GUSTAVE See also:

• GUSTAVE KAHN (1859- )

KAHN (1859- )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French poet, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• METZ

Metz on the 21st of See also:

• DECEMBER (Lat. decent, ten)

December 1859 . He was educated in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris at the Ecole See also:

• DES

des Chartes and the Ecole des langues orientales, and began to contribute to obscure Parisian reviews . After four years spent in See also:

• AFRICA
• AFRICA, ROMAN

Africa he returned to Paris in 1885, and founded in 1886 a weekly See also:

• REVIEW (Fr. revue, from revoir, to see again, Lat. re and videre)

review, La See also:

• VOGUE, EUGENE MELCHIOR, COMTE DE (1848- )

Vogue, in which many of his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early poems appeared . In the autumn of the same See also:

• YEAR

year he founded, with See also:

• JEAN

Jean See also:

• MOREAS, JEAN (1856-1910)

Moreas and See also:

• PAUL
• PAUL (PAULUS)

Paul See also:

• ADAM
• ADAM (or ADAN) DE LE HALE (died c. 1288)
• ADAM, ALEXANDER (1741–1809)
• ADAM, JULIETTE (1836– )
• ADAM, LAMBERT SIGISBERT (1700-1759)
• ADAM, MELCHIOR (d. 1622)
• ADAM, PAUL (1862– )
• ADAM, ROBERT (1728—1792)
• ADAM, SIR FREDERICK (1781-1853)
• ADAM, WILLIAM (1751-1839)

Adam, a See also:

• SHORT, FRANCIS JOB (1857– )

short-lived periodical, Le Symboliste, in which they preached the nebulous poetic See also:

• DOCTRINE

doctrine of Stephane See also:

• MALLARME
• MALLARME, FRANCOIS RENE AUGUSTE (1755-i835)

Mallarme; and in 1888 he became one of the editors of the Revue independante . He contributed See also:

• POETRY

poetry and See also:

• CRITICISM
• CRITICISM (from the Gr. KpiTrlS, a judge, Kpivew, to decide, to give an authoritative opinion)

criticism to the French and Belgian reviews favour-able to the extreme symbolists, and, with Catulle Mendes,he founded at the Odeon, the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre See also:

• ANTOINE, ANDRE (1858- )

Antoine and the Theatre Sarah See also:

• BERNHARDT, SARAH (ROSINE BERNARD) (1845- )

Bernhardt, matinees for the See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production of the plays of the younger poets . He claimed to be the earliest writer of the vers Libre, and explained his methods and the See also:

• HISTORY

history of the See also:

• MOVEMENT

movement in a See also:

• PREFACE (Med. Lat. prefatia, for classical praefatio, praefari, to speak beforehand)

preface to his Premiers poemes (1897) . Later books are Le Livre d'images (1897); See also:

• LES

Les Fleurs de la See also:

• PASSION (post-classical Lat. passio, formed from pati, passus, to suffer, endure)

passion (1900); some novels; and a valuable contribution to the history of See also:

• MODERN

modern French See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse in Symbolistes et decadents (1902) .