GUSTAV See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

ALBERT See also:

• GUSTAV ALBERT LORTZING (18o1-1851)

LORTZING (18o1-1851)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin on the 23rd of See also:

• OCTOBER

October 18or . Both his parents were actors, and when he was nineteen the son began to See also:

• PLAY

play youthful See also:

• LOVER, SAMUEL (1797-1868)

lover at the theatres of See also:

• DUSSELDORF

Dusseldorf and Aachen, sometimes also singing in small See also:

• TENOR (through Fr. and It. from Lat. tenor, holding on, course, sense of a law, tone)

tenor or baritone parts . His first See also:

• OPERA (Italian for " work ")

opera See also:

• ALI

Ali Pascha von Jannina appeared in 1824, but his fame as a musician rests chiefly upon the two operas Der Wildschiitz (1842) and Czar and See also:

• ZIMMERMANN, JOHANN GEORG, RITTER VON

Zimmermann (1837) . The latter, although now regarded as one of the masterpieces of German comic opera, was received with little See also:

• ENTHUSIASM

enthusiasm by the public of See also:

• LEIPZIG

Leipzig . Subsequent performance in Berlin, however, provoked such a See also:

• TEMPEST, MARIE (1866– )

tempest of See also:

• APPLAUSE (Lat. applaudere, to strike upon, clap)

applause that the opera was soon placed on all the stages of See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany . It was translated into See also:

• ENGLISH

English, See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French, See also:

• SWEDISH

Swedish, Danish, Dutch, Bohemian, Hungarian and See also:

• RUSSIAN

Russian . Der Wildschiitz was based on a See also:

• COMEDY

comedy of See also:

• KOTZEBUE, AUGUST FRIEDRICH FERDINAND VON (1761–1819)
• KOTZEBUE, OTTO VON (1787–1846)

Kotzebue, and was a See also:

• SATIRE (Lat. satira, satura; see below)

satire on the unintelligent and exaggerated admiration for the highest beauty in See also:

• ART

art expressed by the See also:

• BOURGEOIS
• BOURGEOIS, LEON VICTOR AUGUSTE (1851– )

bourgeois gentilhomme . Of his other operas it is only necessary to See also:

• NOTE
• NOTE (Lat. nota, mark, sign, from noscere, to know)

note Der See also:

• POLE (FAMILY)
• POLE, REGINALD (1500-1558)
• POLE, RICHARD DE LA (d. 1525)
• POLE, WILLIAM (1814—1900)

Pole and sein See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

Kind, produced shortly after the See also:

• POLISH

Polish insurrection of 1831, and Undine (1845) . See also:

• LORTZING, GUSTAV ALBERT (18o1-1851)

Lortzing died at Berlin on the 21st of See also:

• JANUARY

January 1851 .