|
See also: born and died at See also: Antwerp
.
He studied, like See also: Rubens, under See also: Adam See also: van Noort, and his See also: marriage with his master's daughter in 1616, the See also: year after his See also: admission to the gild of painters, prevented him from visiting See also: Rome
.
He was forced to content himself with studying such examples of the See also: Italian masters as he found at home; but a far more potent influence was exerted upon his See also: style by Rubens, who employed him sometimes to reproduce small sketches in large
.
See also: Jordaens is second to Rubens alone in their See also: special department of the Flemish school
.
In both there is the same warmth of colour, truth to nature, mastery of chiaroscuro and energy of expression; but Jordaens is wanting in dignity of conception, and is inferior in choice of forms, in the character of his heads, and in correctness of See also: drawing
.
Not seldom he sins against See also: good taste, and in some of his humorous pieces the coarseness is only atoned for by the animation
.
Of these last he seems in some cases to have painted several replicas
.
He employed his pencil also in biblical, mythological, See also: historical and allegorical subjects, and is well-known as a portrait painter
.
He also etched some plates
.
See the elaborate See also: work on the painter, by Max Rooses (1908)
.
|
|
|
[back] JOPVA |
[next] JORDAN (the down-comer; Arab. esh-Sheri'a, the wate... |
There are no comments yet for this article.
Do not copy, download, transfer, or otherwise replicate the site content in whole or in part.
Links to articles and home page are encouraged.