See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

ANTONIO See also:

• ANTONIO LOTTI (1667?-174o)

LOTTI (1667?-174o)  , See also:

• ITALIAN

Italian musical composer, was the son of Matteo See also:

• LOTTI, ANTONIO (1667?-174o)

Lotti, Kapellmeister to the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court of See also:

• HANOVER
• HANOVER (Ger. Hannover)

Hanover . He was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born, however, at See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice and as a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of Legrenzi . He entered the See also:

• DOGE

Doge's See also:

• CHAPEL

chapel as a boy, and in 1689 was engaged as an See also:

• ALTO (Ital. for " high ")

alto See also:

• SINGER, SIMEON (1846-1906)

singer, succeeding later to the posts of See also:

• DEPUTY (through the Fr. from a Late Lat. use of deputare, to cut off, allot; putare having the original sense of to trim, prune)

deputy organist (1690), second organist (1692), first organist (1704), and, finally, in 1736 See also:

• MAESTRO

Maestro di Cappella at St See also:

• MARK
• MARK, CARL (1858– )
• MARK, GOSPEL OF ST
• MARK, ST

Mark's See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church . He was also a composer of operas, and having attracted the See also:

• INTEREST

interest of the See also:

• CROWN

crown See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

prince of See also:

• SAXONY
• SAXONY (Ger. Provinz Sachsen)

Saxony during his visit to Venice in 1712, he was invited to See also:

• DRESDEN

Dresden, where he went in 1717 . After producing three operas there he was obliged to return to his duties at Venice in 1719 . He died on the 5th of See also:

• JANUARY

January 1740 . Like many other Venetian composers he wrote operas for See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna, and enjoyed a considerable reputation outside See also:

• ITALY
• ITALY (Italia)

Italy . A See also:

• VOLUME

volume of madrigals published in 1705 contains the famous In una See also:

• SIEGE (0. Fr. sege, siege, mod. siege, seat, ultimately from sedere, to sit, cf. Class. Lat. obsidium, a siege)

siege ombrosa, passed off by See also:

• BONONCINI (or BUONONCINI), GIOVANNI BATTISTA (1672?-1750?)

Bononcini as his own in See also:

• LONDON

London . Another is quoted by See also:

• MARTINI, GIOVANNI BATTISTA (1706–1784)
• MARTINI, SIMONE (1283-1344)

Martini in his Saggio di Contra ppunto . Among his pupils were See also:

• ALBERTI, DOMENICO (c. 1710–1740)
• ALBERTI, LEONE BATTISTA (1404–1472)

Alberti, Bassani, See also:

• GALUPPI, BALDASSARE (1706-1785)

Galuppi, Gasparini and See also:

• MARCELLO, BENEDETTO (1686-1739)

Marcello . See also:

• BURNEY, CHARLES (1726-1814)

Burney justly praises his church See also:

• MUSIC

music, which is severe in See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style, but none the less See also:

• MODERN

modern in its See also:

• GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
• GRACE, WILLIAM GILBERT (1848– )

grace and pathos . A See also:

• FINE

fine setting of the See also:

• DIES, CHRISTOPH ALBERT (1755-1822)

Dies Irae is in the Imperial Library at Vienna, and some of his masses have been printed in the collections of Proske and See also:

• LUCK

Luck .