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GOTTFRIED KELLER (1819-1890) , See also: German poet and novelist, was See also: born at Zurich on the 19th of See also: July 1819
.
His See also: father, a master joiner, dying while Gottfried was See also: young, his early See also: education was neglected; he, however, was in 1835 apprenticed to a landscape painter, and subsequently spent two years (1840-1842) in See also: Munich learning to paint
.
See also: Interest in poiitics See also: drew him into literature, and his talents were first disclosed in a See also: volume of See also: short poems, Gedichte (1846)
.
This obtained him recognition from the See also: government of his native See also: canton, and he was in 1848 enabled to take a short course of philosophical study at the university of See also: Heidelberg
.
From 185o to 1855 he lived in Berlin, where he wrote his most important novel, Der grune Heinrich (1851-1853; revised edition 1879-188o), remarkable for its delicate autographic See also: portraiture and the beautiful episodes interwoven with the See also: action
.
This was followed by Die Leute von Seldwyla (1856), studies of Swiss provincial See also: life, including in Romeo and Julia auf dem Dorfe one of the most powerful short stories in the German language, and in Die drei gerechten Kammmacher, almost as See also: great a master-piece of humorous writing
.
Returning to his native city with a considerable reputation, he received in 1861 the See also: appointment of secretary to the canton
.
For a See also: time his creative faculty seemed paralysed by his public duties, but in 1872 appeared Sieben Legenden, and in 1874 a second series of Die Leute von Seldwyla, in both of which books he displayed no abatement of power and originality
.
He retired from the public service in 1876 and employed his leisure in the production of Z% richer Novellen (1878), Das Sinngedicht, a collection of short stories (1881), and a novel, Marlin Salander (Berlin, 1886)
.
He died on the 15th of July 1890 at Hottingen
.
Keller's place among German novelists is very high
.
Few have See also: united such fancy and See also: imagination to such uncompromising See also: realism, or such tragic earnestness to such abounding See also: humour
.
As a lyric poet, his See also: genius is no less See also: original;he takes See also: rank with the best German poets of this class in the second See also: half of the 19th century
.
Keller's Gesammelte Werke were published in to vols
.
(1889-189o), to which was added another volume, Nachgelassene Schriften and Dichtungen, containing the fragment of a tragedy (1893)
.
In See also: English appeared, G
.
Keller: A Selection of his Tales translated with a Memoir by Kate See also: Freiligrath-Kroeker (1891)
.
For a further estimate of Keller's life and See also: works cf
.
O
.
Brahm (1883) ; E
.
Brenning, G
.
Keller nach seinem Leben and Dichten (1892) ; F
.
Baldensperger, G
.
Keller; sa See also: vie et ses oeuvres (1893) ; A
.
See also: Frey, Erinnerungen an Gottfried Keller (1893); J
.
Baechtold, Kellers Leben
.
See also: Seine Briefe and Tagebiicher (Berlin, 1894–1897); A
.
Koster, G
.
Keller (1900; 2nd ed., 1907); and for his See also: work as a painter, H
.
E. von Berlepsch, Gottfried Keller als Male
?.
(1895)
.
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