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LEONARDO See also: LEO, See also: Italian musical composer,.,, was See also: born on the 5th of See also: August 1694 at S
.
Vito dei Normanni, near See also: Brindisi
.
He became a student at the Conservatorio della pieta dei Turchini at Naples in 1703, and was a pupil first of Provenzale and later of Nicola Fago
.
It has been supposed that he was a pupil of See also: Pitoni and Alessandro See also: Scarlatti, but he could not possibly have studied with either of these composers, although he was undoubtedly influenced by their compositions
.
His earliest known See also: work was a sacred drama, L'Infedeltd abbattuta, performed by his See also: fellow-students in 1712
.
In 1714 he produced, at the See also: court theatre, an See also: opera, Pisistrato, which was much admired
.
He held various posts at the royal See also: chapel, and continued to write for the stage, besides teaching at the conservatorio
.
After adding comic scenes to Gasparini's Bajazette in 1722 for performance at Naples, he composed a comic opera, La Mpeca scoperta, in Neapolitan dialect, in 1723
.
His most famous comic opera was Amor viral sofferenze (1739), better known as La Finta Frascatana, highly praised by See also: Des See also: Brosses
.
He was equally distinguished as a composer of serious opera, Demofoonte (1735), Farnace (1737) and L'Olimpiade (1737) being his most famous See also: works in this branch, and is still better known as a composer of, sacred See also: music
.
He died of apoplexy on the 31st of See also: October 1744 while engaged in the composition of new airs for a revival of La Finta Frascatana
.
Leo was the first of the Neapolitan school to obtain a See also: complete mastery over See also: modern See also: harmonic counterpoint
.
His sacred music is masterly and dignified, logical rather than passionate, and See also: free from the sentimentality which disfigures the work of F
.
See also: Durante and G
.
B
.
Pergolesi
.
His serious operas suffer from a coldness and severity of See also: style, but in his comic operas he shows a keen sense of See also: humour
.
His ensemble movements are spirited, but never worked up to a strong See also: climax
.
A See also: fine and characteristic example of his sacred music is the Dixit Dominus in C, edited by C
.
V
.
Stanford and published by See also: Novello
.
A number of songs from operas are accessible in modern See also: editions
.
(E
.
J
.
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I cannot find info on this site about an annual festival of Leo's music held in his birthplace San Vito degli normanni in midsummer but I hope to have info from Italy soon. Does anyone else have this info already ?
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