See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• JOHN LINNELL (1792—1882)

LINNELL (1792—1882)  , See also:

• ENGLISH

English painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London on the 16th of See also:

• JUNE

June 1792 . His See also:

• FATHER

father being a See also:

• CARVER, JOHN (x575?-1621)
• CARVER, JONATHAN (c. 1725-1780)

carver and See also:

• GILDER, RICHARD WATSON (1844–1909)

gilder, See also:

• LINNELL, JOHN (1792—1882)

Linnell was See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early brought into contact with artists, and when he was ten years old he was See also:

• DRAWING

drawing and selling his portraits in See also:

• CHALK

chalk and See also:

• PENCIL (Lat. penicillus, brush, literally little tail)

pencil . His first See also:

• ARTISTIC

artistic instruction was received from See also:

• BENJAMIN
• BENJAMIN, JUDAHPHILIP (1811-1884)

Benjamin See also:

• WEST
• WEST, BENJAMIN (1738-1820)
• WEST, NICHOLAS (1461-1533)

West, and he spent a See also:

• YEAR

year in the See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house of See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• VARLEY, CORNELIUS (1781-1873)
• VARLEY, JOHN (1778-1842)

Varley the See also:

• WATER

water-See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour painter, where he had See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• HUNT, ALFRED WILLIAM (183o-1896)
• HUNT, HENRY (1i73-1835)
• HUNT, HENRY JACKSON (1819-1889)
• HUNT, JAMES HENRY LEIGH (1784-1859)
• HUNT, ROBERT (1807-1887)
• HUNT, THOMAS STERRY (1826-1892)
• HUNT, WILLIAM HENRY (1790—1864)
• HUNT, WILLIAM HOLMAN (1827-1910)
• HUNT, WILLIAM MORRIS (1824-1879)

Hunt and See also:

• MULREADY, WILLIAM (1786–1863)

Mulready as See also:

• FELLOW

fellow-pupils, and made the acquaintance of See also:

• SHELLEY, MARY WOLLSTONECRAFT (1797-1851)
• SHELLEY, PERCY BYSSHE (1792-1822)

Shelley, See also:

• GODWIN, FRANCIS (1562-1633)
• GODWIN, MARY WOLLSTONECRAFT (1759-1797)
• GODWIN, WILLIAM

Godwin and other men of See also:

• MARK
• MARK, CARL (1858– )
• MARK, GOSPEL OF ST
• MARK, ST

mark . In 1805 he was admitted a student of the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy, where he obtained medals for drawing, modelling and See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

sculpture . He was also trained as an engraver, and executed a transcript of Varley's " See also:

• BURIAL

Burial of See also:

• SAUL (Heb. shd'ul, " asked ")

Saul." In after See also:

• LIFE

life he frequently occupied himself with the burin, See also:

• PUBLISHING

publishing, in 1834, a See also:

• SERIES (a Latin word from serere, to join)

series of outlines from See also:

• MICHELANGELO (MICHELAGNIOLO BUONARROTI) (1475-1564)

Michelangelo's frescoes in the Sistine See also:

• CHAPEL

chapel, and, in 1840, superintending the issue of a selection of plates from the pictures in See also:

• BUCKINGHAM
• BUCKINGHAM, EARLS, MARQUESSES AND DUKES OF
• BUCKINGHAM, FIRST DUKE
• BUCKINGHAM, GEORGE VILLIERS, 1ST DUKE 0E1
• BUCKINGHAM, GEORGE VILLIERS, 2ND DUKE 0E1 (1628-1687)
• BUCKINGHAM, HENRY STAFFORD, 2ND DUKE OF3 (1454-1483)
• BUCKINGHAM, JAMES SILK (1786-1855)

Buckingham See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace, one of them, a See also:

• TITIAN
• TITIAN (c. 1477-1576)

Titian landscape, being mezzotinted by himself . At first he supported himself mainly by See also:

• MINIATURE

miniature See also:

• PAINTING

painting, and by the See also:

• EXECUTION (from Lat. ex-sequor, exsecutus, follow or carry out)

execution of larger portraits, such as the likenesses of Mulready, See also:

• WHATELY, RICHARD (1787-1863)

Whately, See also:

• PEEL
• PEEL, ARTHUR WELLESLEY PEEL, 1ST VISCOUNT (1829- )
• PEEL, SIR ROBERT, BART

Peel and See also:

• CARLYLE, ALEXANDER (1722-1805)
• CARLYLE, JOSEPH DACRE (1759-18o4)
• CARLYLE, THOMAS (1795-1881)

Carlyle . Several of his portraits he engraved with his own See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand in See also:

• LINE

line and See also:

• MEZZOTINT

mezzotint . He also painted many subjects like the " St John See also:

• PREACHING (Fr. preecher, from Lat. praedicare, to proclaim)

Preaching," the " See also:

• COVENANT
• COVENANT (an O. Fr. form, later convenant, from convenir, to agree, Lat. convenire)

Covenant of See also:

• ABRAHAM, or ABRAM (Hebrew for " father is high ")

Abraham," and the "See also:

• JOURNEY (through O. Fr. jornee or journee, mod. Fr. journee, from med. Lat. diurnata, Lat. diurnus, of or belonging to dies, day)

Journey to See also:

• EMMAUS

Emmaus," in which, while the landscape is usually prominent the figures are yet of sufficient importance to See also:

• SUPPLY (through Fr. from Lat. supplere, to fill up)

supply the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title of the See also:

• WORK

work . But it is mainly in connexion with his paintings of pure landscape that his name is known . His See also:

• WORKS

works commonly See also:

• DEAL

deal with some See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene of typical uneventful English landscape, which is made impressive by a gorgeous effect of sunrise or sunset . They are full of true poetic feeling, and are See also:

• RICH, BARNABE (c. 1540-1617)
• RICH, CLAUDIUS JAMES (1787-1821)
• RICH, JOHN (1692-1761)
• RICH, PENELOPE, LADY (c. 1562–1607)
• RICH, RICHARD, 1ST BARON RICH (1490?-1567)

rich and glowing in colour . Linnell was able to command very large prices for his pictures, and about r85o he See also:

• PURCHASED

purchased a See also:

• PROPERTY

property at Redhill, See also:

• SURREY
• SURREY, EARLDOM OF
• SURREY, HENRY HOWARD, EARL OF (1518?-1547)

Surrey, where he resided till his See also:

• DEATH

death on the loth of See also:

• JANUARY

January 1882, painting with unabated See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power till within the last few years of his life .

His leisure was greatly occupied with a study of the Scriptures in the See also:

• ORIGINAL

original, and he published several See also:

• PAMPHLETS

pamphlets and larger See also:

• TREATISES

treatises of Biblical See also:

• CRITICISM
• CRITICISM (from the Gr. KpiTrlS, a judge, Kpivew, to decide, to give an authoritative opinion)

criticism . Linnell was one of the best See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends and kindest patrons of William See also:

• BLAKE, EDWARD (1833– )
• BLAKE, ROBERT (1599-1657)
• BLAKE, WILLIAM (1757-1827)

Blake . He gave him the two largest commissions he ever received for single series of designs—Lr5o for drawings and engravings of The Inventions to the See also:

• BOOK

Book of See also:

• JOB

Job, and a like sum for those illustrative of See also:

• DANTE

Dante .