See also:

• LOGROSCINO (or Lo GRoscINo), NICOLA (1700?–1763 ?)

LOGROSCINO (or Lo GRoscINo), NICOLA (1700?–1763 ?)  , See also:

• ITALIAN

Italian musical composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples and was a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of See also:

• DURANTE, FRANCESCO (1684-1755)

Durante . In 1738 he collaborated with See also:

• LEO
• LEO (THE LION)
• LEO, BROTHER (d. c. 1270)
• LEO, HEINRICH (1799-1878)
• LEO, JOHANNES (c. 1494-1552)
• LEO, LEONARDO (1694–1744)

Leo and others in the hasty See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production of Demelrio; in the autumn of the same See also:

• YEAR

year he produced a comic See also:

• OPERA (Italian for " work ")

opera L'inganno per inganno, the first of a See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long See also:

• SERIES (a Latin word from serere, to join)

series of comic operas, the success of which won him the name of " it Dio dell' opera buffa." He went to See also:

• PALERMO (Greek, Havopuos; Latin, Panhormus, Panormus)

Palermo, probably in 1747, as a teacher of See also:

• COUNTERPOINT (Lat. contrapunctus, " point counter point," " note against note ")

counterpoint; as an opera composer he is last heard of in 176o, and is supposed to have died about 1763 . See also:

• LOGROSCINO (or Lo GRoscINo), NICOLA (1700?–1763 ?)

Logroscino has been credited with the invention of the concerted operatic See also:

• FINALE (Ital. for " end ")

finale, but as far as can be seen from the See also:

• SCORE (O.E. scor, from sceran, to cut, notch, cf. " shear ")

score of Il Governatore and the few remaining fragments of other operas, his finales show no advance upon those of Leo . As a musical humorist, however, he deserves remembrance, and may justly be classed alongside of See also:

• ROSSINI, GIOACHINO ANTONIO (1792-1868)

Rossini .