See also:

• VAN

van Koening] de Koningh See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

PHILIP DE [de Ceninck See also:

• KONINCK, LAURENT GUILLAUME DE (1809-1887)
• van Koening] de Koningh PHILIP DE [de Ceninck KONINCK (1619-1688)

KONINCK (1619-1688)  , Dutch landscape painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• AMSTERDAM
• AMSTERDAM (NEw AMSTERDAM)

Amsterdam in 1619 . Little is known of his See also:

• HISTORY

history, except that he was a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of See also:

• REMBRANDT (1606-1669)

Rembrandt, whose See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence is to be seen in all his See also:

• WORK

work . He painted chiefly broad sunny landscapes, full of space, See also:

• LIGHT

light and See also:

• ATMOSPHERE (Gr. fir µ6r, vapour; orkaipa, a sphere)

atmosphere . Portraits by him, somewhat in the manner of Rembrandt, also exist; there are examples of these in the galleries at See also:

• COPENHAGEN (Danish Kjobenhavn)

Copenhagen and See also:

• CHRISTIANIA (officially KRISTIANIA)

Christiania . Of his landscapes the See also:

• PRINCIPAL

principal are " Vue de ('embouchure d'une See also:

• RIVIERE, BRITON (1840- )

riviere," at the See also:

• HAGUE, THE (in Dutch, 's Gravenhage, or, abbreviated, den Haag; in Fr. La Haye; and in Late Lat. Haga Comitis)

Hague; a slightly larger replica is in the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery, See also:

• LONDON

London; " Lisiere d'un See also:

• BOIL

boil," and " Paysage " (with figures by A . See also:

• VANDEVELDE, ADRIAN (1639-1672)
• VANDEVELDE, WILLIAM (1633-1707)

Vandevelde) at Amsterdam; and landscapes in See also:

• BRUSSELS (Fr. Bruxelles, Flem. Brussel)

Brussels, See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence (Uffizi), See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin and See also:

• COLOGNE (Ger. Koln, or officially, since 1900, Coln)

Cologne . Several of his See also:

• WORKS

works have been falsely attributed to Rembrandt, and many more to his namesake and fellowtownsman-SALoMoN DE See also:

• KONINCK, LAURENT GUILLAUME DE (1809-1887)
• KONINCK, PHILIP DE [de Ceninck, de Koningh, van Koening] (1619-1688)

KONINCK (1609-1656), who was also a See also:

• DISCIPLE

disciple of Rembrandt; his paintings and etchings consist mainly of portraits and biblical scenes . Both these painters are to be distinguished from See also:

• DAVID
• DAVID (a Hebrew name meaning probably beloved 1)
• DAVID, FELICIEN (1810—1876)
• DAVID, GERARD [GHEERAERT DAVIT], (?=1523)
• DAVID, PIERRE JEAN (1789–1856)
• DAVID, ST (Dewi, Sant)

DAVID DE KONINCK (1636-?1687), who is also known as " Rammelaar." He was born in See also:

• ANTWERP
• ANTWERP (Fr. Anvers)

Antwerp . He studied there under See also:

• JAN

Jan See also:

• FYT, JOHANNES (1609-1661)

Fyt, and later settled in See also:

• ROME
• ROME (Roma)

Rome, where he is stated to have died in 1687; this is, however, doubtful . His pictures are chiefly landscapes with animals, and still-See also:

• LIFE

life .