See also:

• OWEN, JOHN (1616-1683)
• OWEN, JOHN [OVENUS Or AUDOENUS] (c. 1560-1622)
• OWEN, ROBERT (1771-1858)
• OWEN, SIR HUGH (1804-1881)
• OWEN, SIR RICHARD (1804–1892)

OWEN See also:

• JONES
• JONES, ALFRED GILPIN (1824-1906)
• JONES, EBENEZER (182o-186o)
• JONES, ERNEST CHARLES (1819-1869)
• JONES, HENRY (1831-1899)
• JONES, HENRY ARTHUR (1851- )
• JONES, INIGO (1573-1651)
• JONES, JOHN (c. 1800-1882)
• JONES, MICHAEL (d. 1649)
• JONES, OWEN (1741-1814)
• OWEN JONES (1809-1874)
• JONES, RICHARD (179o-1855)
• JONES, SIR ALFRED LEWIS (1845-1909)
• JONES, SIR WILLIAM (1746-1794)
• JONES, THOMAS RUPERT (1819– )
• JONES, WILLIAM (1726-1800)

JONES (1809-1874)  , See also:

• BRITISH

British architect and See also:

• ART

art decorator,son of See also:

• OWEN, JOHN (1616-1683)
• OWEN, JOHN [OVENUS Or AUDOENUS] (c. 1560-1622)
• OWEN, ROBERT (1771-1858)
• OWEN, SIR HUGH (1804-1881)
• OWEN, SIR RICHARD (1804–1892)

Owen See also:

• JONES
• JONES, ALFRED GILPIN (1824-1906)
• JONES, EBENEZER (182o-186o)
• JONES, ERNEST CHARLES (1819-1869)
• JONES, HENRY (1831-1899)
• JONES, HENRY ARTHUR (1851- )
• JONES, INIGO (1573-1651)
• JONES, JOHN (c. 1800-1882)
• JONES, MICHAEL (d. 1649)
• JONES, OWEN (1741-1814)
• JONES, OWEN (1809-1874)
• JONES, RICHARD (179o-1855)
• JONES, SIR ALFRED LEWIS (1845-1909)
• JONES, SIR WILLIAM (1746-1794)
• JONES, THOMAS RUPERT (1819– )
• JONES, WILLIAM (1726-1800)

Jones, a Welsh See also:

• ANTIQUARY

antiquary, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London . After an See also:

• APPRENTICESHIP (from Fr. apprendre, to learn)

apprenticeship of six years in an architect's See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

office, he travelled for four years in See also:

• ITALY
• ITALY (Italia)

Italy, See also:

• GREECE

Greece, See also:

• TURKEY

Turkey, See also:

• EGYPT

Egypt and See also:

• SPAIN
• SPAIN (Espana)

Spain, making a See also:

• SPECIAL

special study of the See also:

• ALHAMBRA, THE

Alhambra . On his return to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England in 1836 he busied himself in his professional See also:

• WORK

work . His forte was interior decoration, for which his See also:

• FORMULA
• FORMULA (Lat. diminutive of forma, shape, pattern, &c., especially used of rules of judicial procedure)

formula was: " See also:

• FORM (Lat. forma)

Form without See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour is like a See also:

• BODY

body without a soul." He was one of the superintendents of See also:

• WORKS

works for the See also:

• EXHIBITION

Exhibition of 1851 and was responsible for the See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general decoration of the Crystal See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace at See also:

• SYDENHAM
• SYDENHAM, CHARLES EDWARD
• SYDENHAM, THOMAS (1624-1689)

Sydenham . Along with See also:

• DIGBY, KENELM HENRY (1800-188o)
• DIGBY, SIR EVERARD (1578-1606)
• DIGBY, SIR KENELM (1603-1665)

Digby See also:

• WYATT, JAMES (1746–1813)

Wyatt, Jones collected the casts of works of art with which the palace was filled . He died in London on the 19th of See also:

• APRIL

April 1874 . Owen Jones was described in the Builder for 1874 as " the most potent apostle of colour that architectural England has had in these days." His range of activity is to be traced in his works: Plans, Elevations and Details of the Alhambra (1835-1845), in which he was assisted by MM . Goury and Gayangos; Designs for See also:

• MOSAIC (corresponding to Lat. opus musivum, from Gr. µovoeiov, an artificial grotto often decorated with mosaics; the word is only found in the sense of mosaic in late Greek, which generally uses k oXI yrlµa)

Mosaic and Tesselated Pavements (1842) ; Polychromatic See also:

• ORNAMENT (Lat. ornare, to adorn)

Ornament of Italy (1845) ; An See also:

• ATTEMPT (Lat. adtemptare, attentare, to try)

Attempt to Define the Principles which regulate the Employment of Colour in Decorative Arts (1852); Handbook to the Alhambra See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

Court (1854); See also:

• GRAMMAR (from Lat. grammatica, sc. ars; Gr. ypaµ)

Grammar of Ornament (1856), a very important work; One Thousand and One Initial Letters (1864); Seven See also:

• HUNDRED

Hundred and Two Monograms (1864) ; and Examples of See also:

• CHINESE, JAPANESE AND

Chinese Ornament (1867) .