See also:

• EDWARD

EDWARD See also:

• EDWARD LLOYD (1845— )
• LLOYD, WILLIAM (1627–1717)
• LLOYD, WILLIAM WATKISS (1813–1893)

LLOYD (1845— )  , See also:

• ENGLISH

English See also:

• TENOR (through Fr. and It. from Lat. tenor, holding on, course, sense of a law, tone)

tenor vocalist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London on the 7th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1845, his See also:

• FATHER

father, See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

Richard See also:

• LLOYD, EDWARD (1845— )
• LLOYD, WILLIAM (1627–1717)
• LLOYD, WILLIAM WATKISS (1813–1893)

Lloyd, being See also:

• VICAR (Lat. vicarius, substitute)

vicar choralist at See also:

• WESTMINSTER
• WESTMINSTER, MARQUESSES AND DUKES OF
• WESTMINSTER, STATUTES OF
• WESTMINSTER, SYNODS OF

Westminster See also:

• ABBEY (Lat. abbatia; from Syr. abba, father)
• ABBEY, EDWIN AUSTIN (1852– )

Abbey . From 1852 to 186o he sang in the abbey See also:

• CHOIR (0. Fr. cuer from Lat. chorus; pronounced quire, and until the end of the 17th century so spelt, the spelling being altered to agree with the Fr. chceur)

choir, and was thoroughly trained in See also:

• MUSIC

music, eventually becoming See also:

• SOLO, OR SOLO WHIST

solo tenor at the See also:

• CHAPEL

Chapel Royal . He began singing at concerts in 1867, and in 1871 appeared at the See also:

• GLOUCESTER
• GLOUCESTER (abbreviated as pronounced Glo'ster)
• GLOUCESTER, EARLS AND DUKES OF
• GLOUCESTER, GILBERT DE CLARE, EARL OF (1243-1295)
• GLOUCESTER, RICHARD DE CLARE, EARL OF (1222-1262)
• GLOUCESTER, ROBERT, EARL OF (d. 1147)
• GLOUCESTER, THOMAS OF WOODSTOCK, DUKE

Gloucester Musical Festival . His See also:

• FINE

fine evenly-produced See also:

• VOICE (Fr. voix, from Lat. vox)

voice and pure See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style at once brought him into See also:

• NOTICE

notice, and he gradually took the See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place of See also:

• SIMS, GEORGE ROBERT (1847– )

Sims See also:

• REEVES, JOHN SIMS (1818-1900)

Reeves as the leading English tenor of the See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day, his. singing of classical music, and especially of See also:

• HANDEL, GEORGE FREDERICK (1685–1759)

Handel, being particularly admired . At the Handel Festivals after 1888 he was the See also:

• PRINCIPAL

principal tenor, and even in the vast auditorium at the Crystal See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace he triumphed over acoustic difficulties . In 1888, 1890 and 1892 he paid successful visits to the See also:

• UNITED

United States; but by degrees he appeared less frequently in public, and in 1900 he formally retired from the See also:

• PLATFORM (Fr. plateforme, i.e. ground plan)

platform .