See also:AUGUST See also:FRIEDRICH See also:FERDINAND VON See also:KOTZEBUE (1761–1819)
, See also:German dramatist, was See also:born on the 3rd of May, 1761, at See also:Weimar
.
After attending the gymnasium of his native See also:town, he went in his sixteenth See also:year to the university of See also:Jena, and afterwards studied about a year in See also:Duisburg
.
In 178o he completed his legal course and was admitted an See also:advocate
.
Through the See also:influence of See also:Graf See also:Gortz, Prussian See also:ambassador at the See also:Russian See also:court, he became secretary of the See also:governor-See also:general of St See also:Petersburg, In 1783 he received the See also:appointment of See also:assessor to the high court of See also:appeal in See also:Reval, where he married the daughter of a Russian See also:lieutenant-general
.
He was ennobled in 1785, and became See also:president of the magistracy of the See also:province of See also:Esthonia
.
In Reval he acquired considerable reputation by his novels, See also:Die See also:Leiden der Ortenhergischen Familie (1785) and Geschichte meines Vaters (1788), and still more by the plays Adelheid von Wul,ingen (1789), Menschenhass and Reue (1790) and Die Indianer in See also:England (1790)
.
The See also:good impression produced by these See also:works was, however, almost effaced by a cynical dramatic See also:satire, Doktor See also:Bahrdt mit der eisernen Stint, which appeared in 1790 with the name of See also:Knigge on the See also:title-See also:page
.
After the See also:death of his first wife See also:Kotzebue retired from the Russian service, and lived for a See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time in See also:Paris and See also:Mainz; he then settled in 1795 on an See also:estate which he had acquired near Reval and gave himself up to See also:literary See also:work
.
Within a few years he published six volumes of See also:miscellaneous sketches and stories (Die jiingsten Kinder meiner Laune, 1793–1796) and more than twenty plays, the See also:majority of which were translated into several See also:European See also:languages
.
In 1798 he accepted the See also:- OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")
office of dramatist to the court See also:theatre in See also:Vienna, but owing to See also:differences with the actors he was soon obliged to resign
.
He now returned to
his native town, but as he was not on good terms with See also:Goethe, and had openly attacked the Romantic school, his position in Weimar was not a pleasant one
.
He had thoughts of returning to St Petersburg, and on his See also:journey thither he was, for some unknown See also:reason, arrested at the frontier and transported to See also:Siberia
.
Fortunately he had written a See also:comedy which flattered the vanity of the See also:emperor See also:Paul I.; he was consequently speedily brought back, presented with an estate from the See also:crown lands of See also:Livonia, and made director of the German theatre in St Petersburg
.
He, returned to See also:Germany when the emperor Paul died, and again settled in Weimar; he found it, however, as impossible as ever to gain a footing in literary society, and turned his steps to See also:Berlin, where in association with Garlieb Merkel (1769–1850) he edited Der Freimutige (1803–1807) and began his Almanach dramatischer Spiele (1803–1820)
.
Towards the end of 18o6 he was once more in See also:Russia, and in the See also:security of his estate in Esthonia wrote many satirical articles against See also:Napoleon in his See also:journals Die Biene and Die See also:Grille
.
As councillor of See also:state he was attached in 1816 to the See also:department for See also:foreign affairs in St Petersburg, and in 1817 went to Germany as a See also:kind of See also:spy in the service of Russia, with a See also:salary of 15,000 roubles
.
In a weekly See also:journal (Literarisches Wochenblatt) which he published in Weimar he scoffed at the pretensions of those Germans who demanded See also:free institutions, and became an See also:object of such general dislike that he was obliged to move to See also:Mannheim
.
He was especially de-tested by the See also:young enthusiasts for See also:liberty, and one of them, Karl See also:Ludwig See also:Sand, a theological student, stabbed him, in Mannheim, on the 23rd of See also:March 1819
.
Sand was executed, and the See also:government made his See also:crime an excuse for placing the See also:universities under strict supervision
.
Besides his plays, Kotzebue wrote several See also:historical works, which, however, are too one-sided and prejudiced to have much value
.
Of more See also:interest are his autobiographical writings, See also:Heine Flucht nach Paris See also:im See also:Winter 1990 (1791), Uber meinen Aufenthalt in Wien (1799), Das merkwurdigste Jahr meines Lebens (18o1), Erinnerungen aus Paris (1804), and Erinnerungen von meiner Reise aus See also:Lie/See also:land nach Rom and Neapel (r8o5)
.
As a dramatist he was extraordinarily prolific, his plays numbering over 200; his popularity, not merely on the German, but on the European See also:stage, was unprecedented
.
His success, however, was due less to any conspicuous literary or poetic ability than to an extraordinary facility in the invention of effective situations; he possessed, as few German playwrights before or since, the unerring See also:instinct for the theatre; and his influence on the technique of the See also:modern See also:drama from See also:Scribe to See also:Sardou and from See also:Bauernfeld to See also:Sudermann is unmistakable
.
Kotzebue is to be seen to best See also:advantage in his comedies, such as Der Wildfang, Die beiden Klingsberg and Die deutschen Kleinstddter, which contain admirable genre pictures of German See also:life
.
These plays held the stage in Germany See also:long after the once famous Menschenhess and Reue (known in England as The Stranger), Graf Benjowsky, or ambitious See also:exotic tragedies like Die Sonnenjungfrau and Die Spanier in See also:Peru (which See also:Sheridan adapted as See also:Pizarro) were forgotten
.
Two collections of Kotzebue's dramas were published during his lifetime: Schauspiele (5 vols., 1797); Neue Schauspiele (23 vols., 1798-182o)
.
His Sdmtliche dramatische Werke appeared in 44 vols., in 1827-1829, and again, under the title Theater, in 4o vols., in 1840-1841
.
A selection of his plays in 10 vols. appeared at See also:Leipzig in 1867-1868
.
Cp
.
H
.
Doring, A. von Kotzebues Leben (183o); W. von Kotzebue, A. von Kotzebue (1881) ; Ch
.
Rabany, Kotzebue, sa See also:vie et son temps (1893); W
.
Sellier, Kotzebue in England (19o1)
.
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