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JOHANN KARL GOTTFRIED LOWE (1796-1869) , See also: German composer, was See also: born at Lobejun, near See also: Halle, on the 3oth of See also: November 1796, and was a choir-boy at Kothen from 1807 to 1809, when he went to the Franke Institute at Halle, studying See also: music with Turk
.
The beauty of Lowe's See also: voice brought him under the See also: notice of Madame de See also: Stael, who procured him a pension from See also: Jerome See also: Bonaparte, then See also: king of Westphalia; this stopped in 1813, on the
See also: flight of the king
.
He entered the University of Halle as a theological student, but was appointed cantor at See also: Stettin in 182o, and director of the See also: town music in 1821, in which See also: year he married Julie von See also: Jacob, who died in 1823
.
His second wife, Auguste See also: Lange, was an accomplished See also: singer, and they appeared together in his See also: oratorio performances with See also: great success
.
He retained his office at Stettin for 46 years, when, after a stroke of paralysis, he was somewhat summarily dismissed
.
He retired to See also: Kiel, and died on the loth of See also: April 1869
.
He undertook many concert See also: tours during his tenure of the See also: post at Stettin, visiting Vienna, See also: London, Sweden, See also: Norway and See also: Paris
.
His high See also: soprano voice (he could sing the music of the " See also: Queen of See also: Night " in Die Zauberflote as a boy) had See also: developed into a See also: fine tenor
.
Lowe was a voluminous composer, and wrote five operas, of which only one, Die drei Wiinsche, was performed at Berlin in 1834, without much success; seventeen oratorios, many of them for male voices, unaccompanied, or with See also: short instrumental interludes only; choral See also: ballads, cantatas, three See also: string quartets, a pianoforte trio; a See also: work for See also: clarinet and piano, published posthumously; and some piano solos
.
But the branch of his See also: art by which he is remembered, and in which he must be admitted to have attained perfection, is the See also: solo ballad with pianoforte accompaniment
.
His treatment of long narrative poems, in a See also: clever mixture of the dramatic and lyrical styles, was undoubtedly modelled on the ballads of Zumsteeg, and has been copied by many composers since his See also: day
.
His settings of the " See also: Erlkonig " (a very early example), " Archibald See also: Douglas," " Heinrich der See also: Vogler," " See also: Edward " and " Die Verfallene Mtihle," are particularly fine
.
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