See also:

• ANNE (1665-1714)
• ANNE (1693-1740)

ANNE FRANCOISE See also:

• ELIZABETH
• ELIZABETH (1533-1603)
• ELIZABETH (1596-1662)
• ELIZABETH (1635–1650)
• ELIZABETH [ AMELIE EUGENIE ] (1837—1898)
• ELIZABETH [1lisabeth Philippine Marie Helene of France] (1764—1794)
• ELIZABETH [PAULINE ELIZABETH OTTILIE LOUISE] (1843– )
• ELIZABETH [PETROVNA] (1709-1762), EMPRESS
• ELIZABETH, SAINT (1207-1231)

ELIZABETH See also:

• ANNE FRANCOISE ELIZABETH LANGE (1772—1816)
• LANGE, ERNST PHILIPP KARL (1813—1899)
• LANGE, FRIEDRICH ALBERT (1828—1875)
• LANGE, JOHANN PETER (1802-1884)

LANGE (1772—1816)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French actress, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• GENOA (anc. Genua, Ital. Genova, Fr. GPnes)

Genoa on the 17th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1772, the daughter of a musician and an actress at the Comedic Italienne . She made her first See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance on the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage at See also:

• TOURS

Tours in 1787 and a successful debut at the Comedie Francaise in 1788 in L'Ecossaise and L'See also:

• ORACLE (Lat. oraculum, from ora' to pray; the corresponding Greek word is uavreiov or Xpnuri7pwov)

Oracle . She followed See also:

• TALMA, FRANCOIS JOSEPH (1763-1826)

Talma and the others in 1791 to the See also:

• RUE (Fr. rue, Lat. ruta, from Gr. pur)

Rue See also:

• RICHELIEU, ARMAND EMMANUEL SOPHIE SEPTEMANIE DU PLESSIS
• RICHELIEU, ARMAND JEAN DU PLESSIS
• RICHELIEU, LOUIS FRANCOIS ARMAND DU PLESSIS

Richelieu, but returned after a few months to the Comedic Frangaise . Here her See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent and beauty gave her an enormous success in See also:

• FRANCOIS (1558-1614)

Francois do Neucha.teau's Pamela, the performance of which brought upon the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre the vials of wrath of the See also:

• COMMITTEE (from commute, an Anglo-Fr. past participle of commettre, Lat. committere, to entrust; the modern Fr. equivalent comite is derived from the Eng.)

Committee of Safety . With the author and the other members of the See also:

• CASTE (through the Fr. from Span. and Port. casta, lineage, Lat. cast us, pure)

caste, she was arrested and imprisoned . After the 9th See also:

• THERMIDOR (from Gr. BEpµrt, heat, and & pov, gift)

Thermidor she rejoined her comrades at the See also:

• FEYDEAU

Feydeau, but retired on the 16th of See also:

• DECEMBER (Lat. decent, ten)

December 1797, reappearing only for a few performances in 1807 . She had, meantime, married the son of a See also:

• RICH, BARNABE (c. 1540-1617)
• RICH, CLAUDIUS JAMES (1787-1821)
• RICH, JOHN (1692-1761)
• RICH, PENELOPE, LADY (c. 1562–1607)
• RICH, RICHARD, 1ST BARON RICH (1490?-1567)

rich Belgian named Simons . She died on the 25th of May 1816 .