JEAN

See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

LOUIS

See also:

• JEAN LOUIS LAYA (1761-1833)

LAYA (1761-1833)  , French dramatist, ,was born in Paris on the 4th of December 1761 and died in August 1833 . He wrote his first comedy in collaboration with Gabriel M . J . B . Legouve in 1785, bu,t the piece, though accepted by the Comedie Francaise, was never represented . In 1789 he produced a plea for religious toleration in the form of a five-act tragedy in verse, Jean Galas; the injustice of the disgrace cast on a family by the crime of one of its members formed the theme of Les Dangers de l'opinion (1790); but it is by his Ami des lois (1793) that Laya is remembered . This energetic protest against mob-rule, with its scarcely veiled characterizations of Robespierre as Nomophage and of Marat as Duricrane, was an act of the highest courage, for the play was ,produced at the Theatre Francais (temporarily Theatre de la Nation) only 1 The verb " to lie," to speak falsely, to tell a falsehood, is in O . Eng . Mogan; it appears in most Teutonic languages, e.g . Dutch lugen, Ger. liigen . nineteen days before the execution of Louis XVI . Ten days after its first production the piece was prohibited by the commune, but the public demanded its representation; the mayor of Paris was compelled to appeal to the convention, and the piece was played while some 30,000 Parisians guarded the hall .

Laya went into hiding, and several persons convicted of having a copy of the

obnoxious play in their possession were guillotined . At the end of the Terror Laya returned to Paris . In 1813 he re-placed Delille in the Paris chair of literary history and French poetry; he was admitted to the Academy in 18'7 . Laya produced in 1797 Les Deux Stuarts, and in 1799 Falkland, the title-role of which provided Talma with one of his finest opportunities . Laya's works, which chiefly owe their interest to the circumstances attending their production, were collected in 1836—1837 . See Notice biographique sur J . L . Laya (1833) ; Ch . Nodier, Discours de reception, 26th December 1833) ; Welschinger, Thedtre de la revolution (188o) .