KARL See also:

• HESS
• HESS, HEINRICH HERMANN JOSEF, FREIHERR VON (1788-1870)

HESS (1801–1874)  , the third son of Karl Christoph See also:

• HESS
• HESS, HEINRICH HERMANN JOSEF, FREIHERR VON (1788-1870)

Hess, See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• DUSSELDORF

Dusseldorf, was also taught by his See also:

• FATHER

father, who hoped that he would obtain distinction as an engraver . Karl, however, after See also:

• ENGRAVING

engraving one See also:

• PLATE

plate after See also:

• ADRIAN
• ADRIAN, SAINT

Adrian See also:

• OSTADE

Ostade, turned to See also:

• PAINTING

painting under the guidance of Wagenbauer of See also:

• MUNICH (Ger. Munchen)

Munich, and then studied under his See also:

• ELDER (0. Eng. ellarn; Ger. Holunder; Fr. sureau)
• ELDER (Gr. 1rpev(3iTepos)

elder See also:

• BROTHER

brother See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter . But See also:

• HISTORICAL

historical See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition proved to be as contrary to his See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste as engraving, and he gave himself exclusively at last to illustrations of See also:

• PEASANT (O. Fr. paysant, Mod. paysan; Lat. pagensis, belonging to the pagus or country; cf. " pagan ")

peasant See also:

• LIFE

life in the See also:

• HILL
• HILL (0. Eng. hyll; cf. Low Ger. hull, Mid. Dutch hul, allied to Lat. celsus, high, collis, hill, &c.)
• HILL, A
• HILL, AARON (1685-175o)
• HILL, AMBROSE POWELL
• HILL, DANIEL HARVEY (1821-1889)
• HILL, DAVID BENNETT (1843–1910)
• HILL, GEORGE BIRKBECK NORMAN (1835-1903)
• HILL, JAMES J
• HILL, JOHN (c. 1716-1775)
• HILL, MATTHEW DAVENPORT (1792-1872)
• HILL, OCTAVIA (1838– )
• HILL, ROWLAND (1744–1833)
• HILL, SIR ROWLAND (1795-1879)

hill See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country of See also:

• BAVARIA (Ger. Bayern)

Bavaria . He became See also:

• CLEVER

clever alike in representing the See also:

• PEOPLE

people, the animals and the landscape of the See also:

• ALPS

Alps, and with See also:

• CONSTANT, BENJAMIN (1845-1902)

constant means of reference to nature in the neighbourhood of See also:

• REICHENHALL

Reichenhall, where he at last resided, he never produced anything that was not impressed with the true See also:

• STAMP (from " to stamp," to strike or tread heavily, hence to impress, O. Eng. stempen, Du. stampen, Ger. stampfen, whence, O. Fr. estamper, mod. etamper)

stamp of a kindly See also:

• REALISM (from Low Lat. realis, appertaining to res, things, as opposed to ideas and imaginations)

realism . Some of his pictures in the museum of Munich will serve as examples of his manner . He died at Reichenhall on the 16th of See also:

• NOVEMBER (Lat. novem, nine)

November 1874 .