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See also: English painter, was See also: born in See also: London on the 16th of See also: June 1792
.
His See also: father being a carver and See also: gilder, See also: Linnell was early brought into contact with artists, and when he was ten years old he was See also: drawing and selling his portraits in See also: chalk and pencil
.
His first See also: artistic instruction was received from Benjamin West, and he spent a See also: year in the See also: house of See also: John Varley the
See also: water-colour painter, where he had See also: William
See also: Hunt and See also: Mulready as See also: fellow-pupils, and made the acquaintance of Shelley, Godwin and other men of mark
.
In 1805 he was admitted a student of the Royal See also: Academy, where he obtained medals for drawing, modelling and sculpture
.
He was also trained as an engraver, and executed a transcript of Varley's " See also: Burial of See also: Saul." In after See also: life he frequently occupied himself with the burin, See also: publishing, in 1834, a series of outlines from Michelangelo's frescoes in the Sistine See also: chapel, and, in 1840, superintending the issue of a selection of plates from the pictures in See also: Buckingham Palace, one of them, a See also: Titian landscape, being mezzotinted by himself
.
At first he supported himself mainly by See also: miniature See also: painting, and by the execution of larger portraits, such as the likenesses of Mulready, See also: Whately, Peel and Carlyle
.
Several of his portraits he engraved with his own See also: hand in See also: line and See also: mezzotint
.
He also painted many subjects like the " St John Preaching," the " See also: Covenant of Abraham," and the "Journey to See also: Emmaus," in which, while the landscape is usually prominent the figures are yet of sufficient importance to supply the title
of the See also: work
.
But it is mainly in connexion with his paintings of pure landscape that his name is known
.
His See also: works commonly See also: deal with some scene of typical uneventful English landscape, which is made impressive by a gorgeous effect of sunrise or sunset
.
They are full of true poetic feeling, and are See also: rich and glowing in colour
.
Linnell was able to command very large prices for his pictures, and about r85o he See also: purchased a See also: property at Redhill, Surrey, where he resided till his See also: death on the loth of See also: January 1882, painting with unabated power till within the last few years of his life
.
His leisure was greatly occupied with a study of the Scriptures in the See also: original, and he published several See also: pamphlets and larger See also: treatises of Biblical See also: criticism
.
Linnell was one of the best See also: friends and kindest patrons of William Blake
.
He gave him the two largest commissions he ever received for single series of designs—Lr5o for drawings and engravings of The Inventions to the See also: Book of See also: Job, and a like sum for those illustrative of See also: Dante
.
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