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COUNT VON LEOPOLD See also: German painter, a See also: direct descendant of the famous See also: field-marshal (see above), was
See also: born at See also: Dusseldorf, received his first training at See also: Weimar from his See also: father, the landscape painter Count See also: Stanislaus von See also: Kalckreuth (1820-1894), and subsequently studied at the See also: academies of Weimar and See also: Munich
.
Although he painted some portraits remarkable for their power of expression, he devoted himself principally to depicting with relentless See also: realism the monotonous See also: life of the fishing folk on the See also: sea-See also: coast, and of the peasants in the See also: fields
.
His palette is joyless, and almost melancholy, and in his technique he is strongly influenced by the impressionists
.
He was one of the founders of the secessionist See also: movement
.
From 1885 to 1890 Count von Kalckreuth was professor at the Weimar See also: art school
.
In 1890 he resigned his professorship and retired to his estate of Hockricht in See also: Silesia, where he occupied himself in See also: painting subjects See also: drawn'from the life of the country-folk
.
In 1895 he became a professor at the art school at See also: Karlsruhe
.
The Munich Pinakothek has his "Rain-See also: bow " and the See also: Dresden Gallery his " Old Age." Among his chief See also: works are the Funeral at Dachau," " Homewards," " See also: Wedding Procession in the Carpathian Mountains," " The Gleaners," " Old Age " " Before the See also: Fish See also: Auction," " Summer," and " Going to School."
See A
.
Ph
.
W. v
.
Kalckreuth, Gesch. der Herren, Freiherren and Grafen von Kalckreuth (See also: Potsdam, 1904)
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