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See also: Polish novelist and See also: miscellaneous writer, was See also: born at Warsaw on the 28th of See also: July 1812, of an aristocratic See also: family
.
He showed a precocious talent for authorship, beginning his See also: literary career with a See also: volume of sketches from society as early as 1829, and for more than See also: half a century scarcely ever intermitting his literary production, except during a See also: period of imprisonment upon a See also: charge of complicity in the insurrection of 1831
.
He narrowly escaped being sent to See also: Siberia, but, rescued by the intercession of powerful See also: friends, he settled upon his landed See also: property near See also: Grodno, and devoted himself to literature with such industry that a See also: mere selection from his fiction alone, reprinted at See also: Lemberg from 1871 to 1875, occupies 102 volumes
.
He was thus the most conspicuous literary figure of his See also: day in Poland
.
His extreme fertility was suggestive of haste and carelessness, but he declared that the contrivance of his See also: plot gave him three times as much trouble as the composition of his novel
.
Apart from his gifts as a See also: story-See also: teller, he did not possess extraordinary See also: mental See also: powers; the " profound thoughts " culled from his writings by his admiring biographer Bohdanowicz are for the most See also: part mere truisms
.
His copious invention is nevertheless combined with real truth to nature, especially evinced in the beautiful little story of Jermola the See also: Potter (18J7), from which See also: George See also: Eliot appears to have derived the idea of See also: Silas Marner, though she can only have known it at second See also: hand
.
Compared with the exquisite See also: art of Silas Marner, Jermola appears See also: rude and unskilful, but it is not on this account the less touching in its fidelity to the tenderest elements of human nature
.
Kraszewski's literary activity falls into two well-marked epochs, the earlier when, residing upon his estate, he produced romances like Jermola, Ulana (1843), Kordecki (1852), devoid of any See also: special tendency, and that after 1863, when the suspicions of the See also: Russian See also: government compelled him to See also: settle in See also: Dresden
.
To this period belong several See also: political novels published under the pseudonym of Boleslawila, See also: historical See also: fictions such as Countess See also: Cosel, and the " culture " romances Morituri (1874—1875) and Resurrecturi (1876), by which he is perhaps best known out of his own country
.
In 1884 he was accused of plotting against the See also: German government and sentenced to seven years' imprisonment in a fortress, but was released in 1886, and withdrew to See also: Geneva, where he died on the 19th of See also: March 1887
.
His remains were brought to Poland and interred at
See also: Cracow
.
Kraszewski was also a poet and dramatist; his most celebrated poem is his epic Anafcelas (3 vols., 1840—1843) on the See also: history of Lithuania
.
He was indefatigable as literary critic, editor and translator, wrote several historical See also: works, and was conspicuous as a restorer of the study of See also: national archaeology in Poland
.
Among his most valuable works were Litwa (Warsaw, 2 vols., 1847—1850), a collection of Lithuanian antiquities; and an aesthetic history of Poland (See also: Posen, 3 vols., 1873-1875)
.
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