See also:

• PIERRE

PIERRE See also:

• PIERRE LARIVEY (c. 1550-1612)

LARIVEY (c. 1550-1612)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French dramatist, of See also:

• ITALIAN

Italian origin, was the son of one of the Giunta, the famous printers of See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence and See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice . The See also:

• FAMILY

family was established at See also:

• TROYES

Troyes and had taken the name of See also:

• LARIVEY, PIERRE (c. 1550-1612)

Larivey or L'Arrivey, by way of See also:

• TRANSLATION

translation from giunto . See also:

• PIERRE

Pierre Larivey appears to have See also:

• CAST (from the verb meaning " to throw "; the word is Scand. in origin, cf. Dan. kaste, and Swed. kasta; " cast " in Middle Eng. took the place of the A.S. weor pan, cf. Ger. werf en)

cast horoscopes, and to have acted as clerk to the See also:

• CHAPTER (a shortened form of chapiter, a word still used in architecture for a capital; derived from O. Fr. chapitre, Lat. capitellum, diminutive of caput, head)

chapter of the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of St See also:

• ETIENNE, CHARLES GUILLAUME (1778-1845)

Etienne, of which he eventually became a See also:

• CANON

canon . He has no claim to be the originator of French See also:

• COMEDY

comedy . The Corrivaux of See also:

• JEAN

Jean de la See also:

• TAILLE (from Fr. tailler, to cut or divide; late Lat. taliare, said to come from talia, talea)

Taille See also:

• DATES

dates from 1562, but Larivey naturalized the Italian comedy of intrigue in See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France . He adapted, rather than translated, twelve Italian comedies into French See also:

• PROSE

prose . The first See also:

• VOLUME

volume of the Comedies facetieuses appeared in 1579, and the second in 1611 . Only nine in all were printed.' The See also:

• LICENCE (through the French from Lat. licentia, licere, to be lawful)

licence of the See also:

• MANNERS, CHARLES (1857– )

manners depicted in these plays is matched by the coarseness of the expression . Larivey's merit lies in the use of popular See also:

• LANGUAGE (adapted from the Fr. langage, from langue, tongue, Lat. lingua)

language in See also:

• DIALOGUE

dialogue, which often rises to real excellence, and was not without See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence on See also:

• MOLIERE (1622-1673)

Moliere and See also:

• REGNARD, JEAN FRANCOIS (1655-1709)

Regnard . Moliere's L'Avare owes something to the See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene in Larivey's masterpiece, See also:

• LES

Les Esprits, where Severin laments the loss of his See also:

• PURSE (Late Lat. bursa, adapted from Gr. Gupta, hide, skin; possibly O. Eng. pusa, bag, has influenced the change from b to p)

purse, and the opening scene of the piece seems to have suggested Regnard's Retour imprevu . It is uncertain whether Larivey's plays were represented, though they were evidently written for the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage . In any See also:

• CASE
• CASE, JOHN (d. 1600)

case prose comedy gained very little ground in popular favour before the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time of Moliere .

Larivey was the author of many See also:

• TRANSLATIONS

translations, varying in subject from the Facetieuses nuits (1573) of Straparola to the Humanite de Jesus-See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ (1604) from Pietro See also:

• ARETINO, PIETRO (1492-1556)

Aretino .