NATHANIEL See also:- LEE
- LEE (or LEGIT) ROWLAND (d. 1543)
- LEE, ANN (1736–1784)
- LEE, ARTHUR (1740–1792)
- LEE, FITZHUGH (1835–1905)
- LEE, GEORGE ALEXANDER (1802-1851)
- LEE, HENRY (1756-1818)
- LEE, JAMES PRINCE (1804-1869)
- NATHANIEL LEE (c. 1653-16g2)
- LEE, RICHARD HENRY (1732-1794)
- LEE, ROBERT EDWARD (1807–1870)
- LEE, SIDNEY (1859– )
- LEE, SOPHIA (1950-1824)
- LEE, STEPHEN DILL (1833-1908)
LEE (c. 1653-16g2)
, See also:English dramatist, son of Dr See also:Richard See also:- LEE
- LEE (or LEGIT) ROWLAND (d. 1543)
- LEE, ANN (1736–1784)
- LEE, ARTHUR (1740–1792)
- LEE, FITZHUGH (1835–1905)
- LEE, GEORGE ALEXANDER (1802-1851)
- LEE, HENRY (1756-1818)
- LEE, JAMES PRINCE (1804-1869)
- LEE, NATHANIEL (c. 1653-16g2)
- LEE, RICHARD HENRY (1732-1794)
- LEE, ROBERT EDWARD (1807–1870)
- LEE, SIDNEY (1859– )
- LEE, SOPHIA (1950-1824)
- LEE, STEPHEN DILL (1833-1908)
Lee, a Presbyterian divine, was See also:born probably in 1653
.
His See also:father was See also:rector of See also:Hatfield, and held many preferments under the See also:Commonwealth
.
He was See also:chaplain to See also:General See also:- MONK (O.Eng. munuc; this with the Teutonic forms, e.g. Du. monnik, Ger. Witch, and the Romanic, e.g. Fr. moine, Ital. monacho and Span. monje, are from the Lat. monachus, adaptedfrom Gr. µovaXos, one living alone, a solitary; Own, alone)
- MONK (or MONCK), GEORGE
- MONK, JAMES HENRY (1784-1856)
- MONK, MARIA (c. 1817—1850)
Monk, afterwards See also:duke of See also:Albemarle, and after the Restoration he conformed to the See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
Church of See also:England, abjuring his former opinions, especially his approval of See also:Charles I.'s See also:execution
.
Nathaniel Lee was educated at See also:Westminster school, and at Trinity See also:College, See also:Cambridge, taking his B.A. degree in 1668
.
Coming to See also:London under the patronage, it is said, of the duke of See also:- BUCKINGHAM
- BUCKINGHAM, EARLS, MARQUESSES AND DUKES OF
- BUCKINGHAM, FIRST DUKE
- BUCKINGHAM, GEORGE VILLIERS, 1ST DUKE 0E1
- BUCKINGHAM, GEORGE VILLIERS, 2ND DUKE 0E1 (1628-1687)
- BUCKINGHAM, HENRY STAFFORD, 2ND DUKE OF3 (1454-1483)
- BUCKINGHAM, JAMES SILK (1786-1855)
Buckingham, he tried to See also:earn his living as an actor, but though he was an admirable reader, his acute See also:stage fright made acting impossible
.
His earliest See also:play, See also:Nero, See also:Emperor of See also:Rome, was acted in 1675 at See also:Drury See also:Lane
.
Two tragedies written in rhymed heroic couplets, in See also:imitation of See also:Dryden, followed in 1676-Sophonisba, or See also:Hannibal's Overthrow and Gloriana, or the See also:Court of See also:Augustus See also:Caesar
.
Both are extravagant in See also:design and treatment
.
Lee made his reputation in 1677 with a See also:blank See also:verse tragedy, The See also:Rival Queens, or the See also:Death of See also:Alexander the See also:Great
.
The play, which treats of the See also:jealousy of Alexander's first wife, See also:Roxana, for his second wife, Statira, was, in spite of niut
bombast, a favourite on the English stage down to the days of of See also:July, and the See also:Declaration of See also:Independence, prepared princi-See also:Edmund See also:Kean
.
Mithridates, See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
King of See also:Pontus (acted 1678),
See also:Theodosius, or the Force of Love (acted ,68o), Caesar See also:Borgia (acted 168o)—an imitation of the worst See also:blood and See also:thunder Elizabethan tragedies—See also:Lucius See also:Junius See also:Brutus, Father of His See also:Country (acted 1681), and See also:Constantine the Great (acted 1684) followed
.
The Princess of Cleve (1681) is a See also:gross See also:adaptation of Madame de La Fayette's exquisite novel of that name
.
The See also:Massacre of See also:Paris (published 1690) was written about this See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time
.
Lee had given offence at court by his Lucius Junius Brutus, which had been suppressed after its third See also:representation for some lines on Tarquin's See also:character that were taken to be a reflection on Charles II
.
He therefore joined with Dryden, who had already admitted him as a collaborator in an adaptation of See also:Oedipus, in The Duke of See also:Guise (1683), a play which directly advocated the Tory point of view
.
In it See also:part of the Massacre of Paris was incorporated
.
Lee was now See also:thirty years of See also:age, and had already achieved a considerable reputation
.
But he had lived in the dissipated society of the See also:earl of See also:Rochester and his associates, and imitated their excesses
.
As he See also:grew more disreputable, his patrons neglected him, and in 1684 his mind was completely unhinged
.
He spent five years in See also:Bethlehem See also:Hospital, and recovered his See also:health
.
He died in a drunken See also:fit in 1692, and was buried in St See also:Clement Danes, Strand, on the 6th of May
.
Lee's Dramatic See also:Works were published in 1784
.
In spite of their extravagance, they contain many passages of great beauty
.
End of Article: