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LUCIFER (the Latinized See also: morning See also: star," i.e. the See also: planet See also: Venus when it appears above the E. See also: horizon, before sunrise, and sometimes also to the " evening star," i.e. the same planet in the W. sky after sundown, more usually called Hesperus (q.v.)
.
The See also: term " See also: day star " (so rendered in the Revised Version) was used poetically by See also: Isaiah for the See also: king of
See also: Babylon: " How See also: art thou fallen from heaven, 0 Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations " (Is. xiv
.
12, Authorized Version)
.
The words ascribed to Christ in See also: Luke x
.
18: " I beheld Satan as See also: lightning fall from heaven " (cf
.
Rev. ix
.
I), were interpreted by the Christian Fathers as referring to the passage in Isaiah; whence, in Christian See also: theology, Lucifer came to be regarded as the name of
Satan before his fall
.
This idea finds its most magnificent and censorious See also: criticism of persons, morals, See also: manners, politics, literature, &c. which the word satire has ever since denoted
.
In point of See also: form the satire of See also: Lucilius owed nothing to the Greeks
.
It was a legitimate development of an indigenous dramatic entertainment, popular among the See also: Romans before the first introduction of the forms of See also: Greek art among them; and it seems largely also to have employed the form of the See also: familiar See also: epistle
.
But the See also: style, substance and spirit of his writings were apparently as See also: original as the form
.
He seems to have commenced his poetical career by ridiculing and parodying the conventional language of epic and tragic See also: poetry, and to have used the language commonly employed in the social intercourse of educated men
.
Even his frequent use of Greek words, phrases and quotations, reprehended by Horace, was probably taken from the actual practice of men, who found their own speech as yet inadequate to giveSee also: free expression to the new ideas and impressions which they derived from their first contact with Greek .philosophy, rhetoric and poetry
.
Further, he not only created a style of his own, but, instead of taking the substance of his writings from Greek poetry, or from a remote past, he treated of the familiar matters of daily See also: life, of the politics, the See also: wars, the administration of See also: justice, the eating and drinking, the See also: money-making and money-spending, the scandals and vices, which made up the public and private life of See also: Rome in the last quarter of the 2nd century B.C
.
This he did in a singularly See also: frank, See also: independent and courageous spirit, with no private ambition to serve, or party cause to advance, but with an honest See also: desire to expose the iniquity or incompetence of the governing See also: body, the sordid aims of the See also: middle class, and the corruption and venality of the city See also: mob
.
There was nothing of stoical austerity or of rhetorical indignation in the See also: tone in which he treated the vices and follies of his See also: time
.
His character and tastes were much more akin to those of Horace than of either See also: Persius or Juvenal
.
But he was what Horace was not, a thoroughly See also: good hater; and he lived at a time when the utmost freedom of speech and the most unrestrained indulgence of public and private animosity were the characteristics of men who took a prominent See also: part in affairs
.
Although Lucilius took no active part in the public life of his time, he regarded it in the spirit of a See also: man of the See also: world and of society, as well as a man of letters
.
His ideal of public virtue and private worth had been formed by intimate association with the greatest and best of the soldiers and statesmen of an older generation
.
See also: literary expression in See also: Milton's See also: Paradise Lost
.
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