See also:

• SAMUEL

SAMUEL See also:

• SAMUEL LOVER (1797-1868)

LOVER (1797-1868)  , Irish novelist, artist, See also:

• SONG

song-writer and musician, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• DUBLIN

Dublin on the 24th of See also:

• FEBRUARY

February 1797 . His See also:

• FATHER

father was a stockbroker . See also:

• LOVER, SAMUEL (1797-1868)

Lover began See also:

• LIFE

life as an artist, and was elected in 1828 a member of the Royal Hibernian See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy—a See also:

• BODY

body of which two years afterwards he became secretary . He acquired repute as a See also:

• MINIATURE

miniature painter, and a number of the See also:

• LOCAL

local See also:

• ARISTOCRACY (Gr. apuvror, best; «paria, government)

aristocracy sat to him for their portraits . His love for See also:

• MUSIC

music showed itself at an See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age . At a See also:

• DINNER

dinner given to the poet Tom See also:

• MOORE, A
• MOORE, ALBERT JOSEPH (1841–1893)
• MOORE, EDWARD (1712–1757)
• MOORE, GEORGE (1853– )
• MOORE, GEORGE FOOT (1851– )
• MOORE, HENRY (1831–1895)
• MOORE, JOHN (1729-1802)
• MOORE, SIR JOHN (1761-1809)
• MOORE, THOMAS (1779-1852)

Moore in 1818 Lover sang one of his own songs, which elicited See also:

• SPECIAL

special praise from Moore . One of his best-known portraits was that of See also:

• PAGANINI, NICOLO (1784-1840)

Paganini, which was exhibited at the Royal Academy . He attracted See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention as an author by his Legends and Stories of See also:

• IRELAND
• IRELAND, CHURCH
• IRELAND, CHURCH OF
• IRELAND, JOHN (1761-1842)
• IRELAND, JOHN (1838- )
• IRELAND, WILLIAM HENRY (1777-1835)

Ireland (1832), and was one of the first writers for the Dublin University See also:

• MAGAZINE

Magazine . He went to See also:

• LONDON

London about 1835, where, among others, he painted See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord See also:

• BROUGHAM
• BROUGHAM, JOHN (1814-188o)

Brougham in his See also:

• ROBES (Fr. robe, Late Lat. roba, raupa, meaning (1)

robes as lord See also:

• CHANCELLOR (M. Eng. and Anglo-Fr. canceler, chanceler, Fr. chancelier, Lat. cancellarius)

chancellor . His gifts rendered him popular in society; and he appeared often at See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

Lady See also:

• BLESSINGTON, MARGUERITE, COUNTESS OF (1789-1849)

Blessington's evening receptions . There he sang several of his songs, which were so well received that he published them (Songs and See also:

• BALLADS

Ballads, 1839) . Some of them illustrated Irish superstitions, among these being " Rory O'More," " The See also:

• ANGEL

Angel's Whisper," " The May See also:

• DEW

Dew " and " The Four-leaved Shamrock." In 1837 appeared Rory O'More, a See also:

• NATIONAL

National See also:

• ROMANCE

Romance, which at once made him a reputation as a novelist; he afterwards dramatized it for the Adelphi See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre, London .

In 1842 was published his best-known See also:

• WORK

work, Handy Andy, an Irish See also:

• TALE (O.Eng. talu, number, account, story; the word is common to many Teutonic languages; cf. Ger. Zahl, number, Erzahlung, narrative, Du. taal, speech, language)

Tale . Meanwhile his pursuits had affected his See also:

• HEALTH

health; and in 1844 he gave up See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing for some See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time, substituting instead public entertainments, called by him " Irish Evenings," illustrative of his own See also:

• WORKS

works . These were successful both in See also:

• GREAT

Great See also:

• BRITAIN (Gr. Hperavuml vi7vot, Bperravia; Lat. Britannia, rarely Britannia)

Britain and in See also:

• AMERICA

America . In addition to See also:

• PUBLISHING

publishing numerous songs of his own, Lover edited a collection entitled The Lyrics of Ireland, which appeared in 1858 . He died on the 6th of See also:

• JULY

July 1868 . Besides the novels already mentioned he wrote Treasure Trove (1844), and Metrical Tales and Other Poems (186o) . His Life was written in 1874 by See also:

• BAYLE, PIERRE (1647-1706)

Bayle See also:

• BERNARD, CHARLES DE
• BERNARD, CLAUDE (1813-1878)
• BERNARD, JACQUES (1658--1718)
• BERNARD, MOUNTAGUE (1S2o—1882)
• BERNARD, SAINT
• BERNARD, SAINT (Iogo-1153)
• BERNARD, SIMON (1779—1839)
• BERNARD, SIR THOMAS, BART

Bernard .