Online Encyclopedia

THOMAS JOHNSON

Online Encyclopedia
Originally appearing in Volume V15, Page 472 of the 1911 Encyclopedia Britannica.
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THOMAS JOHNSON  ,
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English 18th-century wood-carver and furniture designer . Of excellent repute as a craftsman and an artist in wood, his
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original conceptions and his adaptations of other men's ideas were remarkable for their extreme flamboyance, and for the merciless manner in which he overloaded them with thin and meretricious ornament . Perhaps his most inept design is that for a table in which a
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duck or goose is displacing
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water that falls upon a
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mandarin, seated, with his head on one side, upon the
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rail below . No
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local school of
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Italian rococo ever produced more extravagant absurdities . His clocks
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bore scythes and
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hour-glasses and flashing sunbeams, together with whirls and convolutions and floriated adornments without end . On the other hand, he occasionally produced a mirror
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frame or a mantelpiece which was
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simple and dignified . The
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art of
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artistic
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plagiarism has never been so well understood or so dexterously practised as by the 18th-century designers of English furniture, and Johnson appears to have so far exceeded his contemporaries that he must be called a barefaced thief . The three leading " motives " of the time—Chinese,
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Gothic and Louis Quatorze—were mixed up in his
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work in the most amazing manner; and he was exceedingly fond of introducing human figures, animals, birds and fishes in highly incongruous places . He appears to have defended his enormities on the ground that " all men vary in opinion, and a fault in the eye of one may be a beauty in that of another; 'tis a duty incumbent on an author to endeavour at pleasing every taste." Johnson, who was in business at the "
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Golden Boy " in Grafton Street, Westminster, published a folio
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volume of Designs for Picture Frames, Candelabra, Ceilings, &c . (1758); and One
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Hundred and Fifty New Designs (1761) .

End of Article: THOMAS JOHNSON
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ALBERT SIDNEY JOHNSTON (1803–1862)

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