RUGGIERO See also:

• RUGGIERO LEONCAVALLO (1858– )

LEONCAVALLO (1858– )  , See also:

• ITALIAN

Italian operatic composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples and educated for See also:

• MUSIC

music at the See also:

• CONSERVATOIRE (the Fr. equivalent of Ital. Conservatorio, Ger. Conservatorium, from Med. Lat. conservatorium, a place where anything is preserved, Lat. conservare, to preserve)

conservatoire . After some years spent in teaching and in ineffectual attempts to obtain the See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production of more than one See also:

• OPERA (Italian for " work ")

opera, his Pagliacci was performed at See also:

• MILAN
• MILAN (Ital. Milano, Ger. Mailand, anc. Mediolanum, q.v.)

Milan in 1892 with immediate success; and next See also:

• YEAR

year his See also:

• MEDICI
• MEDICI, GIACOMO (1817-1882)

Medici was also produced there . But neither the latter nor See also:

• CHATTERTON, THOMAS (1752-1770)

Chatterton (1896)—both See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• WORKS

works—obtained any favour; and it was not till La Boheme was performed in 1897 at See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice that his See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent obtained public See also:

• CONFIRMATION (Lat. confirmatio, from confirmare, to establish, make firm)

confirmation . Subsequent operas by See also:

• LEONCAVALLO, RUGGIERO (1858– )

Leoncavallo were Zaza (1900), and Der See also:

• ROLAND
• ROLAND, LEGEND OF

Roland (1904) . In all these operas he was his own librettist .