NATHANIEL See also: - LEE
- LEE (or LEGIT) ROWLAND (d. 1543)
- LEE, ANN (1736–1784)
- LEE, ARTHUR (1740–1792)
- LEE, FITZHUGH (1835–1905)
- LEE, GEORGE ALEXANDER (1802-1851)
- LEE, HENRY (1756-1818)
- LEE, JAMES PRINCE (1804-1869)
- NATHANIEL LEE (c. 1653-16g2)
- LEE, RICHARD HENRY (1732-1794)
- LEE, ROBERT EDWARD (1807–1870)
- LEE, SIDNEY (1859– )
- LEE, SOPHIA (1950-1824)
- LEE, STEPHEN DILL (1833-1908)
LEE (c. 1653-16g2)
, English dramatist, son of Dr Richard See also: - LEE
- LEE (or LEGIT) ROWLAND (d. 1543)
- LEE, ANN (1736–1784)
- LEE, ARTHUR (1740–1792)
- LEE, FITZHUGH (1835–1905)
- LEE, GEORGE ALEXANDER (1802-1851)
- LEE, HENRY (1756-1818)
- LEE, JAMES PRINCE (1804-1869)
- LEE, NATHANIEL (c. 1653-16g2)
- LEE, RICHARD HENRY (1732-1794)
- LEE, ROBERT EDWARD (1807–1870)
- LEE, SIDNEY (1859– )
- LEE, SOPHIA (1950-1824)
- LEE, STEPHEN DILL (1833-1908)
Lee, a Presbyterian divine, was born probably in 1653
.
His father was rector of Hatfield, and held many preferments under the Commonwealth
.
He was chaplain to General See also: - MONK (O.Eng. munuc; this with the Teutonic forms, e.g. Du. monnik, Ger. Witch, and the Romanic, e.g. Fr. moine, Ital. monacho and Span. monje, are from the Lat. monachus, adaptedfrom Gr. µovaXos, one living alone, a solitary; Own, alone)
- MONK (or MONCK), GEORGE
- MONK, JAMES HENRY (1784-1856)
- MONK, MARIA (c. 1817—1850)
Monk, afterwards duke of Albemarle, and after the Restoration he conformed to the See also: - CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
Church of England, abjuring his former opinions, especially his approval of Charles I.'s execution
.
Nathaniel Lee was educated at Westminster school, and at Trinity College, Cambridge, taking his B.A. degree in 1668
.
Coming to London under the patronage, it is said, of the duke of See also: - BUCKINGHAM
- BUCKINGHAM, EARLS, MARQUESSES AND DUKES OF
- BUCKINGHAM, FIRST DUKE
- BUCKINGHAM, GEORGE VILLIERS, 1ST DUKE 0E1
- BUCKINGHAM, GEORGE VILLIERS, 2ND DUKE 0E1 (1628-1687)
- BUCKINGHAM, HENRY STAFFORD, 2ND DUKE OF3 (1454-1483)
- BUCKINGHAM, JAMES SILK (1786-1855)
Buckingham, he tried to earn his living as an actor, but though he was an admirable reader, his acute stage fright made acting impossible
.
His earliest play, Nero, Emperor of Rome, was acted in 1675 at Drury Lane
.
Two tragedies written in rhymed heroic couplets, in imitation of Dryden, followed in 1676-Sophonisba, or Hannibal's Overthrow and Gloriana, or the Court of Augustus Caesar
.
Both are extravagant in design and treatment
.
Lee made his reputation in 1677 with a blank verse tragedy, The Rival Queens, or the Death of Alexander the Great
.
The play, which treats of the jealousy of Alexander's first wife, Roxana, for his second wife, Statira, was, in spite of niut
bombast, a favourite on the English stage down to the days of of July, and the Declaration of Independence, prepared princi- Edmund Kean
.
Mithridates, See also: - KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
King of Pontus (acted 1678),
Theodosius, or the Force of Love (acted ,68o), Caesar Borgia (acted 168o)—an imitation of the worst blood and thunder Elizabethan tragedies—Lucius Junius Brutus, Father of His Country (acted 1681), and Constantine the Great (acted 1684) followed
.
The Princess of Cleve (1681) is a gross adaptation of Madame de La Fayette's exquisite novel of that name
.
The Massacre of Paris (published 1690) was written about this See also: - TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time
.
Lee had given offence at court by his Lucius Junius Brutus, which had been suppressed after its third representation for some lines on Tarquin's character that were taken to be a reflection on Charles II
.
He therefore joined with Dryden, who had already admitted him as a collaborator in an adaptation of Oedipus, in The Duke of Guise (1683), a play which directly advocated the Tory point of view
.
In it part of the Massacre of Paris was incorporated
.
Lee was now thirty years of age, and had already achieved a considerable reputation
.
But he had lived in the dissipated society of the earl of Rochester and his associates, and imitated their excesses
.
As he grew more disreputable, his patrons neglected him, and in 1684 his mind was completely unhinged
.
He spent five years in Bethlehem Hospital, and recovered his health
.
He died in a drunken fit in 1692, and was buried in St Clement Danes, Strand, on the 6th of May
.
Lee's Dramatic Works were published in 1784
.
In spite of their extravagance, they contain many passages of great beauty
.
End of Article: NATHANIEL LEE (c. 1653-16g2)
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