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OGATA See also: Japanese painter and See also: lac-
querer, was See also: born at KOtO, the son of a wealthy See also: merchant who had a taste for the arts and is said to have given his son some elementary instruction therein
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See also: Korin also studied under Soken Yamamoto, See also: Kano, Tsunenobu and Gukei Sumiyoshi; and he was greatly influenced by his predecessors Koyetsu and SOtatsu
.
On arriving at maturity, however, he broke away from all tradition, and See also: developed a very See also: original and quite distinctive See also: style of his own, both in See also: painting and in the decoration of See also: lacquer
.
The characteristic of this is a bold. See also: impressionism, which is expressed in few and See also: simple highly idealized forms, with an absolute disregard either of See also: realism or of the usual conventions
.
In lacquer KOrin's use of See also: white metals and of
See also: mother-of-See also: pearl is notable; but herein he followed Koyetsu
.
Korin died on the 2nd of See also: June 1716, at the age of fifty-nine
.
His chief pupils were Kagei Tatebashi and Shiko Watanable; but the See also: present knowledge and appreciation of his See also: work are largely due to the efforts of HOitsu See also: Sakai, who brought about a revival of Korin's style
.
Sec A
.
Morrison, The Painters of See also: Japan (1902) ; S
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Tajima, Master-pieces selected from the KOrin School (1903); S
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Hoitsu, The zoo Designs by Korin 1(1815) and More Designs by Korin (1826)
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