KONRADIN See also:

• KONRADIN KREUTZER (1780–184.9)
• KREUTZER, RUDOLPH (1766-1831)

KREUTZER (1780–184.9)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German musical composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the 22nd of See also:

• NOVEMBER (Lat. novem, nine)

November 1780 in Messkirch in See also:

• BADEN
• BADEN, GRAND DUCHY OF

Baden, and died on the 14th of See also:

• DECEMBER (Lat. decent, ten)

December 1849 in See also:

• RIGA (Esth. Ria-Lin)

Riga . He owes his fame almost exclusively to one See also:

• OPERA (Italian for " work ")

opera, Das Nachtlager von See also:

• GRANADA
• GRANADA, LUIS DE (1504-1588)

Granada (1834), which kept the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage for See also:

• HALF

half a See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century in spite of the changes in musical See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste . It was written in the See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style of See also:

• WEBER, CARL MARIA FRIEDRICH ERNEST VON (1786–1826)
• WEBER, WILHELM EDUARD (1804-1891)

Weber, and is remarkable especially for its flow of genuine See also:

• MELODY (Gr. ,ueXw3ia, a choral song, from name, tune, and gi6i, song)

melody and See also:

• DEPTH

depth of feeling . The same qualities are found in See also:

• KREUTZER, KONRADIN (1780–184.9)
• KREUTZER, RUDOLPH (1766-1831)

Kreutzer's See also:

• PART

part-songs for men's voices, which at one See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time were extremely popular in See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany, and are still listened to with See also:

• PLEASURE (through Fr. plaisir from Lat. placere, to please; Gr. rlbovii)

pleasure . Amongst these " Der Tag See also:

• DES

des Herrn " (" The See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord's See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

Day ") may be named as the most excellent . Kreutzer was a prolific composer, and wrote a number of operas for the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre at See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna, which have disappeared from the stage and are not likely to be revived . He was from 1812 to 1816 Kapellmeister to the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king of See also:

• WURTTEMBERG

Wurttemberg, and in 1840 became conductor of the opera at See also:

• COLOGNE (Ger. Koln, or officially, since 1900, Coln)

Cologne . His daughter, See also:

• CECILIA, SAINT

Cecilia Kreutzer, was a See also:

• SINGER, SIMEON (1846-1906)

singer of some renown .