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RICHARD LOVELACE (1618-1658)

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Originally appearing in Volume V17, Page 71 of the 1911 Encyclopedia Britannica.
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RICHARD See also:LOVELACE (1618-1658)  , See also:English poet, was See also:born at See also:Woolwich in 1618 . He was a See also:scion of a Kentish See also:family, and inherited a tradition of military distinction, maintained by successive generations from the See also:time of See also:Edward III . His See also:father, See also:Sir See also:William See also:Lovelace, had served in the See also:Low Countries, received the See also:honour of See also:knighthood from See also:James I., and was killed at Grolle in 1628 . His See also:brother, See also:Francis Lovelace, the " See also:Colonel Francis " of Lucasta, served on the See also:side of See also:Charles I., and de-fended Caermarthen in 1644 . His See also:mother's family was legal; her grandfather had been See also:chief See also:baron of the See also:exchequer . See also:Richard was educated at the See also:Charterhouse and at See also:Gloucester See also:Hall, See also:Oxford, where he matriculated in 1634 . Through the See also:request of one of the See also:queen's ladies on the royal visit to Oxford he was made M.A., though only in his second See also:year at the university . Lovelace's fame has been kept alive by a few songs and the See also:romance of his career, and his poems are commonly spoken of as careless improvisations, and merely the amusements of an active soldier . But the unhappy course of his See also:life gave him more leisure for See also:verse-making than opportunity of soldiering . Before the outbreak of the See also:civil See also:war in 1642 his only active service was in the bloodless expedition which ended in the Pacification of See also:Berwick in 164o . On the conclusion of See also:peace he entered into See also:possession of the family estates at Bethersden, See also:Canterbury, See also:Chart and Halden in See also:Kent . By that time he was one of the most distinguished of the See also:company of courtly poets gathered See also:round Queen Henrietta, who were influenced as a school by contemporary See also:French writers of vers de societe .

He wrote a See also:

comedy, The See also:Scholar, when he was sixteen, and a tragedy, The -Soldier, when he was twenty-one . From what he says of See also:Fletcher, it would seem that this dramatist was his See also:model, but only the See also:prologue and See also:epilogue to his comedy have been preserved . When the rupture between See also:king and See also:parliament took See also:place, Lovelace was committed to the See also:Gatehouse at See also:Westminster for presenting to the See also:Commons in 1642 a See also:petition from Kentish royalists in the king's favour . It was then that he wrote his most famous See also:song, " To Althea from See also:Prison." He was liberated, says See also:Wood, on See also:bail of £40,000 (more probably £4000), and throughout the civil war was a prisoner on See also:parole, with this See also:security in the hands of his enemies . He contrived, however, to render considerable service to the king's cause . He provided his two See also:brothers with See also:money to raise men for the Royalist See also:army, and befriended many of the king's adherents . He was especially generous to scholars and musicians, and among his associates in See also:London were See also:Henry See also:Lawes and See also:John Gamble, the Cottons, Sir See also:Peter See also:Lely, See also:Andrew Marvell and probably Sir John Suckling . He joined the king at Oxford in 1645, and after the surrender of the See also:city in 1646 he raised a See also:regiment for the service of the French king . He was wounded at the See also:siege of See also:Dunkirk, and with his brother See also:Dudley, who had acted as See also:captain in his brother's command, returned to See also:England in 1648 . It is not known whether the brothers took any See also:part in the disturbances in Kent of that year, but both were imprisoned at See also:Petre See also:House in Alders-See also:gate . During this second imprisonment he collected and revised for the See also:press a See also:volume of occasional poems, many if not most of which had previously appeared in various publications . The volume was published in 1649 under the See also:title of Lucasta, his poetical name—contracted from Lux Casta—for a See also:lady rashly identified by Wood as See also:Lucy See also:Sacheverell, who, it is said, married another during his See also:absence in See also:France, on a See also:report that he had died of his wounds at Dunkirk .

The last ten years of Lovelace's life were passed in obscurity . His See also:

fortune had been exhausted in the king's See also:interest, and he is said to have been supported by the generosity of See also:friends . He died in 1658 " in a cellar in See also:Long-See also:acre," according to See also:Aubrey, who, however, possibly exaggerates his poverty . A volume of Lovelace's Posthume Poems was published in 1659 by his brother Dudley . They are of inferior merit to his own collection . The See also:world has done no injustice to Lovelace in neglecting all but a few of his modest offerings to literature . But critics often do him injustice in dismissing him as a See also:gay See also:cavalier, who dashed off his verses hastily and cared little what became of them . It is a See also:mistake to class him with Suckling; he has neither Suckling's easy See also:grace nor his reckless spontaneity . We have only to compare the version of any of his poems in Lucasta with the See also:form in which it originally appeared to see how fastidious was his revision . In many places it takes time to decipher his meaning . The expression is often elliptical, the syntax inverted and tortuous, the See also:train of thought intricate and discontinuous . These faults—they are not of course to be found in his two or three popular lyrics, " Going to the See also:Wars," " To Althea from Prison," " The See also:Scrutiny "—are, however, as in the See also:case of his poetical See also:master, See also:Donne, the faults not of haste but of over-elaboration .

His thoughts are not the first thoughts of an See also:

improvisatore, but -thoughts ten or twenty stages removed from the first, and they are generally as closely packed as they are far-fetched . His poems were edited by W . C . See also:Hazlitt in 1864 .

End of Article: RICHARD LOVELACE (1618-1658)
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