (1801–1876)
• LANE, JAMES HENRY (1814–1866)

Lane .

" No," was his reply, " I shall come into this theatre as an See also:

• ORIGINAL

original dramatist or not at all." The See also:

• BRIDE (a common Teutonic word, e.g..Goth. bruths, O. Eng. bryd, O. H. Ger. prs2t, Mod. Ger. Bract, Dut. bruid, possibly derived from the root bru-, cook, brew; from the med. latinized form bruta, in the sense of daughter-in-law, is derived the Fr. bru)

Bride of Ludgate (December 8, 1831) was the first of a number of his plays produced at Drury Lane . The other patent houses threw their doors open to him also (the Adelphi had already done so); and in 1836 Jerrold became co-manager of the Strand theatre with W . J . See also:

• HAMMOND
• HAMMOND, HENRY (1605-1660)

Hammond, his brother-in-See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law . The venture was not successful, and the See also:

• PARTNERSHIP (earlier forms, partener, parcener, from Late Lat. partionarius for partitionarius, from partitio, sharing, pars, part)

partnership was dissolved . While it lasted Jerrold wrote his only tragedy, The Painter of See also:

• GHENT (Flem. Gent, Fr. Gand)

Ghent, and himself appeared in the title-role, with-out any very marked success . He continued to write sparkling comedies till 1854, the date of his last piece, The See also:

• HEART
• HEART, LUNG

Heart of See also:

• GOLD
• GOLD [symbol Au, atomic weight 195.7(H = 1),197.2(0 =16)]

Gold . Meanwhile he had won his way to the pages of numerous See also:

• PERIODICALS

periodicals—before 183o of the second-See also:

• RATE

rate magazines only, but after that to those of more importance . He was a contributor to the Monthly See also:

• MAGAZINE

Magazine, See also:

• BLACKWOOD, WILLIAM (1776-1834)

Blackwood's, 'the New Monthly, and the See also:

• ATHENAEUM

Athenaeum . To See also:

• PUNCH

Punch, the publication which of all others is associated with his name, he contributed from its second number in 1841 till within a few days of his See also:

• DEATH

death . He founded and edited for some time, though with indifferent success, the Illuminated Magazine, Jerrold's See also:

• SHILLING

Shilling Magazine, and Douglas Jerrold's Weekly Newspaper; and under his editorship See also:

• LLOYD, EDWARD (1845— )
• LLOYD, WILLIAM (1627–1717)
• LLOYD, WILLIAM WATKISS (1813–1893)

Lloyd's Weekly Newspaper See also:

• ROSE
• ROSE (Rosa)
• ROSE, GEORGE (1744-1818)
• ROSE, HUGH JAMES (1795—1838)
• ROSE, WILLIAM STEWART (1775-1843)

rose from almost nonentity to a circulation of 182,000 . The See also:

• HISTORY

history of his later years is little more than a See also:

• CATALOGUE (a Fr. adaptation of the Gr. KaraXoyos, a register, from Karalyety, to enrol or pick out)

catalogue of his See also:

• LITERARY

literary productions, interrupted now and again by brief visits to the See also:

• CONTINENT (from Lat. continere, "to hold together "; hence " connected," " continuous ")

Continent or to the See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country .

Douglas Jerrold died at his See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house, Kilburn Priory, in London, on the 8th of See also:

• JUNE

June 1857 . Jerrold's figure was small and spare, and in later years bowed almost to deformity . His features were strongly marked and expressive from the thin humorous lips to the keen blue eyes gleaming from beneath the shaggy eyebrows . He was brisk and active, -with the careless bluffness of a sailor . Open and sincere, he concealed neither his anger nor his See also:

• PLEASURE (through Fr. plaisir from Lat. placere, to please; Gr. rlbovii)

pleasure; to his See also:

• SIMPLE

simple frankness all polite duplicity was distasteful . The cynical See also:

• SIDE
• SIDE (mod. Eski Adalia)

side of his nature he kept for his writings; in private See also:

• LIFE

life his See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand was always open . In politics Jerrold was a Liberal,and he gave eager sympathy to See also:

• KOSSUTH, FERENCZ LAJOS AKOS (1841– )
• KOSSUTH, LAJOS [Louis] (1802-1894)

Kossuth, Mazzini and See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis See also:

• BLANC, (JEAN JOSEPH CHARLES) LOUIS (1811-1882)
• BLANC, MONT

Blanc . In social politics especially he took an eager part; he never tired of de-claiming against the horrors of war, the luxury of bishops, and the iniquity of See also:

• CAPITAL (i.e. capital stock or fund)
• CAPITAL (Lat. caput, head)

capital See also:

• PUNISHMENT (from Lat. punire, to punish, from poena, punishment, Gr. 7rocvil)

punishment . Douglas Jerrold is now perhaps better known from his reputation as a brilliant wit in conversation than from his writings . As a dramatist he was very popular, though,his plays have not kept the stage . He dealt with rather humbler forms of social life than had commonly been represented on the boards . He was one of the first and certainly one of the most successful of those who in See also:

• DEFENCE
• DEFENCE (Lat. defendere, to defend)

defence of the native English drama endeavoured to See also:

• STEM (O. Eng. staefn, stemn, cf. Du. stain, Ger. Stamm, &c., probably related to " staff ")

stem theetide of See also:

• TRANSLATION

translation from the French, which threatened early in the 19th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century altogether to drown original native See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent .

His skill in construction and his mastery of See also:

• EPIGRAM

epigram and brilliant See also:

• DIALOGUE

dialogue are well exemplified in his comedy, Time See also:

• WORKS

Works Wonders (Haymarket, See also:

• APRIL

April 26, 1845) . The tales and sketches which See also:

• FORM (Lat. forma)

form the bulk of Jerrold's collected works vary much in skill and See also:

• INTEREST

interest; but, although there are evident traces of their having been composed from week to week, they are always marked by keen satirical observation and pungent wit . Among the best known of his numerous works are: Men of See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

Character (1838), including " See also:

• JOB

Job See also:

• PIPPIN, or PEPIN

Pippin: The man who couldn't help it," and other sketches of the same See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind; Cakes and See also:

• ALE

Ale (2 vols., 1842), a collection of short papers and whimsical stories; some more serious novels—The See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

Story of a See also:

• FEATHER (0. Eng. (ether, Ger. Feder, from an Indo-European root seen also in Gr. lrrepov, and aEreo-Oat, to fly)

Feather (1844), The See also:

• CHRONICLES, BOOKS OF

Chronicles of Clovernook (1846), A Man made of Money (1849), and St See also:

• GILES (GIL, GILLES), ST

Giles and St See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James (1851); and various See also:

• SERIES (a Latin word from serere, to join)

series of papers reprinted from Punch—Punch's Letters to his Son (1843), Punch's See also:

• COMPLETE

Complete See also:

• LETTER (through Fr. lettre from Lat. littera or litera, letter of the alphabet; the origin of the Latin word is obscure; it has probably no connexion with the root of linere, to smear, i.e. with wax, for an inscription with a stilus)

Letter-writer (1845), and the famous Mrs See also:

• CAUDLE (through the O. Fr. caudel, from the Med. Lat. -aldellum, a diminutive of caldum, a warm drink, from calidus, hot)

Caudle's See also:

• CURTAIN

Curtain Lectures (1846) . See W . B . Jerrold, Life and Remains of Douglas Jerrold (1859) . A collected edition of his writings appeared in 1851-1854, and The Works of Douglas Jerrold, with a memoir by his son, W . B . Jerrold, in 1863-1864; but neither is complete . Among the numerous selections from his tales and witticisms are two edited by his See also:

• GRAND

grand-son, See also:

• WALTER, HUBERT (d. 1205)
• WALTER, JOHN (1738/9-1812)

Walter Jerrold, Bons Mots of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles See also:

• DICKENS, CHARLES JOHN HUFFAM (1812-187o)

Dickens and Douglas Jerrold (new ed . 1904), and The Essays of Douglas Jerrold (1903), illustrated by H . M .

See also:

• BROCK, SIR ISAAC (1769—1812)
• BROCK, THOMAS (1847— )

Brock . See also The Wit and Opinions of Douglas Jerrold (1858), edited by W . B . Jerrold . His eldest son, WILLIAM See also:

• BLANCHARD, SAMUEL LAMAN (1804-1845)

BLANCHARD JERROLD (1826-1884), English journalist and author, was born in London on the 23rd of December 1826, and abandoning the See also:

• ARTISTIC

artistic career for which he was educated, began newspaper See also:

• WORK

work at an early See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age there . He was appointed Crystal See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace See also:

• COMMISSIONER

commissioner to See also:

• SWEDEN
• SWEDEN [Sverige]
• SWEDEN, NORWAY AND

Sweden in 1853, and wrote A Brage-See also:

• BEAKER (Scottish bicker, Lat. bicarium, Ger. Becher, a drinking-bowl)

Beaker with the Swedes (1854) on his return . In 1855 he was sent to the See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris See also:

• EXHIBITION

exhibition as correspondent for several London papers, and from that time he lived much in Paris . In 1857 he succeeded his father as editor of Lloyd's Weekly Newspaper, a See also:

• POST

post which he held for twenty-six years . During the See also:

• CIVIL

Civil War in See also:

• AMERICA

America he strongly supported the See also:

• NORTH
• NORTH, BARONS
• NORTH, MARIANNE (1830—1890)
• NORTH, ROGER (1653-1734)
• NORTH, SIR THOMAS (1535?-16o1?)

North, and several of his leading articles were reprinted and placarded in New See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York by the federal See also:

• GOVERNMENT
• GOVERNMENT (0. Fr. governement, mod. gouvernement, O. Fr. governer, mod. gouverner, from Lat. gubernare, to steer a ship, guide, rule; cf. Gr. xv(3epvav)

government . He was the founder and See also:

• PRESIDENT (Fr. president, from Lat. praesidens, post-Augustan Lat. for praeses, director, ruler, from praesidere, to sit in front of, preside)

president of the English See also:

• BRANCH (from the Fr. branche, late Lat. branca, an animal's paw)

branch of the See also:

• INTERNATIONAL, THE

international literary association for the assimilation of See also:

• COPYRIGHT

copyright See also:

• LAWS

laws . Four of his plays were successfully produced on the London stage, the popular See also:

• FARCE

farce Cool as a See also:

• CUCUMBER (Cucumis sativus, Fr. concombre, O. Fr. coucombre, whence the older English spelling and pronunciation " cowcumber," the standard in England up to the beginning of the 18th century)

Cucumber (See also:

• LYCEUM

Lyceum 1851) being the best known . His French experiences resulted in a number of books, most important of which is his Life of See also:

• NAPOLEON

Napoleon III .

(1874) . He was occupied in See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing the See also:

• BIOGRAPHY (from the Gr. (3ios, life, and yp&4 , writing)

biography of Gustave See also:

• DORE, LOUIS AUGUSTE GUSTAVE (1832-1883)

Dore, who had illustrated several of his books, when he died on the loth of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1884 . Among his books are A Story of Social Distinction (1848) Life and Remains of Douglas Jerrold (1859), Up and Down in the World (1863), The See also:

• CHILDREN, LAW RELATING TO

Children of Lutetia (1864), Cent per Cent (1871), At See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

Home in Paris (1871), The Best of all See also:

• GOOD, JOHN MASON (1764-1827)

Good ,See also:

• COMPANY

Company (1871-1873), and The Life of See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George See also:

• CRUIKSHANK, GEORGE (1792–1878)

Cruikshank (1882) .