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VICTORIN See also: born in See also: Paris on the 12th of See also: April 1839
.
He first devoted his See also: attention to See also: painting, but afterwards took up the serious study of See also: music
.
He entered the Paris Conservatoire, but did not remain there long, because he had espoused too warmly the cause of Wagner against his professor
.
He composed the following operas: Sardanapale (1867), Le Dernier jour de Pampei (1869), Dimitri (1876), La Reine Berthe (1878), Le Chevalier See also: Jean (1885), Lancelot (1900)
.
He also wrote incidental music to See also: Hamlet, a See also: symphony, and other See also: works
.
See also: Joncieres' admiration for Wagner asserted itself rather in a musical than a dramatic sense
.
The influence of the See also: German master's earlier See also: style can be traced in his operas
.
Joncieres, however, adhered to the recognized forms of the French See also: opera and did not See also: model his works according to the later developments of the Wagnerian " music drama." He may indeed be said to have been at least as much influenced by Gouno.d as by Wagner
.
From 1871 he was musical critic for La Liberte'
.
He died on the 26th of See also: October 1903
.
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