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See also: English musician„ perhaps the earliest English writer for the stage, was See also: born at Exeter, where he became a chorister in the See also: cathedral
.
His See also: music, written with Christopher Gibbons (son of Orlando Gibbons), for See also: Shirley's masque See also: Cupid and See also: Death, was performed in See also: London in 1653
.
He wrote some music for Davenant's Siege of Rhodes in 1656; and in 1661 was appointed composer in ordinary to See also: Charles II
.
During the following years he wrote a number of anthems for the
See also: Chapel Royal, and excited some See also: criticism on the score of novelty, to which he replied with considerable heat (See also: Modern See also: Church Music; pre-accused, censured and obstructed. in its Performance before His Majesty,
See also: April 1st, 1666, &c.; copies in the See also: Fitzwilliam Museum, Cambridge, and the Royal See also: College of Music)
.
A See also: good See also: deal of music for the theatre followed, the most important being for Davenant's productions of The See also: Tempest (1667) and of See also: Macbeth (1672), but some doubt as to this latter has arisen, See also: Purcell, See also: Eccles or Leveridge, being also credited with it
.
He also composed various songs and instrumental pieces, and published some curious See also: works on musical theory
.
He died in See also: August 1677, an See also: elegy being written by Purcell
.
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