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JORGEN ENGEBRETSEN (1813-1882) , collectors of See also: Norwegian See also: folklore, so closely See also: united in their See also: life's See also: work that it is unusual to name them apart
.
Asbjornsen was See also: born in See also: Christiania on the 15th of See also: January 1812; he belonged to an See also: ancient See also: family of the See also: Gudbrandsdal, which is believed to have died with him
.
He became a student at the university in 1833, but as early as 1832, in his twentieth See also: year, he had begun to collect and write down all the fairy stories and legends which he could meet with
.
Later he began to wander on See also: foot through the length and breadth of See also: Norway, adding to his stores
.
Moe, who was born at Mo i Hole parsonage, in Sigdal Ringerike, on the 22nd of See also: April 1813, met Asbjornsen first when he was fourteen years of age
.
A close friendship began between them, and lasted to the end of their lives
.
In 1834 Asbjornsen discovered that Moe had started in-dependently on a See also: search for the See also: relics of See also: national folklore; the See also: friends eagerly compared results, and determined for the future to work in concert
.
By this See also: time, Asbjornsen had become by profession a zoologist, and with the aid of the university made a series of investigating voyages along the coasts of Norway, particularly in the Hardanger See also: fjord
.
Moe, meanwhile, having See also: left Christiania University in 1839, had devoted himself to the study of See also: theology, and was making a living as a tutor in Christiania
.
In his holidays he wandered through the mountains, in the most remote districts, See also: collecting stories
.
In 1842–1843 appeared the first instalment of the See also: great work of the two friends, under the title of Norwegian Popular Stories (Norske Folkeeventyr), which was received at once all over See also: Europe as a most valuable contribution to See also: comparative See also: mythology as well as literature
.
A second See also: volume was published in 1844, and a new collection in 1871
.
Many of the Folkeeventyr were translated into See also: English by See also: Sir See also: George See also: Dasent in 18J9
.
In 1845 Asbjornsen published, without help from Moe, a collection of Norwegian fairy tales (huldreeventyr og folkesagn)
.
In 1856 the See also: attention of Asbjornsen was called to the deforestation of Norway, and he induced the See also: government to take up this important question
.
He was appointed See also: forest-master, and was sent by Norway to examine in various countries of the See also: north of Europe the methods observed for the preservation of See also: timber
.
From these duties, in 1876, he withdrew with a pension; he died in Christiania on the 6th of January 1885
.
From 1841 to 1852 Moe travelled almost every summer through the See also: southern parts of Norway, collecting traditions in the mountains
.
In 1845 he was appointed professor of theology in the Military School of Norway
.
He had, however, long intended to take See also: holy orders, and in 18J3 he did so, becoming for ten years a See also: resident See also: chaplain in Sigdal, and then (1863) parish See also: priest of Bragernes
.
He was moved in 187o to the parish of Vestre Aker, near Christiania, and in 1875 he was appointed See also: bishop of See also: Christiansand
.
In January 1882 he resigned his diocese on account of failing See also: health, and died on the following 27th of See also: March
.
Moe has a
See also: special claim on critical attention in regard to his lyrical poems, of which a small collection appeared in 185o
.
He wrote little See also: original verse, but in his slender volume are to be found many pieces of exquisite delicacy and freshness
.
Moe also published a delightful collection of See also: prose stories for See also: children, In the Well and the Churn (I Bronde og i Kjcernet), 1851; and A Little See also: Christmas See also: Present (En liden Julegave), 186o
.
Asbjornsen and Moe had the See also: advantage of an admirable See also: style in narrative prose
.
It was usually said that the vigour came from Asbjornsen and the charm from
Moe, but the fact seems to be that from the long ha-bit of writing in unison they had come to adopt almost precisely identical modes of See also: literary expression
.
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