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LUCIUS ANNAEUS SENECA (c. 54 B.C.–A.D...

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Originally appearing in Volume V24, Page 637 of the 1911 Encyclopedia Britannica.
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LUCIUS ANNAEUS See also:SENECA (c. 54 B.C.–A.D. 39)  , called See also:Seneca " the See also:elder " or " the rhetorician," belonged to a well-to-do equestrian See also:family of Corduba . His praenomen is uncertain, but in any caseMarcus is an arbitrary conjecture of See also:Raphael of See also:Volterra . During a lengthy stay on two occasions at See also:Rome he attended the lectures of famous orators and rhetoricians, to prepare for an See also:official career as an See also:advocate . His ideal orator was See also:Cicero, and he disapproved of the florid tendencies of the See also:oratory of his See also:time . During the See also:civil See also:wars (which kept him in See also:Spain and thus prevented him from ever See also:hearing Cicero speak) his sympathies, like those of his native See also:place, were probably with See also:Pompey, as were those of his son and his See also:grandson (the poet See also:Lucan) . By his wife Helvia of Corduba he had three sons: L . Annaeus Novatus, adopted by his See also:father's friend, the rhetorician See also:Junius See also:Gallio, and subsequently called L . Junius Gallio; L . Annaeus Seneca, the philosopher; Annaeus See also:Mela, the father of the poet Lucan . As he died before his son was banished by See also:Claudius (41; Seneca, ad Helviam, ii . 4), and the latest references in his writings are to the See also:period immediately after the See also:death of Tiberius, he probably died about A.D . 39 .

At an advanced See also:

age, at the See also:request of his sons, he prepared, it is said from memory, a collection of various school themes and their treatment by See also:Greek and See also:Roman orators . These he arranged in ten books of Controversiae (imaginary legal cases) in which 74 themes were discussed, the opinions of the rhetoricians upon each See also:case being given from different points of view, then their See also:division of the case into different single questions (divisio), and, finally, the devices for making See also:black appear See also:white and extenuating injustice (colores) . Each See also:book was introduced by a See also:preface, in which the characteristics of individual rhetoricians were discussed in a lively manner . The See also:work is incomplete, but the gaps can be to a certain extent filled up with the aid of an See also:epitome made in the 4th or 5th See also:century for the use of See also:schools . The romantic elements were utilized in the collection of anecdotes and tales called Gesta Romanorum (q.v.) . For books i., ii., vii., ix., x. we possess both the See also:original and the epitome; for the See also:remainder we have to rely upon the epitome alone . Even with the aid of the latter, only seven of the prefaces are available . The Controversiae were supplemented by the Suasoriae (exercises in hortatory or deliberative oratory), in which the question is discussed whether certain things should or should not be done . The whole forms the most important authority for the See also:history of contemporary oratory . Seneca was also the author of a lost See also:historical work, containing the history of Rome from the beginning of the civil wars almost down to his own death, after which it was published by his son . Of this we learn something from the younger Seneca's De vita patris (H . See also:Peter, Historicorum Romanorum fragmenta, 1883, pp .

292, 301), of which the beginning was discovered by B . G . See also:

Niebuhr . The father's claim. to the authorship of the rhetorical work, generally ascribed to the son during the See also:middle ages, was vindicated by Raphael of Volterra and Justus See also:Lipsius .

End of Article: LUCIUS ANNAEUS SENECA (c. 54 B.C.–A.D. 39)
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