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LASUS , See also: Greek lyric poet, of Hermione in Argolis, flourished about 510 B.C
.
A member of the See also: literary and See also: artistic circle of the Peisistratidae, he was the instructor of Pindar in See also: music and See also: poetry and the See also: rival of See also: Simonides
.
The dithyramb (of which he was sometimes considered the actual inventor) was See also: developed by him, by the aid of various changes in music and rhythm, into an artistically constructed choral See also: song, with an accompaniment of several flutes
.
It became more artificial and mimetic in character, and its range of subjects was no longer confined to the adventures of Dionysus
.
Lasus further increased its popularity by introducing prize contests for the best poem of the kind
.
His over-refinement is shown by his avoidance of the letter sigma (on account of its hissing See also: sound) in several of his poems, of one of which (a hymn to See also: Demeter of Hermione) a few lines have been preserved in See also: Athenaeus (xiv
.
624 E)
.
Lasus was also the author of the first theoretical See also: treatise on music
.
See Suidas s.v.; Aristophanes, Wasps, 141o, Birds, 1403 and schol.; Plutarch, De Musica, See also: xxix.; See also: Muller and Donaldson, Hist. of Greek Literature, i
.
284; G
.
H
.
See also: Bode, Geschichte der hellenischen Dichtkunst, ii. pt
.
2, p . 111; F . W . Schneidewin, De Laso Hermibnensi Comment . (See also: Gottingen, 1842) ; Fragm. in See also: Bergk, Poet
.
Lyr
.
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