H See also:

• LODGE
• LODGE, EDMUND (1756-1839)
• H LODGE
• LODGE, HENRY CABOT (1850– )
• LODGE, SIR OLIVER JOSEPH (1851– )
• LODGE, THOMAS (c. 1558–1625)

LODGE  . C . See also:

• LODGE
• LODGE, EDMUND (1756-1839)
• LODGE, H
• LODGE, HENRY CABOT (1850– )
• LODGE, SIR OLIVER JOSEPH (1851– )
• LODGE, THOMAS (c. 1558–1625)

LODGE, T . See also:

• INN

Inn, where, as in the other Inns of See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

Court, a love of letters and a See also:

• CROP (a word common. in various forms, such as Germ. Kropf, to many Teutonic languages for a swelling, excrescence, round head or top of anything; it appears also in Romanic languages derived from Teutonic, in Fr. as troupe, whence the English " crupper "

crop of debts and difficulties were alike wont to See also:

• SPRING (from " to spring," " to leap or jump up," " burst out," O. Eng., springau, a common Teut. word, cf. Ger. springer, possibly allied to Gr. QnrFpxecOac, to move rapidly)

spring up in 'a kindly See also:

• SOIL

soil . Lodge, apparently in disregard of the wishes of his See also:

• FAMILY

family, speedily showed his inclination towards the looser ways of See also:

• LIFE

life and the lighter aspects of literature . When the penitent See also:

• STEPHEN
• STEPHEN (1097?-1154)
• STEPHEN (ISTVAN) BATHORY (1533-1586)
• STEPHEN, SIR JAMES (1789-1859)
• STEPHEN, SIR JAMES FITZJAMES, BART
• STEPHEN, SIR LESLIE (1832-1904)

Stephen See also:

• GOSSON, STEPHEN (1554-1624)

Gosson had (in 1579) published his Schoole of Abuse, Lodge took up the See also:

• GLOVE (O. Eng. glof, perhaps connected with Gothic lofa, the palm of the hand)

glove in his See also:

• DEFENCE
• DEFENCE (Lat. defendere, to defend)

Defence of See also:

• POETRY

Poetry, See also:

• MUSIC

Music and See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

Stage Plays (1579 or 1580; reprinted for the See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare Society, 1853), which shows a certain See also:

• RESTRAINT (from " to restrain," Lat. restringere, to hold back, prevent)

restraint, though neither deficient in force of invective nor backward in display of erudition . The pamphlet was prohibited, but appears to have been circulated privately . It was answered by Gosson in his Playes Confuted in Five Actions; and Lodge retorted with his Alarum Against Usurers (1584, reprinted ib.)—a " See also:

• TRACT (from Lat. tractare, to treat of a matter, through Provencal tractat and Ital. trattato)

tract for the times " which no doubt was in some measure indebted to the author's See also:

• PERSONAL

personal experience . In the same See also:

• YEAR

year he produced the first See also:

• TALE (O.Eng. talu, number, account, story; the word is common to many Teutonic languages; cf. Ger. Zahl, number, Erzahlung, narrative, Du. taal, speech, language)

tale written by him on his own See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account in See also:

• PROSE

prose and See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse, The Delectable See also:

• HISTORY

History of Forbonius and Prisceria, both published and reprinted with the Alarum . From 1587 onwards he seems to have made a See also:

• SERIES (a Latin word from serere, to join)

series of attempts as a playwright, though most of those attributed to him are mainly conjectural . That he ever became an actor is improbable in itself, and See also:

• COLLIER, ARTHUR (1680-1732)
• COLLIER, JEREMY (1650-1726)
• COLLIER, JOHN PAYNE (1789–1883)

Collier's conclusion to that effect rested on the two assumptions that the " Lodge " of See also:

• HENSLOWE, PHILIP (d. 1616)

Henslowe's M.S. was a player and that his name was See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas, neither of which is supported by the See also:

• TEXT (Lat. textum, woven fabric, from texere, to weave)

text (see C . M .

See also:

• INGLEBY, CLEMENT MANSFIELD (1823—1886)

Ingleby, Was Thomas Lodge an Actor ? 1868) . Having, in the spirit of his See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age , " tried the waves " with See also:

• CAPTAIN (derived from Lat. ca put, head, through the Low Lat. capitanus)

Captain See also:

• CLARKE, ADAM (1762?—1832)
• CLARKE, CHARLES COWDEN (1787-1877)
• CLARKE, EDWARD DANIEL (1769–1822)
• CLARKE, JAMES FREEMAN (1810–1888)
• CLARKE, JOHN SLEEPER (1833–1899)
• CLARKE, MARCUS ANDREW HISLOP (1846–1881)
• CLARKE, MARY ANNE (c.1776–1852)
• CLARKE, SAMUEL (1675–1729)
• CLARKE, SIR ANDREW (1824-1902)
• CLARKE, SIR EDWARD GEORGE (1841– )
• CLARKE, THOMAS SHIELDS (1866- )
• CLARKE, WILLIAM BRANWHITE (1798-1878)

Clarke in his expedition to See also:

• TERCEIRA

Terceira and the Canaries, Lodge in 1591 made a voyage with Thomas See also:

• CAVENDISH
• CAVENDISH, GEORGE (1500-1562?)
• CAVENDISH, HENRY (1731-1810)
• CAVENDISH, SIR WILLIAM (c. 1505-1557)

Cavendish to See also:

• BRAZIL
• BRAZIL, or BRASIL

Brazil and the Straits of See also:

• MAGELLAN, FERDINAND (in Sp. FERNANDO MAGALLANES, in Port. FERNAO DE MAGALHAES) (c. 1480-152I)

Magellan, returning See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

home by 1593 . During the Canaries expedition, to beguile the tedium of his voyage, he composed his prose tale of Rosalynde, Euphues See also:

• GOLDEN

Golden Legacie, which, printed in 159o, afterwards furnished the See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story of Shakespeare's As You Like It . The novel, which in its turn owes some, though no very considerable, See also:

• DEBT (Lat. debitum, a thing owed)

debt to the See also:

• MEDIEVAL

medieval Tale of Gamelyn (unwarrantably appended to the fragmentary Cookes Tale in certain See also:

• MSS

MSS. of See also:

• CHAUCER, GEOFFREY (? 1340-1400)

Chaucer's See also:

• WORKS

works), is written in the euphuistic manner, but decidedly attractive both by its See also:

• PLOT
• PLOT, ROBERT (164o-1696)

plot and by the situations arising from it . It has been frequently reprinted . Before starting on his second expedition he had published an See also:

• HISTORICAL

historical See also:

• ROMANCE

romance, The History of See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

Robert, Second See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

Duke of See also:

• NORMANDY

Normandy, surnamed Robert the Divell; and he See also:

• LEFT

left behind him for publication See also:

• CAT
• CAT, CIVET
• CAT, HOUSE

Cat/taros, See also:

• DIOGENES

Diogenes in his Singularity, a discourse on the immorality of See also:

• ATHENS
• ATHENS ['AN vat, Athenae, modem colloquial Greek `Ath va]

Athens (See also:

• LONDON

London) . Both appeared in 1591 . Another romance in the manner of See also:

• LYLY (LILLY, or LYLIE), JOHN (1553–1606)

Lyly, Euphues See also:

• SHADOW (0. Eng. Schadewe, sceadu; a form of " shade "; connected with Gr. 6-Ore's, darkness)

Shadow, the Battaile of the Sences (1592), appeared while Lodge was still on his travels . His second historical romance, the Life and See also:

• DEATH

Death of See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William Longbeard (1593), was more successful than the first . Lodge also brought back with him from the new See also:

• WORLD

world A MargariteofAmerica (published J96), a romance of the same description interspersed with many lyrics . Already in 1589 Lodge had given to the world a See also:

• VOLUME

volume of poems bearing the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title of the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief among them, Scillaes See also:

• METAMORPHOSIS

Metamorphosis, Enterlaced with the Unfortunate Love of See also:

• GLAUCUS (" bright ")

Glaucus, more briefly known as Claw-us and Scilla (reprinted with See also:

• PREFACE (Med. Lat. prefatia, for classical praefatio, praefari, to speak beforehand)

preface by S .

W . See also:

• SINGER, SIMEON (1846-1906)

Singer in 1819) . To this tale Shakespeare was possibly indebted for the See also:

• IDEA (Gr. Ibia, connected with i&eiv, to see; cf. Lat. species from specere, to look at)

idea of See also:

• VENUS

Venus and See also:

• ADONIS

Adonis . Some readers would perhaps be prepared to give up this and much else of Lodge's sugared verse, See also:

• FINE

fine though much of it is in quality, largely borrowed from other writers, See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French and See also:

• ITALIAN

Italian in particular, in See also:

• EXCHANGE

exchange for the lost Sailor's Kalendar, in which he must in one way or another have recounted his See also:

• SEA (in O. Eng. sae, a common Teutonic word; cf. Ger. See, Dutch Zee, &c.; the ultimate source is uncertain)
• SEA, COMMAND OF THE

sea adventures . If Lodge, as has been supposed, was the Alcon in See also:

• COLIN, ALEXANDRE (1526-1612)

Colin Clout's come Home Again, it may have been the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence of See also:

• SPENSER, EDMUND (c. 1552-1599)
• SPENSER, JOHN (1559-1614)

Spenser which led to the See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition of Phillis, a volume of sonnets, in which the See also:

• VOICE (Fr. voix, from Lat. vox)

voice of nature seems only now and then to become audible, published with the narrative poem, The Complaynte of Elstred, in 1593 . A Fig for See also:

• MOMUS

Momus, on the strength of which he has been called the earliest See also:

• ENGLISH

English satirist, and which contains eclogues addressed to See also:

• DANIEL
• DANIEL (DANIL)
• DANIEL, BOOK
• DANIEL, GABRIEL (1649-1728)

Daniel and others, an See also:

• EPISTLE

epistle addressed to See also:

• DRAYTON, MICHAEL (1563-1631)

Drayton, and other pieces, appeared in 1595 . Lodge's ascertained dramatic See also:

• WORK

work is small in quantity .