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LAMPOON , a virulent satire either inSee also: prose or verse; the idea of injustice and unscrupulousness seems to be essential to its definition
.
Although in its use the word is properly and almost exclusively See also: English, the derivation appears to be French
.
Littre derives it from a See also: term of Parisian argot, lamper, to drink greedily, in See also: great mouthfuls
.
This word appears to have begun to be prevalent in the See also: middle of the 17th century, and Furetiere has preserved a fragment from a popular See also: song, which says:
Jacques fuyant de See also: Dublin
Dit a Lauzun, son See also: cousin,
Prenez soin de ma couronne,
J'aurai soin de ma personae,
Lampons
!
Tampons
!
"
—that is to say, let us drink heavily, and begone dull care
.
See also: Scarron speaks of a See also: wild troop, singing leridas and lampons
.
There is, also, a rare French verb, lamponner, to attack with ridicule, used earlier in the 17th century by Brantome
.
In its English See also: form, lampoon, the word is used by See also: Evelyn in 1645, " Here they still paste up their drolling lampoons and scurrilous papers," and soon after it is a verb,—" suppose we lampooned all the See also: pretty See also: women in See also: Town." Both of these forms, the noun and the verb, have been preserved ever since in English, without modification, for violent and reckless See also: literary censure
.
Tom See also: Brown (1663–1704) was a past master in the
See also: art of lampooning, and some of his attacks on the celebrities of his age have a certain vigour
.
When See also: Dryden became a See also: Roman Catholic, Brown wrote:
Traitor to See also: God and See also: rebel to thy See also: pen,
See also: Priest-ridden Poet, perjured son of See also: Ben,
If ever thou prove honest, then the nation
May modestly believe in See also: transubstantiation
.
Several of the heroes of the Dunciad, and in particular See also: John Oldmixon (1673–1742), were charged without unfairness with being professional lampooners
.
The coarse diatribes which were published by See also: Richard Savage (1697–174,3), mainly against Lady Macclesfield, were nothing more nor less than lampoons, and the word may with almost equal See also: justice be employed to describe the coarser and more See also: personal portions of the satires of See also: Churchill
.
As a See also: rule, however, the lampoon possessed no poetical graces, and in its very nature was usually See also: anonymous
.
The notorious Essay on Woman (1764) of John Wilkes was a lampoon, and was successfully proceeded against as an obscene See also: libel
.
The progress of See also: civilization and the discipline of the See also: law made it more and more impossible for private malice to take the form of baseless and scurrilous attack, and the lampoon, in its open shape, died of Public decency in the 18th century
.
Malice, especially in an anonymous form, and passing in See also: manuscript from See also: hand to hand, has continued, however, to make use of this very unlovely form of literature
.
It has constantly reappeared at times of See also: political disturbance, and the French have seldom failed to exercise their wicked wit upon their unpopular rulers
.
See also See also: PASQUINADE
.
(E
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