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CHARLES ROBERT LESLIE (1794–1859)

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Originally appearing in Volume V16, Page 492 of the 1911 Encyclopedia Britannica.
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CHARLES ROBERT LESLIE (1794–1859), English genre-painter, was born in London on the 19th of October 1794. His parents were American, and when he was five years of age he returned with them to their native country. They settled in Philadelphia, where their son was educated and afterwards apprenticed to a bookseller. He was, however, mainly interested in painting and the drama, and when George Frederick Cooke visited the city he executed a portrait of the actor, from re-collection of him on the stage, which was considered a work of such promise that a fund was raised to enable the young artist to study in Europe. He left for London in 1811, bearing introductions which procured for him the friendship of West, Beechey, Allston, Coleridge and Washington Irving, and was admitted as a student of the Royal Academy, where he carried off two silver medals. At first, influenced by West and Fuseli, he essayed " high art," and his earliest important subject depicted Saul and the Witch of Endor; but }*e soon discovered his true aptitude and became a painter of cabinet-pictures, dealing, to Succeed John Playfair in the chair of mathematics at Edinnot like those of Wilkie, with the contemporary life that sur- rounded him, but with scenes from the great masters of fiction, from Shakespeare and Cervantes, Addison and Moliere, Swift, Sterne, Fielding and Smollett. Of individual paintings we may specify " Sir Roger de Coverley going to Church " (1819) " May-day in the Time of Queen Elizabeth " (1821); " Sancho Panza and the Duchess " (1824); " Uncle Toby and the Widow Wadman " (1831); La Malade Imaginaire, act iii. sc. 6 (1843); and the " Duke's Chaplain Enraged leaving the Table," from Don Quixote (1849). Many of his more important subjects exist in varying replicas. He possessed a sympathetic imagination, which enabled him to enter freely into the spirit of the author whom he illustrated, a delicate perception for female beauty, an unfailing eye for character and its outward manifestation in face and figure, and a genial and sunny sense of humour, guided by an instinctive refinement which prevented it from overstepping the bounds of good taste. In 1821 Leslie was elected A.R.A., and five years later full academician. In 1833 he left for America to become teacher of drawing in the military academy at West Point, but the post proved an irksome one, and in some six months he returned to England. He died on the 5th of May 1859. In addition to his skill as an artist, Leslie was a ready and pleasant writer. His Life of his friend Constable, the landscape painter, appeared in 1843, and his Handbook for Young Painters, a volume, embodying the substance of his lectures as professor of painting to the Royal Academy, in 1855. In 186o Tom Taylor edited his Auto-biography and Letters, which contain interesting reminiscences of his distinguished friends and contemporaries.
End of Article: CHARLES ROBERT LESLIE (1794–1859)
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FRED [FREDERICK HOBSON] LESLIE (1855–1892)

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