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See also: English " painter, architect, and the See also: father of See also: modern gardening," as Horace Walpole in his Anecdotes of See also: Painting describes him, was See also: born in See also: Yorkshire in 1685
.
Apprenticed to a coach-painter, his ambition soon led him to See also: London, where he began See also: life as a portrait and See also: historical painter
.
He found patrons, who sent him in 1710 to study in See also: Italy; and at See also: Rome he made other See also: friends, among them See also: Lord See also: Burlington, with whom he returned to See also: England in 1719
.
Under that nobleman's roof Kent chiefly resided till his See also: death on the 12th of See also: April 1748—obtaining abundant commissions in all departments of his See also: art, as well as various See also: court appointments which brought him an income of £600 a See also: year
.
Walpole says that Kent was below mediocrity in painting
.
He had some little taste and skill in architecture, of which Holkham palace is perhaps the most favourable example
.
The mediocre statue of See also: Shakespeare in See also: Westminster Abbey sufficiently stamps his See also: powers as a sculptor
.
His merit in landscape gardening is greater
.
In Walpole's language, Kent " was painter enough to taste the charms of landscape, bold and opinionative enough to dare and to dictate, and born with a See also: genius to strike out a See also: great See also: system from the See also: twilight of imperfect essays." In See also: short, he was the first in English gardening to vindicate the natural against the artificial
.
Banishing all the clipped monstrosities of the See also: topiary art in See also: yew, box or See also: holly, releasing the streams from the conventional canal and marble See also: basin, and rejecting the mathematical symmetry of ground See also: plan then in vogue for gardens, Kent endeavoured to imitate the variety of nature, with due regard to the principles of See also: light and shade and perspective
.
Sometimes he carried his imitation too far, as when he planted dead trees in See also: Kensington gardens to give a greater air of truth to the scene, though he himself was one of the first to detect the folly of such an extreme
.
Kent's plans were designed rather with a view to immediate affect over a comparatively small See also: area than with regard to any broader or subsequent results
.
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