See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

HENRY See also:

• HENRY LAWES (1595-1662)
• LAWES, SIR JOHN BENNET, BART

LAWES (1595-1662)  , See also:

• ENGLISH

English musician, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Dinton in See also:

• WILTSHIRE [WILTS]

Wiltshire in See also:

• DECEMBER (Lat. decent, ten)

December 1595, and received his musical See also:

• EDUCATION

education from See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• COOPER
• COOPER (or COUPER), THOMAS (c. 1517-1594)
• COOPER, ABRAHAM (1787—1868)
• COOPER, ALEXANDER (d. i66o)
• COOPER, CHARLES HENRY (18o8-1866)
• COOPER, JAMES FENIMORE (1789-1851)
• COOPER, PETER (1791-1883)
• COOPER, SAMUEL (1609-1672)
• COOPER, SIR ASTLEY PASTON (1768-1841)
• COOPER, THOMAS (1759–1840)
• COOPER, THOMAS (1805–1892)
• COOPER, THOMAS SIDNEY (1803–1902)

Cooper, better known under his See also:

• ITALIAN

Italian See also:

• PSEUDONYM (Gr. >l ev&,vuµos, having a false name, ¢Evirls, false and ovoµa, name)

pseudonym Giovanni Coperario (d . 1627), a famous composer of the See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day . In 1626 he was received as one of the gentlemen of the See also:

• CHAPEL

chapel royal, which See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place he held till the See also:

• COMMONWEALTH

Commonwealth put a stop to See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church See also:

• MUSIC

music . But even during that songless See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time See also:

• LAWES, HENRY (1595-1662)
• LAWES, SIR JOHN BENNET, BART

Lawes continued his See also:

• WORK

work as a composer, and the famous collection of his vocal pieces, A yres and Dialogues for One, Two and Three Voyces, was published in 1653, being followed by two other books under the same See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title in 1655 and 1658 respectively . When in 166o the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king returned, Lawes once more entered the royal chapel, and composed an See also:

• ANTHEM

anthem for the See also:

• CORONATION (Lat. corona, crown)

coronation of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles II . He died on the 21st of See also:

• OCTOBER

October 1662, and was buried in See also:

• WESTMINSTER
• WESTMINSTER, MARQUESSES AND DUKES OF
• WESTMINSTER, STATUTES OF
• WESTMINSTER, SYNODS OF

Westminster See also:

• ABBEY (Lat. abbatia; from Syr. abba, father)
• ABBEY, EDWIN AUSTIN (1852– )

Abbey . Lawes's name has become known beyond musical circles by his friendship with See also:

• MILTON
• MILTON, JOHN (1608–1674)

Milton, whose See also:

• COMUS (from sd p.os, revel, or a company of revellers)

Comus he supplied with incidental music for the performance of the masque in 1634 . The poet in return immortalized his friend in the famous See also:

• SONNET (Ital. Sonetto, dim. of Suono, Fr. Sonnet)

sonnet in which Milton, with a musical See also:

• PERCEPTION (from Lat. percipere, to perceive)

perception not See also:

• COMMON

common amongst poets, exactly indicates the See also:

• GREAT

great merit of Lawes . His careful See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention to the words of the poet, the manner in which his music seems to grow from those words, the perfect coincidence of the musical with the metrical See also:

• ACCENT

accent, all put Lawes's songs on a level with those of See also:

• SCHUMANN, ROBERT ALEXANDER (1810-1856)

Schumann or See also:

• LISZT, FRANZ (1811-1886)

Liszt or any See also:

• MODERN

modern composer . At the same time he is by no means wanting in genuine melodic invention, and his concerted music shows the learned contrapuntist .