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See also: Laevius Milissus there referred to is the same See also: person
.
Definite references do not occur before the 2nd century (Fronto, Ep. ad M
.
Caes. i
.
3; Aulus See also: Gellius, Noct
.
Att. ii
.
24, xii
.
10, xix
.
9 ; See also: Apuleius, De magia, 30; Porphyrion, Ad Horat. carm. iii
.
1, 2)
.
Some sixty See also: miscellaneous lines are preserved (see Bahrens, Fragm. poet. ram. pp
.
287-293), from which it is difficult to see how See also: ancient critics could have regarded him as the master of Ovid or Catullus
.
Gellius and AusoniusSee also: state that he composed an Erotopaegnia, and in other See also: sources he is credited with See also: Adonis, See also: Alcestis, Centauri, See also: Helena, Ino, Protesilaudamia, Sirenocirca, See also: Phoenix, which may, however, be only the parts of the Erotopaegnia
.
They were not serious poems, but See also: light and often licentious skits on the heroic myths
.
See O
.
Ribbeck, Geschichte der romischen Dichtung, i.; H. de la Ville de Mirmont, Elude biographique et litteraire sur le poete Laevius (See also: Paris, 1900), with critical ed. of the fragments, and remarks on vocabulary and syntax; A
.
Weichert, Poetarum latinorum reliquiae (See also: Leipzig, 1830) ; M
.
Schanz, Geschichte der romischen Litteratur (2nd ed.), pt. i. p
.
163; W
.
Teuffel, Hist. of See also: Roman Literature (Eng. tr.), § 150, 4; a convenient See also: summary in F.Plessis, La Poesie latine (1909), PP
.
139-142
.
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