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KRAFFT (or KRAFT), See also: German sculptor, of the See also: Nuremberg school, was See also: born, probably at Nuremberg, about the See also: middle of the 15th century, and died, some say in the hospital, at See also: Schwabach, about 1507
.
He seems to have emerged as sculptor about 1490, the date of the seven reliefs of scenes from the See also: life of Christ, which, like almost every other specimen of his See also: work, are at Nuremberg
.
The date of his last work, an Entombment, with fifteen life-See also: size figures, in the Holzschuher See also: chapel of the St See also: John's cemetery, is 1507
.
Besides these, Krafft's chief
See also: works are several monumental reliefs in the various churches of Nuremberg; he produced the See also: great See also: Schreyer monument (1492) for St Sebald's at Nuremberg, a skilful though mannered piece of sculpture opposite the Rathaus, with realistic figures in the See also: costume of the See also: time, carved in a way more suited to See also: wood than See also: stone, and too pictorial in effect; Christ bearing the
See also: Cross, above the altar of the same See also: church; and various works made for public and private buildings, as the
See also: relief over the door of the Wagehaus, a St See also: George and the Dragon, several Madonnas, and some purely decorative pieces, as coats of arms
.
His master-piece is perhaps the magnificent tabernacle, 62 ft. high, in the church of St Laurence (1493-1500)
.
He also made the great tabernacle for the See also: Host, 8o ft. high, covered with statuettes, in See also: Ulm See also: Cathedral, and the very spirited " Stations of the Cross " on the road to the Nuremberg cemetery
.
See See also: Adam Krafft and See also: seine Schule, by See also: Friedrich Wanderer (1869) ; Adam Krafft and die Kiinstler seiner Zeit, by Berthold Daun (1897); See also: Albert Giimbel in Repertorium fu.r Kunstwissenschaft, Bd. See also: xxv
.
Heft 5, 1902
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