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See also: born in See also: Amsterdam in 1619
.
Little is known of his See also: history, except that he was a pupil of See also: Rembrandt, whose influence is to be seen in all his See also: work
.
He painted chiefly broad sunny landscapes, full of space, See also: light and atmosphere
.
Portraits by him, somewhat in the manner of Rembrandt, also exist; there are examples of these in the galleries at See also: Copenhagen and See also: Christiania
.
Of his landscapes the See also: principal are " Vue de ('embouchure d'une See also: riviere," at the Hague; a slightly larger replica is in the See also: National Gallery, See also: London; " Lisiere d'un See also: boil," and " Paysage " (with
figures by A
.
Vandevelde) at Amsterdam; and landscapes in Brussels, Florence (Uffizi), Berlin and Cologne
.
Several of his See also: works have been falsely attributed to Rembrandt, and many more to his namesake and fellowtownsman-SALoMoN DE See also: KONINCK (1609-1656), who was also a
See also: disciple of Rembrandt; his paintings and etchings consist mainly of portraits and biblical scenes
.
Both these painters are to be distinguished from See also: DAVID DE KONINCK (1636-?1687), who is also known as " Rammelaar." He was born in See also: Antwerp
.
He studied there under See also: Jan See also: Fyt, and later settled in See also: Rome, where he is stated to have died in 1687;
this is, however, doubtful
.
His pictures are chiefly landscapes with animals, and still-See also: life
.
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