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NATHANIEL LEE (c. 1653-16g2)

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Originally appearing in Volume V16, Page 362 of the 1911 Encyclopedia Britannica.
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NATHANIEL See also:

LEE (c. 1653-16g2)  , See also:English dramatist, son of Dr See also:Richard See also:Lee, a Presbyterian divine, was See also:born probably in 1653 . His See also:father was See also:rector of See also:Hatfield, and held many preferments under the See also:Commonwealth . He was See also:chaplain to See also:General See also:Monk, afterwards See also:duke of See also:Albemarle, and after the Restoration he conformed to the See also:Church of See also:England, abjuring his former opinions, especially his approval of See also:Charles I.'s See also:execution . Nathaniel Lee was educated at See also:Westminster school, and at Trinity See also:College, See also:Cambridge, taking his B.A. degree in 1668 . Coming to See also:London under the patronage, it is said, of the duke of See also:Buckingham, he tried to See also:earn his living as an actor, but though he was an admirable reader, his acute See also:stage fright made acting impossible . His earliest See also:play, See also:Nero, See also:Emperor of See also:Rome, was acted in 1675 at See also:Drury See also:Lane . Two tragedies written in rhymed heroic couplets, in See also:imitation of See also:Dryden, followed in 1676-Sophonisba, or See also:Hannibal's Overthrow and Gloriana, or the See also:Court of See also:Augustus See also:Caesar . Both are extravagant in See also:design and treatment . Lee made his reputation in 1677 with a See also:blank See also:verse tragedy, The See also:Rival Queens, or the See also:Death of See also:Alexander the See also:Great . The play, which treats of the See also:jealousy of Alexander's first wife, See also:Roxana, for his second wife, Statira, was, in spite of niut bombast, a favourite on the English stage down to the days of of See also:July, and the See also:Declaration of See also:Independence, prepared princi-See also:Edmund See also:Kean . Mithridates, See also:King of See also:Pontus (acted 1678), See also:Theodosius, or the Force of Love (acted ,68o), Caesar See also:Borgia (acted 168o)—an imitation of the worst See also:blood and See also:thunder Elizabethan tragedies—See also:Lucius See also:Junius See also:Brutus, Father of His See also:Country (acted 1681), and See also:Constantine the Great (acted 1684) followed . The Princess of Cleve (1681) is a See also:gross See also:adaptation of Madame de La Fayette's exquisite novel of that name .

The See also:

Massacre of See also:Paris (published 1690) was written about this See also:time . Lee had given offence at court by his Lucius Junius Brutus, which had been suppressed after its third See also:representation for some lines on Tarquin's See also:character that were taken to be a reflection on Charles II . He therefore joined with Dryden, who had already admitted him as a collaborator in an adaptation of See also:Oedipus, in The Duke of See also:Guise (1683), a play which directly advocated the Tory point of view . In it See also:part of the Massacre of Paris was incorporated . Lee was now See also:thirty years of See also:age, and had already achieved a considerable reputation . But he had lived in the dissipated society of the See also:earl of See also:Rochester and his associates, and imitated their excesses . As he See also:grew more disreputable, his patrons neglected him, and in 1684 his mind was completely unhinged . He spent five years in See also:Bethlehem See also:Hospital, and recovered his See also:health . He died in a drunken See also:fit in 1692, and was buried in St See also:Clement Danes, Strand, on the 6th of May . Lee's Dramatic See also:Works were published in 1784 . In spite of their extravagance, they contain many passages of great beauty .

End of Article: NATHANIEL LEE (c. 1653-16g2)
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RICHARD HENRY LEE (1732-1794)

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