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See also: German painter, was See also: born at Schrobenhausen, in See also: Bavaria, on the 13th of See also: December 1836
.
His See also: father was a See also: mason, and the boy was intended to follow his father's See also: trade or be a builder
.
With this view he was sent to school at Landsberg, and then to the polytechnic at Augsburg
.
But after seeing Hofner, the animal painter, execut-
e Karl See also: Friedrich Hartmann Mayer (1786-187o), poet, and biographer of See also: Uhland, was by profession a lawyer and See also: government official in See also: Wurttemberg
.
II
See also: ing some studies, he made various attempts at See also: painting, which interesting See also: notice of these letters in the Causeries du Lundi, vol. iv. his father's orders interrupted
.
However, when he had seen
the galleries of Augsburg and See also: Munich, he finally obtained his father's permission to become an artist, and worked for a See also: short See also: time in the studio of Grefle, the painter; after this he devoted much time to copying
.
Thus he was already accomplished in technique when he became the pupil of See also: Piloty, with whom he set out for See also: Italy in 1858
.
A few interesting See also: works remain as the outcome of this first journey—" A Peasant seeking Shelter from See also: Bad Weather " (18J5), " The Goatherd " (186o, in the Schack Gallery, Munich), and " The See also: Arch of Titus " (in the Pally collection, See also: Budapest)
.
On returning to Munich, he was at once called to See also: Weimar to take the See also: appointment of professor at the See also: Academy
.
But he did not hold it long, having made the acquaintance of Count Schack, who commissioned a See also: great number of copies for his collection
.
See also: Lenbach returned to Italy the same See also: year, and there copied many famous pictures
.
He set out in 1867 for See also: Spain, where he copied not only the famous pictures by Velasquez in the Prado, but also some landscapes in the museums of See also: Granada and the See also: Alhambra (1868)
.
In the previous year he had exhibited at the great See also: exhibition at See also: Paris several portraits, one of which took a third-class medal
.
There-after he exhibited frequently both at Munich and at Vienna, and in 'goo at the Paris exhibition was awarded a See also: Grand Prix for painting
.
Lenbach, who died in 1904, painted many of the most remarkable personages of his time
.
See Berlepsch, " Lenbach," Velhagen and Klasings Monatshefte (1891) ; Begouen, See also: Les Portraits de Lenbach a l'exposition de Munich (1899); K
.
Knackfuss, Lenbach, and See also: Franz von Lenbach Bildnisse
(1900)
.
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