See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

ALBERT See also:

• ALBERT KELLER (1845- )
• KELLER, GOTTFRIED (1819-1890)
• KELLER, HELEN ADAMS (188o- )

KELLER (1845- )  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Gais, in See also:

• SWITZERLAND

Switzerland; he studied at the See also:

• MUNICH (Ger. Munchen)

Munich See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy under See also:

• LENBACH, FRANZ VON (1836-1904)

Lenbach and Ramberg, and must be counted among the leading colourists of the See also:

• MODERN

modern German school . Travels in See also:

• ITALY
• ITALY (Italia)

Italy, See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France, See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England and See also:

• HOLLAND
• HOLLAND, CHARLES (1733–1769)
• HOLLAND, COUNTY AND PROVINCE OF
• HOLLAND, HENRY FOX, 1ST BARON (1705–1774)
• HOLLAND, HENRY RICH, 1ST EARL OF (1S9o-,649)
• HOLLAND, HENRY RICHARD VASSALL FOX, 3RD
• HOLLAND, JOSIAH GILBERT (1819-1881)
• HOLLAND, PHILEMON (1552-1637)
• HOLLAND, RICHARD, or RICHARD DE HOLANDE (fl. 1450)
• HOLLAND, SIR HENRY, BART

Holland, and a prolonged sojourn in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, helped to develop his See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style, which is marked by a sense of elegance and refinement all too rare in German See also:

• ART

art . His scenes of society See also:

• LIFE

life, such as the famous " See also:

• DINNER

Dinner " (189o), are painted with thoroughly Parisian esprit, and his portraits are marked by the same elegant distinction . He is particularly successful in the rendering of rustling See also:

• SILK

silk and satin dresses and draperies . His See also:

• HISTORICAL

historical and imaginative See also:

• WORKS

works are as modern in spirit and as unacademical as his portraits . At the Munich Pinakothek is his See also:

• PAINTING

painting " Jairi Tochterlein " (1886), whilst the See also:

• KONIGSBERG (Polish Krolewiec)

Konigsberg Museum contains his "See also:

• ROMAN

Roman See also:

• BATH
• BATH, THOMAS THYNNE
• BATH, WILLIAM

Bath," and the Liebieg collection in See also:

• REICHENBERG (Czech, Liberec)

Reichenberg the " See also:

• AUDIENCE (from Lat. audire, to hear)

Audience with See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis XV.," the first picture that See also:

• DREW
• DREW, SAMUEL (1765-1833)

drew See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention to his See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent .