See also:

• LAURENT, FRANCOIS (1810–1887)

LAURENT DE See also:

• LAURENT DE LAHIRE (1606-1656)

LAHIRE (1606-1656)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris on the 27th of See also:

• FEBRUARY

February 1606 . He became a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of Lallemand, studied the See also:

• WORKS

works of Primaticcio at See also:

• FONTAINEBLEAU

Fontainebleau, but never visited See also:

• ITALY
• ITALY (Italia)

Italy, and belongs wholly to that transition See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period which preceded the school of See also:

• SIMON, ABRAHAM (1622-1692)
• SIMON, JULES FRANCOIS (1814–1896)
• SIMON, RICHARD (1638–1712)
• SIMON, SIR JOHN (1816–1904)
• SIMON, THOMAS (c. 1623-1665)

Simon See also:

• VOUET, SIMON (1590-1649)

Vouet . His picture of See also:

• NICOLAS
• NICOLAS, SIR NICHOLAS HARRIS (1799–1848)

Nicolas V. opening the See also:

• CRYPT (Lat. crypta, from the Gr. Kp&arrew, to hide)

crypt in which he discovers the See also:

• CORPSE (Lat. corpus, the body)

corpse of St See also:

• FRANCIS
• FRANCIS (FRarrcols) OF SALES, ST (1567-1622)
• FRANCIS (Lat. Franciscus, Ital. Francesco, Span. Francisco, Fr. Francois, Ger. Franz)
• FRANCIS, SIR PHILIP (174o-1818)

Francis of See also:

• ASSISI (anc. Asisium)

Assisi See also:

• STANDING

standing (Louvre) was executed in 163o for the See also:

• CAPUCHINS

Capuchins of the Marais; it shows a gravity and sobriety of See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character which marked See also:

• LAHIRE, LAURENT DE (1606-1656)

Lahire's best See also:

• WORK

work, and seems not to have been without See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence on Le Sueur . The Louvre contains eight other works, and paintings by Lahire are in the museums of Strasburg, See also:

• ROUEN

Rouen and Le Mans . His drawings, of which the See also:

• BRITISH

British Museum possesses a See also:

• FINE

fine example, " Presentation of the Virgin in the See also:

• TEMPLE
• TEMPLE, FREDERICK (1821-1902)
• TEMPLE, RICHARD
• TEMPLE, SIR RICHARD, BART
• TEMPLE, SIR WILLIAM, BART

Temple," are treated as seriously as his paintings, and sometimes show simplicity and dignity of effect . The example of the Capuchins, for whom he executed several other works in Paris, Rouen and See also:

• FECAMP

Fecamp, was followed by the goldsmiths' See also:

• COMPANY

company, for whom he produced in 1635 " St See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter healing the Sick " (Louvre) and the " See also:

• CONVERSION (Lat. conversio, from convertere, to turn or ,change)

Conversion of St See also:

• PAUL
• PAUL (PAULUS)

Paul " in 1637 . In 1646, with eleven other artists, he founded the French Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy of See also:

• PAINTING

Painting and See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

Sculpture . See also:

• RICHELIEU, ARMAND EMMANUEL SOPHIE SEPTEMANIE DU PLESSIS
• RICHELIEU, ARMAND JEAN DU PLESSIS
• RICHELIEU, LOUIS FRANCOIS ARMAND DU PLESSIS

Richelieu called Lahire to the Palais Royal; See also:

• CHANCELLOR (M. Eng. and Anglo-Fr. canceler, chanceler, Fr. chancelier, Lat. cancellarius)

Chancellor Seguier, See also:

• TALLEMANT, GEDEON, SIEUR DES REAUX (1619—1692)

Tallemant de Reaux and many others entrusted him with important works of decoration; for the Gobelins he designed a See also:

• SERIES (a Latin word from serere, to join)

series of large compositions . Lahire painted also a See also:

• GREAT

great number of portraits, and in 16J4 See also:

• UNITED

united in one work for the See also:

• TOWN

town-See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

hall of Paris those of the See also:

• PRINCIPAL

principal dignitaries of the See also:

• MUNICIPALITY

municipality . He died on the 28th of See also:

• DECEMBER (Lat. decent, ten)

December 1656 .