JUBE  , the See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French architectural See also:

• TERM

term (taken from the imperative of See also:

• LAT

Lat. jubere, to See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order) for the See also:

• CHANCEL (through O. Fr. from Lat. plur. cancelli, dim. of cancer, grating, lattice, probably connected with an Indo-European root Kar-, to bend; cf. circus, curve, &c.)

chancel or See also:

• CHOIR (0. Fr. cuer from Lat. chorus; pronounced quire, and until the end of the 17th century so spelt, the spelling being altered to agree with the Fr. chceur)

choir See also:

• SCREEN (usually, but very doubtfully, connected with Lat. scrinium, a box for holding books, from scribere, to write; a connexion with Ger. Schranke, barrier, has been suggested)

screen, which in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England is known as the See also:

• ROOD (O.E. rod, a stick, another form of " rod, O.E. rodd, possibly cognate with Lat. rudis, a staff)

rood-screen (see Rom) . Above the screen was a See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery or See also:

• LOFT (connected with " lift," i.e. raised in the air; O. Eng. lyft; cf. Ger. Luft; the French term is grenier and Ger. Boden)

loft, from which the words " Jube Domine benedicere " were spoken by the See also:

• DEACON (Gr. S&& ovos, minister, servant)

deacon before the See also:

• READING

reading of the See also:

• GOSPEL (O. Eng. godspel, i.e. good news, a translation of Lat. bona annuntiatio, or evangelium, Gr. evayyeXwv; cf. Goth. iu spillon, " to announce good news," Ulfilas' translation of the Greek, from iu, that which is good, and spellon to announce)

Gospel, and hence probably the name . One of the finest jubes in See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France is that of the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of the Madeleineat See also:

• TROYES

Troyes, in See also:

• RICH, BARNABE (c. 1540-1617)
• RICH, CLAUDIUS JAMES (1787-1821)
• RICH, JOHN (1692-1761)
• RICH, PENELOPE, LADY (c. 1562–1607)
• RICH, RICHARD, 1ST BARON RICH (1490?-1567)

rich flamboyant See also:

• GOTHIC

Gothic . A later example, of the See also:

• RENAISSANCE, THE

Renaissance See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period, c . 1600, is in the church of St See also:

• ETIENNE, CHARLES GUILLAUME (1778-1845)

Etienne du Mont, See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . In the See also:

• LOW, SETH (1850- )
• LOW, WILL HICOK (1853- )

Low Countries there are many See also:

• FINE

fine examples in See also:

• MARBLE (from Lat. marmor, Gr. pApµapos, shining stone)

marble, of which one of the most perfect from Bois-le-Duc is'now in the See also:

• VICTORIA
• VICTORIA (or VITTORIA), TOMMASSO LUDOVICO DA (C. I540-C. 1613)
• VICTORIA [ALEXANDRINA VICTORIA]

Victoria and See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

Albert Museum .