See also:

• LUCIFER (d. 370/1)
• LUCIFER (the Latinized form of Gr. 4scwo'4 bpos, " light-bearer ")

LUCIFER (the Latinized See also:

• FORM (Lat. forma)

form of Gr. 4scwo'4 bpos, " See also:

• LIGHT

light-See also:

• BEARER

bearer ")  , the name given to the " See also:

• MORNING

morning See also:

• STAR

star," i.e. the See also:

• PLANET (Gr. ssXavirrns, a wanderer)

planet See also:

• VENUS

Venus when it appears above the E. See also:

• HORIZON (Gr. 6pfTwv, dividing)

horizon, before sunrise, and sometimes also to the " evening star," i.e. the same planet in the W. See also:

• SKY (M. Eng. skie, cloud; O. Eng. skua, shade; connected with an Indo-European root sku, cover, whence " scum," Lat. obscurus, dark, &c.)

sky after sundown, more usually called See also:

• HESPERUS (Gr. "Ea-repor, Lat. Vesper)

Hesperus (q.v.) . The See also:

• TERM

term " See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day star " (so rendered in the Revised Version) was used poetically by See also:

• ISAIAH
• ISAIAH, ASCENSION OF

Isaiah for the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king of See also:

• BABYLON (mod. Hillah)

Babylon: " How See also:

• ART

art See also:

• THOU, JACQUES AUGUSTE DE [THUANUS] (1553-1617)
• THOU, NOM

thou fallen from See also:

• HEAVEN (0. Eng. hefen, heofon, heofone; this word appears in O.S. hevan; the High. Ger. word appears in Ger. Himmel, Dutch hemel; there does not seem to be any connexion between the two words, and the ultimate derivation of the word is unknown; the sugges

heaven, 0 See also:

• LUCIFER (d. 370/1)
• LUCIFER (the Latinized form of Gr. 4scwo'4 bpos, " light-bearer ")

Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations " (Is. xiv . 12, Authorized Version) . The words ascribed to See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ in See also:

• LUKE
• LUKE, GOSPEL OF ST

Luke x . 18: " I beheld Satan as See also:

• LIGHTNING

lightning fall from heaven " (cf . Rev. ix . I), were interpreted by the See also:

• CHRISTIAN
• CHRISTIAN, WILLIAM (1608-1663)

Christian Fathers as referring to the passage in Isaiah; whence, in Christian See also:

• THEOLOGY

theology, Lucifer came to be regarded as the name of Satan before his fall . This See also:

• IDEA (Gr. Ibia, connected with i&eiv, to see; cf. Lat. species from specere, to look at)

idea finds its most magnificent and censorious See also:

• CRITICISM
• CRITICISM (from the Gr. KpiTrlS, a judge, Kpivew, to decide, to give an authoritative opinion)

criticism of persons, morals, See also:

• MANNERS, CHARLES (1857– )

manners, politics, literature, &c. which the word See also:

• SATIRE (Lat. satira, satura; see below)

satire has ever since denoted . In point of See also:

• FORM (Lat. forma)

form the satire of See also:

• LUCILIUS, GAIUS (c. 18o–ro3 B.C.)

Lucilius owed nothing to the Greeks . It was a legitimate development of an indigenous dramatic entertainment, popular among the See also:

• ROMANS
• ROMANS, EPISTLE TO THE

Romans before the first introduction of the forms of See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek art among them; and it seems largely also to have employed the form of the See also:

• FAMILIAR (through the Fr. familier, from Lat. familiaris, of or belonging to the familia, family)

familiar See also:

• EPISTLE

epistle . But the See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style, substance and spirit of his writings were apparently as See also:

• ORIGINAL

original as the form . He seems to have commenced his poetical career by ridiculing and parodying the conventional See also:

• LANGUAGE (adapted from the Fr. langage, from langue, tongue, Lat. lingua)

language of epic and tragic See also:

• POETRY

poetry, and to have used the language commonly employed in the social intercourse of educated men .

Even his frequent use of Greek words, phrases and quotations, reprehended by See also:

• HORACE [QuINTus HORATIUS FLACCUS] (65-8 B.C.)

Horace, was probably taken from the actual practice of men, who found their own speech as yet inadequate to give See also:

• FREE

free expression to the new ideas and impressions which they derived from their first contact with Greek .See also:

• PHILOSOPHY (Gr. gthos, fond of, and vo4 (a, wisdom)

philosophy, See also:

• RHETORIC (Gr. psroperctj TEXvq, the art of the orator)

rhetoric and poetry . Further, he not only created a style of his own, but, instead of taking the substance of his writings from Greek poetry, or from a remote past, he treated of the familiar matters of daily See also:

• LIFE

life, of the politics, the See also:

• WARS

wars, the See also:

• ADMINISTRATION (Lat. administrare, to serve)

administration of See also:

• JUSTICE (Lat. justitia)

justice, the eating and drinking, the See also:

• MONEY

money-making and money-spending, the scandals and vices, which made up the public and private life of See also:

• ROME
• ROME (Roma)

Rome in the last See also:

• QUARTER (through Fr. from Lat. quartarius, fourth part)

quarter of the 2nd See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century B.C . This he did in a singularly See also:

• FRANK, JAKOB (1726-1791)

frank, See also:

• INDEPENDENT

independent and courageous spirit, with no private ambition to serve, or party cause to advance, but with an honest See also:

• DESIRE

desire to expose the iniquity or incompetence of the governing See also:

• BODY

body, the sordid aims of the See also:

• MIDDLE

middle class, and the corruption and venality of the See also:

• CITY (through Fr. cite, from Lat. civitas)

city See also:

• MOB

mob . There was nothing of stoical austerity or of rhetorical indignation in the See also:

• TONE, THEOBALD WOLFE (1763-1798)

tone in which he treated the vices and follies of his See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time . His See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character and tastes were much more akin to those of Horace than of either See also:

• PERSIUS

Persius or See also:

• JUVENAL (DECIMUS JUNIUS JUVENALIS) (c. 60-140)

Juvenal . But he was what Horace was not, a thoroughly See also:

• GOOD, JOHN MASON (1764-1827)

good hater; and he lived at a time when the utmost freedom of speech and the most unrestrained See also:

• INDULGENCE (Lat. indulgentia, indulgere, to grant, concede)

indulgence of public and private animosity were the characteristics of men who took a prominent See also:

• PART

part in affairs . Although Lucilius took no active part in the public life of his time, he regarded it in the spirit of a See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man of the See also:

• WORLD

world and of society, as well as a man of letters . His ideal of public virtue and private See also:

• WORTH
• WORTH, CHARLES FREDERICK (1825-1895)

worth had been formed by intimate association with the greatest and best of the soldiers and statesmen of an older See also:

• GENERATION (from Lat. generare, to beget, procreate; genus, stock, race)

generation . See also:

• LITERARY

literary expression in See also:

• MILTON
• MILTON, JOHN (1608–1674)

Milton's See also:

• PARADISE (Gr. lrap6BEwos)

Paradise Lost .