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MARIANO JOSE DE See also: Spanish satirist, was See also: born at See also: Madrid in 1809
.
His See also: father served as a regimental See also: doctor in the French army, and was compelled to leave the
Peninsula with his See also: family in 1812
.
In 1817 See also: Larra returned to See also: Spain, knowing less Spanish than French
.
His nature was disorderly, his See also: education was imperfect, and, after futile attempts to obtain a degree in See also: medicine or See also: law, he made an imprudent See also: marriage at the age of twenty, broke with his relatives and became a journalist
.
On the 27th of See also: April 1831 he produced his first See also: play, No mds mostrador, based on two pieces by Scribe and Dieulafoy
.
Though wanting in originality, it is brilliantly written, and held the stage for many years
.
On the 24th of See also: September 1834 he produced Macias, a play based on his own See also: historical novel, El Doncel de See also: Don Enrique el Doliente (1834)
.
The drama and novel are interesting as experiments, but Larra was essentially a journalist, and the increased liberty of the See also: press after the See also: death of See also: Ferdinand VII. gave his
See also: caustic talent an ampler See also: field
.
He was already famous under the pseudonyms of " Juan
See also: Perez de Mungufa " and " See also: Figaro " which he used in El Pobrecito Hablador and La Revista Espanola respectively
.
Madrid laughed at his grim See also: humour; ministers feared his vitriolic See also: pen and courted him assiduously; he was elected as deputy for Avila, and a See also: great career seemed to lie before him
.
But the era of military pronunciamientos ruined his See also: personal prospects and patriotic plans
.
His writing took on a more sombre tinge; domestic troubles increased his pessimism, and, in consequence of a disastrous love-affair, he committed suicide on the 13th of See also: February 1837
.
Larra lived long enough to prove himself the greatestSee also: prose-writer that Spain can boast during the 19th century
.
He wrote at great See also: speed with the See also: constant fear of the censor before his eyes, but no sign of haste is discernible in his See also: work, and the dexterity with which he aims his venomous shafts is amazing
.
His See also: political See also: instinct, his abundance of ideas and his forcible, See also: mordant See also: style would have given him a foremost position at any See also: time and in any country; in Spain, and in his
own See also: period, they placed him beyond all rivalry
.
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