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See also: English genre-painter, was See also: born in See also: London on the 19th of See also: October 1794
.
His parents were See also: American, and when he was five years of age he returned with them to their native country
.
They settled in See also: Philadelphia, where their son was educated and afterwards apprenticed to a bookseller
.
He was, however, mainly interested in See also: painting and the drama, and when See also: George See also: Frederick Cooke visited the city he executed a portrait of the actor, from re-collection of him on the stage, which was considered a See also: work of such promise that a fund was raised to enable the See also: young artist to study in See also: Europe
.
He See also: left for London in 1811, bearing introductions which procured for him the friendship of West, Beechey, See also: Allston, See also: Coleridge and See also: Washington Irving, and was admitted as a student of the Royal See also: Academy, where he carried off two See also: silver medals
.
At first, influenced by West and See also: Fuseli, he essayed " high See also: art," and his earliest important subject depicted See also: Saul and the See also: Witch of See also: Endor; but }*e soon discovered his true
aptitude and became a painter of See also: cabinet-pictures, dealing, to Succeed See also: John Playfair in the chair of
See also: mathematics at Edinnot like those of See also: Wilkie, with the contemporary See also: life that sur-
rounded him, but with scenes from the See also: great masters of fiction, from See also: Shakespeare and Cervantes, See also: Addison and See also: Moliere, See also: Swift, Sterne, See also: Fielding and See also: Smollett
.
Of individual paintings we may specify " See also: Sir See also: Roger de Coverley going to See also: Church " (1819) " May-
See also: day in the See also: Time of See also: Queen See also: Elizabeth " (1821); " Sancho Panza and the Duchess " (1824); "
See also: Uncle Toby and the Widow Wadman " (1831); La Malade Imaginaire, See also: act iii. sc
.
6 (1843); and the " Duke's See also: Chaplain Enraged leaving the Table," from See also: Don Quixote (1849)
.
Many of his more important subjects exist in varying replicas
.
He possessed a sympathetic See also: imagination, which enabled him to enter freely into the spirit of the author whom he illustrated, a delicate perception for See also: female beauty, an unfailing See also: eye for character and its outward manifestation in face and figure, and a genial and sunny sense of See also: humour, guided by an instinctive refinement which prevented it from overstepping the See also: bounds of See also: good taste
.
In 1821 See also: Leslie was elected A.R.A., and five years later full academician
.
In 1833 he left for See also: America to become teacher of See also: drawing in the military academy at West Point, but the See also: post proved an irksome one, and in some six months he returned to See also: England
.
He died on the 5th of May 1859 . In addition to his skill as an artist, Leslie was a ready and pleasant writer . His Life of his friend See also: Constable, the landscape painter, appeared in 1843, and his Handbook for Young Painters, a See also: volume, embodying the substance of his lectures as professor of painting to the Royal Academy, in 1855
.
In 186o Tom See also: Taylor edited his Auto-biography and Letters, which contain interesting reminiscences of his distinguished
See also: friends and contemporaries
.
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