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See also: born in See also: Paris on the 12th of See also: January 1733
.
His parents were poor, but See also: Lemierre found a See also: patron in the See also: collector-general of taxes, Dupin, whose secretary he became
.
Lemierre gained his first success on the stage with Hypermnestre (1758); Teree (1761) and Idomenee (1764) failed on account of the subjects
.
Artaxerce, modelled on See also: Metastasio, and Guillaume Tell were produced in 1766; other successful tragedies were La Veuve de See also: Malabar (1770) and Barnavelt (1784)
.
Lemierre revived Guillaume Tell in 1786 with enormous success
.
After the Revolution he professed See also: great remorse for the production of a See also: play inculcating revolutionary principles, and there is no doubt that the horror of the excesses he witnessed hastened his See also: death, which took place on the 4th of See also: July 1793
.
He had been admitted to the See also: Academy in 1781
.
Lemierre published La Peinture (1769), based on a Latin poem by the See also: abbe de Marsy, and a poem in six cantos, See also: Les Fastes, ou les usages de l'annee (1779), an unsatisfactory imitation of Ovid's See also: Fasti
.
His Euvres (181o) contain a See also: notice of Lemierre by R
.
Perrin. and his Euvres choisies (1811) one by F
.
Fayolle
.
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