See also:

• MATTHEW, GOSPEL OF ST
• MATTHEW, ST (MaOOaior or MarOaIos, probably a shortened form of the Hebrew equivalent to Theodorus)
• MATTHEW, TOBIAS

MATTHEW See also:

• LOCKE, GOTTFRIED CHRISTIAN FRIEDRICH (1791–1855)
• LOCKE, JOHN (1632-1704)
• MATTHEW LOCKE (c. 1630-1677)

LOCKE (c. 1630-1677)  , See also:

• ENGLISH

English musician„ perhaps the earliest English writer for the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• EXETER
• EXETER, EARL, MARQUESS AND DUKE OF

Exeter, where he became a chorister in the See also:

• CATHEDRAL

cathedral . His See also:

• MUSIC

music, written with See also:

• CHRISTOPHER, SAINT (Christophorus, Christoferus)

Christopher See also:

• GIBBONS, GRINLING (1648-1721)
• GIBBONS, JAMES (1834– )
• GIBBONS, ORLANDO (1583-1625)

Gibbons (son of Orlando Gibbons), for See also:

• SHIRLEY (or SHERLEY), JAMES (1596-1666)
• SHIRLEY (or SHERLEY), SIR ANTHONY (1565-c. 1635)
• SHIRLEY, WILLIAM (1694-1771)

Shirley's masque See also:

• CUPID (Cupido, " desire ")

Cupid and See also:

• DEATH

Death, was performed in See also:

• LONDON

London in 1653 . He wrote some music for See also:

• DAVENANT (or D'AVENANT), SIR WILLIAM (1606-1668)
• DAVENANT, CHARLES (1656-1714)

Davenant's See also:

• SIEGE (0. Fr. sege, siege, mod. siege, seat, ultimately from sedere, to sit, cf. Class. Lat. obsidium, a siege)

Siege of See also:

• RHODES
• RHODES, CECIL JOHN (1853-1902)
• RHODES, JAMES FORD

Rhodes in 1656; and in 1661 was appointed composer in See also:

• ORDINARY (med. Lat. ordinarius, Fr. ordinaire)

ordinary to See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles II . During the following years he wrote a number of anthems for the See also:

• CHAPEL

Chapel Royal, and excited some See also:

• CRITICISM
• CRITICISM (from the Gr. KpiTrlS, a judge, Kpivew, to decide, to give an authoritative opinion)

criticism on the See also:

• SCORE (O.E. scor, from sceran, to cut, notch, cf. " shear ")

score of novelty, to which he replied with considerable See also:

• HEAT (0. E. haktu, which like " hot," Old Eng. hat, is from the Teutonic type haita, hit, to be hot; cf. Ger. hitze, heiss; Dutch, hitte, heet, &c.)

heat (See also:

• MODERN

Modern See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

Church Music; pre-accused, censured and obstructed. in its Performance before His See also:

• MAJESTY (Fr. majeste; Lat. majestas, grandeur, greatness, from the base mag-, as in magnus, great, major, greater, &c.)

Majesty, See also:

• APRIL

April 1st, 1666, &c.; copies in the See also:

• FITZWILLIAM, SIR WILLIAM (1526-1599)
• FITZWILLIAM, WILLIAM WENTWORTH FITZWILLIAM, 2ND EARL (1748-1833)

Fitzwilliam Museum, See also:

• CAMBRIDGE
• CAMBRIDGE, EARLS AND DUKES OF
• CAMBRIDGE, RICHARD OWEN (1717-1802)

Cambridge, and the Royal See also:

• COLLEGE (Collegium)

College of Music) . A See also:

• GOOD, JOHN MASON (1764-1827)

good See also:

• DEAL

deal of music for the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre followed, the most important being for Davenant's productions of The See also:

• TEMPEST, MARIE (1866– )

Tempest (1667) and of See also:

• MACBETH

Macbeth (1672), but some doubt as to this latter has arisen, See also:

• PURCELL, HENRY (1658-1695)

Purcell, See also:

• ECCLES

Eccles or Leveridge, being also credited with it . He also composed various songs and instrumental pieces, and published some curious See also:

• WORKS

works on musical theory . He died in See also:

• AUGUST (originally Sextilis)

August 1677, an See also:

• ELEGY

elegy being written by Purcell .