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LULLY , See also: JEAN-See also: BAPTISTE (c
.
1633-1687), See also: Italian composer, was See also: born in Florence
.
Through the duc de See also: Guise he entered the services of Madame de Montpensier as See also: scullery-boy, and with the help of this lady his musical talents were cultivated
.
A scurrilous poem on his patroness resulted in his dismissal
.
He then studied the theory of See also: music under Metra and entered the orchestra of the French See also: court, being subsequently appointed director of music to See also: Louis XIV. and director of the
See also: Paris See also: opera
.
The influence of his music produced a See also: radical revolution in the
de Tarraga (c
.
2370), a converted See also: Jew who studied the occult
.
Others are ascribed by See also: Morhof to a Raymundus Lullius Neophytus, who lived about 1440
.
See See also: ALCHEMY, and also J
.
See also: Ferguson, Bibliotheca chemica (1906)
.
See also: style of the dances of the court itself
.
Instead of the slow and stately movements which had prevailed until then, he introduced lively ballets of rapid rhythm
.
In See also: December 1661 he was naturalized as a Frenchman, his See also: original name being Giovanni Battista Lulli
.
In 1662 he was appointed music master to the royal See also: family
.
In 1681 he was made a court secretary to the See also: king and ennobled
.
While directing a Te Deum on the 8th of
See also: January 1687 with a rather long baton he injured his See also: foot so seriously that a cancerous growth resulted which caused his See also: death on the 22nd of See also: March
.
Having found a congenial poet in
See also: Quinault, Lully composed twenty operas, which met with a most enthusiastic reception
.
Indeed he has See also: good claim to be considered the founder of French opera, forsaking the Italian method of See also: separate recitative and See also: aria for a dramatic consolidation of the two and a quickened See also: action of the See also: story such as was more congenial to the taste of the French public
.
He effected important improvements in the composition of the orchestra, into which he introduced several new See also: instruments
.
Lully enjoyed the friendship of See also: Moliere, for some of whose best plays he composed illustrative music
.
His Miserere, written for the funeral of the See also: minister Sequier, is a See also: work of See also: genius; and very remarkable are also his minor sacred compositions
.
On his death-See also: bed he wrote Bisogna morire, peccatore
.
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