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See also: born at See also: Paris on the 27th of See also: February 1606
.
He became a pupil of Lallemand, studied the See also: works of Primaticcio at See also: Fontainebleau, but never visited See also: Italy, and belongs wholly to that transition See also: period which preceded the school of See also: Simon See also: Vouet
.
His picture of Nicolas V. opening the crypt in which he discovers the See also: corpse of St See also: Francis of See also: Assisi See also: standing (Louvre) was executed in 163o for the See also: Capuchins of the Marais; it shows a gravity and sobriety of character which marked See also: Lahire's best See also: work, and seems not to have been without influence on Le Sueur
.
The Louvre contains eight other works, and paintings by Lahire are in the museums of Strasburg, See also: Rouen and Le Mans
.
His drawings, of which the See also: British Museum possesses a See also: fine example, " Presentation of the Virgin in the See also: Temple," are treated as seriously as his paintings, and sometimes show simplicity and dignity of effect
.
The example of the Capuchins, for whom he executed several other works in Paris, Rouen and See also: Fecamp, was followed by the goldsmiths' See also: company, for whom he produced in 1635 " St See also: Peter healing the Sick " (Louvre) and the " Conversion of St See also: Paul " in 1637
.
In 1646, with eleven other artists, he founded the French Royal See also: Academy of See also: Painting and Sculpture
.
See also: Richelieu called Lahire to the Palais Royal; Chancellor Seguier, Tallemant de Reaux and many others entrusted him with important works of decoration; for the Gobelins he designed a series of large compositions
.
Lahire painted also a See also: great number of portraits, and in 16J4 See also: united in one work for the See also: town-See also: hall of Paris those of the
See also: principal dignitaries of the See also: municipality
.
He died on the 28th of See also: December 1656
.
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