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See also: American poet, was See also: born at See also: Macon, See also: Georgia, on the 3rd of See also: February 1842
.
He was of Huguenot descent on his See also: father's See also: side, and of Scottish and Virginian on his See also: mother's
.
From childhood he was passionately fond of See also: music
.
His subsequent mastery of the See also: flute helped to support him and greatly increased his reputation
.
At the age of fourteen he entered See also: Oglethorpe See also: College, where, after graduating with distinction, he held a tutorship
.
He enlisted in the See also: Con-federate army in See also: April 1861, serving first in Virginia, and finding opportunities to continue his studies
.
After the Seven Days' battles around See also: Richmond, he was transferred to the See also: signal service
.
About this See also: time the first symptoms of See also: consumption appeared
.
He subsequently served in a blockade-runner, but his vessel was captured, and he was confined for five months in a Federal prison, his flute proving the best of companions
.
Exchanged early in 1865, he started home on See also: foot, arriving in a See also: state of exhaustion that led to a severe illness
.
In 1867 he visited New See also: York in connexion with his novel See also: Tiger Lilies—an immature See also: work, dealing in See also: part with his war experiences, and now difficult to obtain
.
Later in the same See also: year he took See also: charge of a country school in See also: Alabama, and was married to See also: Miss Mary See also: Day of his native See also: town
.
The next year he returned to Macon in lowSee also: health, and began to study and practise See also: law with his father
.
In 1872 he went to See also: Texas for his health, but was forced to return, and he secured an engagement as first flute in the See also: Peabody concerts at Baltimore (See also: December 1873)
.
He wrote a guide-See also: book to See also: Florida (1876), and tales for boys from See also: Froissart, See also: Malory, the Mabinogion and Percy's Reliques (1878-1882)
.
He now made congenial See also: friends, such as Bayard See also: Taylor, his reputation gradually in-creased, and he was enabled to study music and literature, especially Anglo-Saxon
See also: poetry
.
In 1876 he wrote his ambitious cantata for the Centennial See also: Exhibition, and brought his See also: family See also: north
.
A small See also: volume of verse appeared in the next year
.
In 1899 he was made lecturer on See also: English literature at Johns See also: Hopkins University
.
His lectures became the basis of his Science of English Verse ('88o)—his most important See also: prose work, and an admirable discussion of the relations of music and poetry—and also of his English Novel (New York, 1883), which, devoted largely to See also: George See also: Eliot, is suggestive, but one-sided
.
Work had to be abandoned orr account of growing feebleness, and in the spring of 1881 he was carried to See also: Lynn, North Carolina, to try See also: camp See also: life, and died there on the 7th of See also: September
.
Since his See also: death his fame has grown steadily and greatly, an enlarged and final edition (1884) of his poems, prepared by his wife, his Letters, 1866-1881 (1899), and several volumes of See also: miscellaneous prose having assisted in keeping his name before the public
.
A See also: posthumous work on Shakspere and his Forerunners (See also: London, 2 vols., 1902) was edited by H
.
W
.
See also: Lanier
.
Among his more noteworthy poems are " Corn, " " The Revenge of Hamish," " See also: Song of the Chattahoochee " and " The Marshes of Glynn." By some his See also: genius is regarded as musical rather than poetic, and his See also: style is considered hectic; by others he is held to be one of the most See also: original and most talented of See also: modern American poets
.
He is considered the leading writer of the New See also: South, the greatest See also: Southern poet since See also: Poe, and a See also: man of heroic and exquisite character
.
See a " Memorial," by See also: William Hayes
See also: Ward, prefixed to the Poems (1884); Letters of
See also: Sidney Lanier 1866–1881 (1899), edited by H
.
W
.
Lanier and Mrs Sidney Lanier; E
.
Mims, Sidney Lanier (1905)
.
There is a bibliography of Lanier's scattered writings in Select Poems (New York, 1896; See also: Toronto, 1900) edited by See also: Morgan Callaway
.
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