Online Encyclopedia

WILLIAM KENT (1685-1748)

Online Encyclopedia
Originally appearing in Volume V15, Page 735 of the 1911 Encyclopedia Britannica.
Spread the word: del.icio.us del.icio.us it!

WILLIAM KENT (1685-1748)  ,
See also:
English " painter, architect, and the
See also:
father of
See also:
modern gardening," as Horace Walpole in his Anecdotes of
See also:
Painting describes him, was born in
See also:
Yorkshire in 1685 . Apprenticed to a coach-painter, his ambition soon led him to
See also:
London, where he began
See also:
life as a portrait and
See also:
historical painter . He found patrons, who sent him in 1710 to study in Italy; and at Rome he made other friends, among them Lord
See also:
Burlington, with whom he returned to England in 1719 . Under that nobleman's roof Kent chiefly resided till his
See also:
death on the 12th of
See also:
April 1748—obtaining abundant commissions in all departments of his
See also:
art, as well as various court appointments which brought him an income of £600 a
See also:
year . Walpole says that Kent was below mediocrity in painting . He had some little taste and skill in architecture, of which Holkham palace is perhaps the most favourable example . The mediocre statue of Shakespeare in Westminster Abbey sufficiently stamps his powers as a sculptor . His merit in landscape gardening is greater . In Walpole's language, Kent " was painter enough to taste the charms of landscape, bold and opinionative enough to dare and to dictate, and born with a genius to strike out a
See also:
great
See also:
system from the
See also:
twilight of imperfect essays." In short, he was the first in English gardening to vindicate the natural against the artificial . Banishing all the clipped monstrosities of the
See also:
topiary art in yew, box or holly, releasing the streams from the conventional canal and marble basin, and rejecting the mathematical symmetry of ground plan then in vogue for gardens, Kent endeavoured to imitate the variety of nature, with due regard to the principles of
See also:
light and shade and perspective . Sometimes he carried his imitation too far, as when he planted dead trees in
See also:
Kensington gardens to give a greater air of truth to the scene, though he himself was one of the first to detect the folly of such an extreme . Kent's plans were designed rather with a view to immediate affect over a comparatively small
See also:
area than with regard to any broader or subsequent results .

End of Article: WILLIAM KENT (1685-1748)
[back]
JAMES KENT (1763-1847)
[next]
KENTIGERN, ST, or MUNGO (" dear friend," a name giv...

Additional information and Comments

There are no comments yet for this article.
» Add information or comments to this article.
Please link directly to this article:
Highlight the code below, right click and select "copy." Paste it into a website, email, or other HTML document.