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JOHN LINNELL (1792—1882)

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Originally appearing in Volume V16, Page 734 of the 1911 Encyclopedia Britannica.
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JOHN LINNELL (1792—1882)  ,
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English painter, was born in
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London on the 16th of
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June 1792 . His
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father being a carver and gilder, Linnell was early brought into contact with artists, and when he was ten years old he was
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drawing and selling his portraits in
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chalk and pencil . His first
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artistic instruction was received from Benjamin West, and he spent a
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year in the house of John Varley the
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water-colour painter, where he had William Hunt and Mulready as
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fellow-pupils, and made the acquaintance of Shelley, Godwin and other men of mark . In 1805 he was admitted a student of the Royal Academy, where he obtained medals for drawing, modelling and sculpture . He was also trained as an engraver, and executed a transcript of Varley's "
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Burial of Saul." In after
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life he frequently occupied himself with the burin,
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publishing, in 1834, a series of outlines from Michelangelo's frescoes in the Sistine
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chapel, and, in 1840, superintending the issue of a selection of plates from the pictures in Buckingham Palace, one of them, a Titian landscape, being mezzotinted by himself . At first he supported himself mainly by
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miniature
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painting, and by the execution of larger portraits, such as the likenesses of Mulready, Whately, Peel and Carlyle . Several of his portraits he engraved with his own hand in
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line and
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mezzotint . He also painted many subjects like the " St John Preaching," the " Covenant of Abraham," and the "Journey to
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Emmaus," in which, while the landscape is usually prominent the figures are yet of sufficient importance to supply the title of the
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work . But it is mainly in connexion with his paintings of pure landscape that his name is known . His
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works commonly
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deal with some scene of typical uneventful English landscape, which is made impressive by a gorgeous effect of sunrise or sunset . They are full of true poetic feeling, and are rich and glowing in colour . Linnell was able to command very large prices for his pictures, and about r85o he
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purchased a
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property at Redhill, Surrey, where he resided till his
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death on the loth of
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January 1882, painting with unabated power till within the last few years of his life .

His leisure was greatly occupied with a study of the Scriptures in the

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original, and he published several
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pamphlets and larger
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treatises of Biblical criticism . Linnell was one of the best friends and kindest patrons of William Blake . He gave him the two largest commissions he ever received for single series of designs—Lr5o for drawings and engravings of The Inventions to the
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Book of
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Job, and a like sum for those illustrative of
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Dante .

End of Article: JOHN LINNELL (1792—1882)
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