See also:SIR See also:- PETER
- PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
- PETER (PEDRO)
- PETER, EPISTLES OF
- PETER, ST
PETER See also:LELY (1617—168o)
See also:English painter, was See also:born at See also:Soest, See also:Westphalia, in 1617
.
His See also:father, a military See also:captain and a native of See also:- HOLLAND
- HOLLAND, CHARLES (1733–1769)
- HOLLAND, COUNTY AND PROVINCE OF
- HOLLAND, HENRY FOX, 1ST BARON (1705–1774)
- HOLLAND, HENRY RICH, 1ST EARL OF (1S9o-,649)
- HOLLAND, HENRY RICHARD VASSALL FOX, 3RD
- HOLLAND, JOSIAH GILBERT (1819-1881)
- HOLLAND, PHILEMON (1552-1637)
- HOLLAND, RICHARD, or RICHARD DE HOLANDE (fl. 1450)
- HOLLAND, SIR HENRY, BART
Holland, was originally called See also:van der Vaes; the See also:nickname of Le Lys or See also:Lely, by which he was generally known, was adopted by his son as a surname
.
After studying for two years under See also:- PETER
- PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
- PETER (PEDRO)
- PETER, EPISTLES OF
- PETER, ST
Peter de Grebber, an artist of some See also:note at See also:Haarlem, Lely, induced by the patronage of See also:Charles I. for the See also:fine arts, removed to See also:England in 1641
.
There he at first painted See also:historical subjects and landscape; he soon became so eminent in his profession as to be employed by Charles to paint his portrait shortly after the See also:death of Vandyck
.
He afterwards portrayed See also:Cromwell
.
At the Restoration his See also:genius and agreeable See also:manners won the favour of Charles II., who made him his See also:state-painter, and afterwards knighted him
.
He formed a famous collection, the best of his See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time, containing drawings, prints and paintings by the best masters; it sold by See also:auction for no less than £26,000
.
His See also:great example, however, was Vandyck, whom, in some of his most successful pieces, he almost rivals
.
Lely's paintings are carefully finished, warm and clear in colouring, and animated in See also:design
.
The graceful posture of the heads, the delicate rounding of the hands, and the broad folds of the draperies are admired in many of his portraits
.
The eyes of the ladies are drowsy with languid sentiment, and See also:allegory of a See also:commonplace sort is too freely introduced
.
His most famous See also:work is a collection of portraits of the ladies of the See also:court of Charles II., known as " the Beauties," formerly at See also:Windsor See also:Castle, and now preserved at See also:Hampton Court See also:Palace
.
Of his few historical pictures, the best is " Susannah and the Elders," at Burleigh See also:House
.
His " See also:Jupiter and See also:Europa," in the See also:duke of See also:Devonshire's collection, is also worthy of note
.
Lely was nearly as famous for See also:crayon work as for oil-See also:painting
.
Towards the See also:close of his See also:life he often retired to an See also:estate which he had bought at See also:Kew
.
He died of See also:apoplexy in the Piazza, Covent See also:Garden, See also:London, and was buried in Covent Garden See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
church, where a See also:monument was afterwards erected to his memory
.
See also:Pepys characterized Lely as " a mighty proud See also:man and full of state." The painter married an English See also:lady of See also:family, and See also:left a son and daughter, who died See also:young
.
His only disciples were J
.
Greenhill and J
.
Buckshorn; he did not, however, allow them to obtain an insight into his See also:special modes of work
.
(W
.
M
.
R.)
LE See also:MACON (or LE See also:MAssoN), See also:ROBERT (c
.
1365—1443), See also:chancellor of See also:France, was born at See also:Chateau du Loir, See also:Sarthe
.
He was ennobled in See also:March 1401, and became six years later a councillor of See also:- LOUIS
- LOUIS (804–876)
- LOUIS (893–911)
- LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
- LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian
Louis II., duke of See also:Anjou and See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
king of See also:Sicily
.
A See also:partisan of the house of See also:- ORLEANS
- ORLEANS, CHARLES, DUKE OF (1391-1465)
- ORLEANS, DUKES OF
- ORLEANS, FERDINAND PHILIP LOUIS CHARLES HENRY, DUKE OF (1810-1842)
- ORLEANS, HENRI, PRINCE
- ORLEANS, HENRIETTA, DUCHESS
- ORLEANS, JEAN BAPTISTE GASTON, DUKE
- ORLEANS, LOUIS
- ORLEANS, LOUIS PHILIPPE JOSEPH
- ORLEANS, LOUIS PHILIPPE ROBERT, DUKE
- ORLEANS, LOUIS PHILIPPE, DUKE OF (1725–1785)
- ORLEANS, LOUIS, DUKE OF (1372–1407)
- ORLEANS, PHILIP I
- ORLEANS, PHILIP II
Orleans, he was appointed chancellor to See also:Isabella of See also:Bavaria on the 29th of See also:January 1414, on the loth of See also:July See also:commissary of the See also:mint, and in See also:June 1416 chancellor to the See also:count of Ponthieu, afterwards Charles VII
.
On the 16th of See also:August he bought the See also:barony of Treves in Anjou, and henceforward See also:bore the See also:title of seigneur of Treves
.
When See also:Paris was surprised by the Burgundians on the See also:night of the 29th of May 1418 he assisted Tanguy Duchatel in saving the dauphin
.
His devotion to the cause of the latter having brought down on him the wrath of See also:John the Fearless, duke of See also:Burgundy, he was excluded from the See also:political See also:amnesty known as the See also:peace of See also:Saint Maur See also:des Fosses, though he retained his seat on the king's See also:council
.
He was by the dauphin's See also:side when John the Fearless was murdered at the See also:bridge of See also:Montereau on the loth of See also:September 1419
.
He resigned the See also:seals at the beginning of 1422; but he continued to exercise great See also:influence, and in 1426 he effected a reconciliation between the king and the duke of See also:Brittany
.
Having been captured by See also:Jean de Langeac, See also:seneschal of See also:Auvergne, in August of the same See also:year, he was shut up for three months in the chateau of Usson
.
When set at See also:liberty he returned to court, where he staunchly supported See also:Joan of Arc against all the cabals that menaced her
.
It was he who signed the patent of See also:nobility for the Arc family in See also:December 1429
.
In 1130 he was once more entrusted with an See also:embassy to Brittany
..
Having retired from political life in 1436, he died on the 28th of January 1443, and was interred at Treves, where his See also:epitaph may still be seen
.
See C
.
Bourcier, " Robert le Masson," in the Revue historique de t'Anjou (1873); and the Nouvelle biographie generale, vol. See also:xxx
.
(J
.
V.*)
LE MAIRE DE BELGES, JEAN (1473-c
.
1525), See also:French poet and historiographer, was born at See also:Bavai in Hainault
.
He was a See also:nephew of Jean See also:Molinet, and spent some time with him at See also:Valenciennes, where the See also:elder writer held a See also:kind of See also:academy of See also:poetry
.
Le Maire in his first poems calls himself a See also:disciple of Molinet
.
In certain aspects he does belong to the school of the grands rhetoriqueurs, but his great merit as a poet is that he emancipated himself from the affectations and puerilities of his masters
.
This See also:independence of the Flemish school he owed in See also:part perhaps to his studies at the university of Paris and to the study of the See also:Italian poets at See also:Lyons, a centre of the French renascence
.
In 1503 he was attached to the court of See also:Margaret of See also:Austria, duchess of See also:Savoy, afterwards See also:regent of the See also:Netherlands
.
For this princess he undertook more than one See also:mission to See also:Rome; he became her librarian and a See also:canon of Valenciennes
.
To her were addressed his most See also:original poems, Epistres de l'amand verd, the amant verb being a See also:green See also:parrot belonging to his patroness
.
Le Maire gradually became more French in his sympathies, eventually entering the service of See also:Anne of Brittany
.
His See also:prose Illustrations des Gaules et singularitez de Troye (1510-1512), largely adapted from See also:Benoit de Sainte More, connects the Burgundian royal house with See also:Hector
.
Le Maire probably died before 1525
.
See also:Etienne See also:Pasquier, See also:Ronsard and Du Bellay all acknowledged their indebtedness to him
.
In his love for antiquity, his sense of See also:rhythm, and even the peculiarities of his vocabulary he anticipated the Pleiade
.
His See also:works were edited in 1882—1885 by J
.
Stecher, who wrote the See also:article on him in the Biographic nationale de Belgique
.
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