See also:

• JEAN

JEAN See also:

• ETIENNE, CHARLES GUILLAUME (1778-1845)

ETIENNE See also:

• JEAN ETIENNE LIOTARD (1702—1789)

LIOTARD (1702—1789)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• GENEVA
• GENEVA (Fr. Geneve, Ger. Genf, Ital. Ginevra, Late Lat. Gebenna, though Genava in good Latin)
• GENEVA, LAKE OF

Geneva . He began his studies under See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

Professor Gardelle and See also:

• PETITOT, JEAN (1608–1691)
• PETITOT, JEAN LOUIS (1652–c. 1730)

Petitot, whose enamels and miniatures he copied with considerable skill . He went to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris in 1725, studying under J . B . Masse and F. le Moyne, on whose recommendation he was taken to See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples by the See also:

• MARQUIS

Marquis Puysieux . In 1735 he was in See also:

• ROME
• ROME (Roma)

Rome, See also:

• PAINTING

painting the portraits of See also:

• POPE (Gr. irarraas, post-classical Lat. papa, father)
• POPE, ALEXANDER (1688–1744)
• POPE, ALEXANDER (1763-1835)
• POPE, JANE (1742-1818)
• POPE, JOHN (1822-1892)
• POPE, SIR THOMAS (c. 1507-1559)

Pope See also:

• CLEMENT (Lat. Clemens, i.e. merciful; Gr. K)4gs)
• CLEMENT, FRANCOIS (1714-1793)
• CLEMENT, JACQUES (1567-1589)

Clement XII. and several cardinals . 'Three years later he accompanied See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord Duncannon to See also:

• CONSTANTINOPLE
• CONSTANTINOPLE, COUNCILS OF

Constantinople, whence he went to See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna in 1742 to paint the portraits of the imperial See also:

• FAMILY

family . His See also:

• ECCENTRIC (from Gr. F,c, out of, and Kivrpov, centre)

eccentric See also:

• ADOPTION (Lat. adoptio, for adoptalio, from adoptare, to choose for oneself)

adoption of See also:

• ORIENTAL

oriental See also:

• COSTUME
• COSTUME (through the Fr. costume, from Ital. costume, Late Lat. costuma, a contracted form of Lat. consuetudinem, ace. of consuetudo, custom, habit, manner, &c.)

costume secured him the See also:

• NICKNAME

nickname of " the See also:

• TURKISH

Turkish painter." Stil under distinguished patronage he returned to Paris 1744 visited :'::gland, where he painted the princess of See also:

• WALES (Cymru, Gwalia, Cambria)

Wales in 1753, See also:

• ANT
• ANT (O. Eng. aemete, from Teutonic a, privative, and maitan, cut or bite off, i.e. " the biter off "; aemete in Middle English became differentiated in dialect use to (mete, then amte, and so ant, and also to emete, whence the synonym " emmet," now only u

ant, went to See also:

• HOLLAND
• HOLLAND, CHARLES (1733–1769)
• HOLLAND, COUNTY AND PROVINCE OF
• HOLLAND, HENRY FOX, 1ST BARON (1705–1774)
• HOLLAND, HENRY RICH, 1ST EARL OF (1S9o-,649)
• HOLLAND, HENRY RICHARD VASSALL FOX, 3RD
• HOLLAND, JOSIAH GILBERT (1819-1881)
• HOLLAND, PHILEMON (1552-1637)
• HOLLAND, RICHARD, or RICHARD DE HOLANDE (fl. 1450)
• HOLLAND, SIR HENRY, BART

Holland in 1756, where, in the following See also:

• YEAR

year, he married See also:

• MARIE

Marie Fargues . Another visit to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England followed in 1772, and in the next two years his name figures among the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy exhibitors . He returned to his native See also:

• TOWN

town in 1776 and died at Geneva in 1789 . See also:

• LIOTARD, JEAN ETIENNE (1702—1789)

Liotard was an artist of See also:

• GREAT

great versatility, and though his fame depends largely on his graceful and delicate See also:

• PASTEL

pastel drawings, of which " La Liseuse," the " See also:

• CHOCOLATE

Chocolate Girl," and " La Belle Lyonnaise " at the See also:

• DRESDEN

Dresden See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery are delightful examples, he achieved distinction by his enamels, copperplate engravings and See also:

• GLASS
• GLASS (O.E. glees, cf. Ger. Glas, perhaps derived from an old Teutonic root gla-, a variant of glo-, having the general sense of shining, cf. " glare," " glow ")
• GLASS, STAINED

glass painting . He also wrote a See also:

• TREATISE

Treatise on the See also:

• ART

Art of Painting, and was an See also:

• EXPERT (Lat. expertus, from experiri, to try)

expert See also:

• COLLECTOR

collector of paintings by the old masters .

Many of the masterpieces he had acquired were sold by him at high prices on his second visit to England . The museums of See also:

• AMSTERDAM
• AMSTERDAM (NEw AMSTERDAM)

Amsterdam, Berne, and Geneva are particularly See also:

• RICH, BARNABE (c. 1540-1617)
• RICH, CLAUDIUS JAMES (1787-1821)
• RICH, JOHN (1692-1761)
• RICH, PENELOPE, LADY (c. 1562–1607)
• RICH, RICHARD, 1ST BARON RICH (1490?-1567)

rich in examples of his paintings and pastel drawings . A picture of a Turk seated is at the See also:

• VICTORIA
• VICTORIA (or VITTORIA), TOMMASSO LUDOVICO DA (C. I540-C. 1613)
• VICTORIA [ALEXANDRINA VICTORIA]

Victoria and See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

Albert Museum, while the See also:

• BRITISH

British Museum owns two of his drawings . The Louvre has, besides twenty-twodrawings, a portrait of See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

General See also:

• HERAULT

Herault and a portrait of the artist is to be found at the See also:

• SALA, GEORGE AUGUSTUS HENRY (1828-1895)

Sala dei pittori, in the Uffizi Gallery, See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence . See La See also:

• VIE

Vie et See also:

• LES

les oeuvres de See also:

• JEAN

Jean See also:

• ETIENNE, CHARLES GUILLAUME (1778-1845)

Etienne Liotard (1702-1789), etude biographique et iconographique, by E . See also:

• HUMBERT, RANIERI CARLO EMANUELE GIOVANNI MARIA FERDINANDO EUGENIO, KING OF ITALY (1844-1900)

Humbert, A . Revilliod, and J . W . R . Tilanus (Amsterdam, 1897) .